The Female Face of God in Auschwitz


Book Description

The first full-length feminist dialogue with Holocaust theory, theology and social history. Considers women's reactions to the holy in the camps at Auschwitz.




The Female Face of God in Auschwitz


Book Description

The first full-length feminist dialogue with Holocaust theory, theology and social history. Considers women's reactions to the holy in the camps at Auschwitz.




Rena's Promise


Book Description

An expanded edition of the powerful memoir about two sisters' determination to survive during the Holocaust featuring new and never before revealed information about the first transport of women to Auschwitz In March 1942, Rena Kornreich and 997 other young women were rounded up and forced onto the first Jewish transport of women to Auschwitz. Soon after, Rena was reunited with her sister Danka at the camp, beginning a story of love and courage that would last three years and forty-one days. From smuggling bread for their friends to narrowly escaping the ever-present threats that loomed at every turn, the compelling events in Rena’s Promise remind us that humanity and hope can survive inordinate brutality.




Models of God


Book Description

In this award-winning text, theologian Sallie McFague challenges Christians' usual speech about God as a kind of monarch. She probes instead three other possible metaphors for God as mother, lover, and friend.




The Female Face of God in Auschwitz


Book Description

The dominant theme of post-Holocaust Jewish theology has been that of the temporary hiddenness of God, interpreted either as a divine mystery or, more commonly, as God's deferral to human freedom. But traditional Judaic obligations of female presence, together with the traditional image of the Shekhinah as a figure of God's 'femaleness' accompanying Israel into exile, seem to contradict such theologies of absence. The Female Face of God in Auschwitz, the first full-length feminist theology of the Holocaust, argues that the patriarchal bias of post-Holocaust theology becomes fully apparent only when women's experiences and priorities are brought into historical light. Building upon the published testimonies of four women imprisoned at Auschwitz-Birkenau - Olga Lengyel, Lucie Adelsberger, Bertha Ferderber-Salz and Sara Nomberg-Przytyk - it considers women's distinct experiences of the holy in relation to God's perceived presence and absence in the camps. God's face, says Melissa Raphael, was not hidden in Auschwitz, but intimately revealed in the female face turned towards the other as a refractive image of God, especially in the moral protest made visible through material and spiritual care for the assaulted other.




Cilka's Journey


Book Description

From the author of the multi-million copy bestseller The Tattooist of Auschwitz comes a new novel based on a riveting true story of love and resilience. Her beauty saved her — and condemned her. Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp in 1942, where the commandant immediately notices how beautiful she is. Forcibly separated from the other women prisoners, Cilka learns quickly that power, even unwillingly taken, equals survival. When the war is over and the camp is liberated, freedom is not granted to Cilka: She is charged as a collaborator for sleeping with the enemy and sent to a Siberian prison camp. But did she really have a choice? And where do the lines of morality lie for Cilka, who was send to Auschwitz when she was still a child? In Siberia, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she meets a kind female doctor, Cilka is taken under her wing and begins to tend to the ill in the camp, struggling to care for them under brutal conditions. Confronting death and terror daily, Cilka discovers a strength she never knew she had. And when she begins to tentatively form bonds and relationships in this harsh, new reality, Cilka finds that despite everything that has happened to her, there is room in her heart for love. From child to woman, from woman to healer, Cilka's journey illuminates the resilience of the human spirit—and the will we have to survive.




The Tattooist of Auschwitz


Book Description

The incredible story of the Auschwitz-Birkenau tattooist and the woman he loved. Lale Sokolov is well-dressed, a charmer, a ladies' man. He is also a Jew. On the first transport of men from Slovakia to Auschwitz in 1942, Lale immediately stands out to his fellow prisoners. In the camp, he is looked up to, looked out for, and put to work in the privileged position of Tatowierer - the tattooist - to mark his fellow prisoners, forever. One of them is a young woman, Gita, who steals his heart at first glance. His life given new purpose, Lale does his best through the struggle and suffering to use his position for good. This story, full of beauty and hope, is based on years of interviews author Heather Morris conducted with real-life Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov. It is heart-wrenching, illuminating, and unforgettable. 'Morris climbs into the dark miasma of war and emerges with an extraordinary tale of the power of love' - Leah Kaminsky




Women in the Holocaust


Book Description

Introduction : the role of gender in the Holocaust / Lenore J. Weitzman and Dalia Ofer -- Gender and the Jewish family in modern Europe / Paula E. Hyman -- Keeping calm and weathering the storm : Jewish women's responses to daily life in Nazi Germany, 1933-1939 / Marion Kaplan -- The missing 52 percent : research on Jewish women in interwar Poland and its implications for Holocaust studies / Gershon Bacon -- Women in the Jewish labor bund in interwar Poland / Daniel Blatman -- Ordinary women in Nazi Germany : perpetrators, victims, followers, and bystanders / Gisela Bock -- The Grodno Ghetto and its underground : a personal narrative / Liza Chapnik -- The key game / Ida Fink -- 5050




Religion, Feminism, and Idoloclasm


Book Description

Religion, Feminism, and Idoloclasm identifies religious and secular feminism’s common critical moment as that of idol-breaking. It reads the women’s liberation movement as founded upon a philosophically and emotionally risky attempt to liberate women’s consciousness from a three-fold cognitive captivity to the self-idolizing god called ‘Man’; the ‘God’ who is a projection of his power, and the idol of the feminine called ‘Woman’ that the god-called-God created for ‘Man’. Examining a period of feminist theory, theology, and culture from about 1965 to 2010, this book shows that secular, as well as Christian, Jewish, and post-Christian feminists drew on ancient and modern tropes of redemption from slavery to idols or false ideas as a means of overcoming the alienation of women’s being from their own becoming. With an understanding of feminist theology as a pivotal contribution to the feminist criticism of culture, this original book also examines idoloclasm in feminist visual art, literature, direct action, and theory, not least that of the sexual politics of romantic love, the diet and beauty industry, sex robots, and other phenomena whose idolization of women reduces them to figures of the feminine same, experienced as a de-realization or death of the self. This book demonstrates that secular and religious feminist critical engagements with the modern trauma of dehumanization were far more closely related than is often supposed. As such, it will be vital reading for scholars in theology, religious studies, gender studies, visual studies, and philosophy.




After Auschwitz


Book Description

When first published in 1966, After Auschwitz made headlines and sparked controversy as Jewish "death-of-God" theology. But as the first work by a respected modern theologian to define the Holocaust in religious as well as demographic terms, its greater importance gradually emerged. Today it ranks as a seminal work of modern Jewish thought and culture. In this substantially revised and expanded edition, Richard L. Rubenstein returns to old questions and addresses new issues with the same passion and spirit that characterized his original work. With the first edition of After Auschwitz, Rubenstein virtually invented Holocaust theology. He argued that Jews (and Christians) who accept the traditional belief that God has chosen Israel and acts providentially in history must either interpret that Holocaust as divine punishment or as the most radical challenge ever to traditional belief. Unable to defend traditional faith, Rubenstein turned to psychoanalysis, sociology, and history to defend religious institutions and ritual. The discussion he originated continued unabated. The revised After Auschwitz remains as much a book about the human condition as a book about God. While retaining essential material from the 1966 edition, Rubenstein offers his latest thinking on the issues of belief and tradition after the Holocaust. He also deals extensively with events making headlines and shaping contemporary Jewish thinking and theology, such as the Palestinian question and Judaism in post-communist Eastern Eurpe. Facing the threat of Holy War and future Holocaust, questioning the possibility of genuine peace, exploring mysticism and other religions, this After Auschwitz is as challenging—and may provde as controversial—as the original.