The Fictional World of William Hoffman


Book Description

"Over the past forty-five years, William Hoffman has written eleven novels, including the critically acclaimed Tidewater Blood, winner of the Dashiell Hammett award, and four short-fiction collections, the most recent being Doors - all of which have enjoyed a loyal and appreciative readership." "The Fictional World of William Hoffman provides readers with the first assessment of Hoffman's work. Including commentary and analysis from fellow writers as well as from established and emerging critics this collection of essays aims to deepen the appreciation of those already familiar with Hoffman and to introduce new readers to one of the South's most influential voices."--Jacket




Fantasy


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Personal Souths


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The very best literary interviews from fifty years of scholarly inquiry




The World That We Knew


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NEW YORK TIMES BESTSELLER * LONGLISTED FOR THE ANDREW CARNEGIE MEDAL On the brink of World War II, with the Nazis tightening their grip on Berlin, a mother’s act of courage and love offers her daughter a chance of survival. “[A] hymn to the power of resistance, perseverance, and enduring love in dark times…gravely beautiful…Hoffman the storyteller continues to dazzle.” —THE NEW YORK TIMES BOOK REVIEW At the time when the world changed, Hanni Kohn knows she must send her twelve-year-old daughter away to save her from the Nazi regime. Her desperation leads her to Ettie, the daughter of a rabbi whose years spent eavesdropping on her father enables her to create a mystical Jewish creature, a rare and unusual golem, who is sworn to protect Hanni’s daughter, Lea. Once Ava is brought to life, she and Lea and Ettie become eternally entwined, their paths fated to cross, their fortunes linked. What does it mean to lose your mother? How much can one person sacrifice for love? In a world where evil can be found at every turn, we meet remarkable characters that take us on a stunning journey of loss and resistance, the fantastical and the mortal, in a place where all roads lead past the Angel of Death and love is never-ending.




Tidewater Blood


Book Description

Set in Virginia in the 1980s, Tidewater Blood opens at the annual LeBlanc family celebration. Rich, pretentious, and proud, the LeBlancs operate a prosperous plantation and celebrate their heritage each year in grand old Southern fashion on the mansion's portico. But this year, the front of the mansion explodes and everyone on the portico is instantly killed. As the dust settles, all fingers point to embittered brother and ex-con Charles LeBlanc, who lives as a hermit outside town. When it seems he's going down on a murder rap, Charley flees to begin his own investigation. Charley must win the trust of one person after another--from his frat-boy lawyer to an old backwoods woman harboring a special hatred of the LeBlancs. Charley solves the crime moments before he faces imprisonment, but not before he learns long-hidden secrets about that illustrious LeBlanc blood. Crisp and cinematic, Tidewater Blood is a riveting and tightly constructed thriller. "A first rate, page-turning thriller." --George Garrett "Limpid and swift-moving, with a full complement of understated surprises: an exemplary presentation of the innocent man on the run for readers who want more texture then they can find in The Fugitive." --Kirkus Reviews "This is a gripping read." --Library Journal A MYSTERY GUILD SELECTION




Inhabiting Contemporary Southern and Appalachian Literature


Book Description

The idea of place--any place--remains one of our most basic yet slippery concepts. It is a space with boundaries whose limits may be definite or indefinite; it can be a real location or an abstract mental, spiritual, or imaginary construction. Casey Clabough’s thorough examination of the importance of place in southern literature examines the works of a wide range of authors, including Fred Chappell, George Garrett, William Hoffman, Julien Green, Kelly Cherry, David Huddle, and James Dickey. Clabough expands the definition of "here" beyond mere geography, offering nuanced readings that examine tradition and nostalgia and explore the existential nature of "place." Deeply concerned with literature as a form of emotional, intellectual, and aesthetic engagement with the local and the regional, Clabough considers the idea of place in a variety of ways: as both a physical and metaphorical location; as an important factor in shaping an individual, informing one of the ways the person perceives the world; and as a temporal as well as geographic construction. This fresh and useful contribution to the scholarship on southern literature explains how a text can open up new worlds for readers if they pay close enough attention to place.




As is


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THE STORY: The time is now, the place New York City. Rich, a young writer who is beginning to find success, is breaking up with his longtime lover, Saul, a professional photographer. The split is particularly difficult for Saul, who still loves Ric







Essay and General Literature Index


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Includes "List of books indexed" (published also separately).




Contemporary Fiction Writers of the South


Book Description

The extraordinary flowering of Southern literary talent in the early twentieth century, the Southern Literary Renascence, has continued virtually unabated, showing increasing vitality in recent decades. These newer fiction writers, poets, dramatists, and journalists reflect in their work the changing social conditions of the South while also presenting traditional Southern values and qualities. Their astonishing output constitutes a phenomenon worthy of being called a Second Southern Literary Renascence. Joseph M. Flora and Robert Bain, editors of the acclaimed Fifty Southern Writers before 1900 and Fifty Southern Writers after 1900, found that they could only begin to suggest the continuing abundance and significance of Southern writing in the latter volume. Retaining the same format, they have developed two new volumes for the contemporary period. The first, focusing on fiction, comprises forty-nine talented novelists, including such popular figures as Pat Conroy, Gail Godwin, T. R. Pearson, Anne Tyler, and Alice Walker. The companion volume, (Contemporary Poets, Dramatists, Essayists, and Novelists: A Bio-Bibliographical Sourcebook forthcoming from Greenwood Press) will cover primarily poets, playwrights, and essayists as well as fiction writers who have made major contributions to these other genres. The essays, written by scholars and critics, present in each case a biographical sketch, an analysis of the writer's style and major themes, an assessment of reviews and scholarship, a chronological list of works, and a bibliography of selected criticism. Considered individually and comparatively and with attention to the editors' introductory essay, these bio-bibliographical studies clearly demonstrate the state and strength of Southern letters.