The Fifteenth Century XIX


Book Description

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW




The Cambridge History of Fifteenth-Century Music


Book Description

Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.




Authority and Subversion


Book Description

The themes of authority and subversion explored in relation to royal power, orthodox religion, and violence and disorder. The essays in this volume explore themes long seen as central to the history of late medieval England and Europe. They examine the strength of opposition to Henry IV's usurpation, the nature and extent of the lollards' resistanceto orthodox religion, and the contrasting causes of violence and disorder in the remote border regions at opposite ends of the country, in Cornwall and in the north-west. Subversion of its authority might be counteracted by a regime which recognized the importance of pageantry to bolster its public profile, while a complex weave of patronage, private interest and dedicated service enabled the Exchequer to function through periods of financial crisis. Relations between the Crown and urban centres, potentially a cause of tension, were eased by an emerging body of professional urban law-officers prepared to act as intermediaries. Contributors: PETER BOOTH, CLIVE BURGESS, KEITH DOCKRAY, ALASTAIR DUNN, PETER W. FLEMING, IAN FORREST, DAVID GRUMMITT, HANNES KLEINEKE, J.L. LAYNSMITH, JAMES LEE, FRANK D. MILLARD, JAMES ROSS, SIMON WALKER.




Renaissance de L'enluminure Médiévale


Book Description

KADOC Artes 8The art of illumination, usually associated with the Middle Ages, experienced a spectacular revival in nineteenth-century Western Europe. This completely different context gave the illuminations another import. The output of the lay and religious workshops reveals a great artistic, stylistic, technical, and thematic diversity. The works illuminated go far beyond the world of exceptional and precious manuscripts and include many occasional documents and devotional images.Richly illustrated with unpublished masterworks, The Revival of Medieval Illumination is an overview of the form by fifteen authors who do not limit their approach to the traditional questions of art history. Rather, they explore the historical, sociocultural, ideological and religious components of the revival, which changed according to time and country, in order to understand the evolution and success of the art of illumination in the long nineteenth century.




A Companion to the History of the Book


Book Description

A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.




Conflicts, Consequences and the Crown in the Late Middle Ages


Book Description

A range of important issues in current research are debated in the latest volume in the series, with a special focus on warfare.




Before Copernicus


Book Description

In 1984, Noel Swerdlow and Otto Neugebauer argued that Nicolaus Copernicus (1473–1543) explained planetary motion by using mathematical devices and astronomical models originally developed by Islamic astronomers in the thirteenth and fourteenth centuries. Was this a parallel development, or did Copernicus somehow learn of the work of his predecessors, and if so, how? And if Copernicus did use material from the Islamic world, how then should we understand the European context of his innovative cosmology? Although Copernicus’s work has been subject to a number of excellent studies, there has been little attention paid to the sources and diverse cultures that might have inspired him. Foregrounding the importance of interactions between Islamic and European astronomers and philosophers, Before Copernicus explores the multi-cultural, multi-religious, and multi-lingual context of learning on the eve of the Copernican revolution, determining the relationship between Copernicus and his predecessors. Essays by Christopher Celenza and Nancy Bisaha delve into the European cultural and intellectual contexts of the fifteenth century, revealing both the profound differences between “them” and “us,” and the nascent attitudes that would mark the turn to modernity. Michael Shank, F. Jamil Ragep, Sally Ragep, and Robert Morrison depict the vibrant and creative work of astronomers in the Christian, Islamic, and Jewish worlds. In other essays, Rivka Feldhay, Raz Chen-Morris, and Edith Sylla demonstrate the importance of shifting outlooks that were critical for the emergence of a new worldview. Highlighting the often-neglected intercultural exchange between Islam and early modern Europe, Before Copernicus reimagines the scientific revolution in a global context.




Political Culture in Late Medieval Britain


Book Description

Eight studies of aspects of C15 England, united by a common focus on the role of ideas in political developments of the time. The concept of "political culture" has become very fashionable in the last thirty years, but only recently has it been consciously taken up by practitioners of late-medieval English history, who have argued for the need to acknowledge the role of ideas in politics. While this work has focused on elite political culture, interest in the subject has been growing among historians of towns and villages, especially as they have begun to recognise the importance of both internal politics and national government in the affairs of townsmen and peasants. This volume, the product of a conference on political culture in the late middle ages, explores the subject from a variety of perspectives and in a variety of spheres. It is hoped that it will put the subject firmly on the map for the study of late-medieval England and lead to further exploration of political culture in this period. Contributors CAROLINE BARRON, ALAN CROMARTIE, CHRISTOPHER DYER, MAURICE KEEN, MIRI RUBIN, BENJAMIN THOMPSON, JOHN WATTS, JENNY WORMALD. LINDA CLARK is editor, History of Parliament; CHRISTINE CARPENTER is Reader in History, University ofCambridge.




The Painted Façades of Florence


Book Description

This is the first book published in forty years featuring the painted façades of Florentine palaces. A topic of enormous interest since Florence is one of the most visited and admired cities in the world. The Painted Facades of Florence XV to XIX Centuries is the result of thorough research revealing that the historical circumstances that lead local families to decorate the façades of their residences, as well as providing a description of the various decorative techniques. Lavishly illustrated in colour, this volume includes a significant amount of previously unpublished photographic archival material. Most of the new photographs were especially commissioned. An important book not only for architects, art historians and decorative arts specialists, but for all those who have visited and loved Florence. 227 colour & 21 b/w illustrations