Firebrand


Book Description

Magic, danger, and adventure abound for messenger Karigan G'ladheon in the sixth book in Kristen Britain's New York Times-bestselling Green Rider epic fantasy series. Zachary Davriel Hillander, High King of Sacoridia, rues how much he has had to give up to lead his realm, including the freedom to live and love as he chooses. When an embassy from Eletia arrives to propose a joint venture between their realms to seek out an old ally in the north, he is dismayed to learn that the one Sacoridian they have in mind to accompany their guide is the woman he truly loves but cannot have: Green Rider Karigan G'ladheon. Karigan has only just returned from a dark future where Sacoridia has been conquered and is ruled by a despotic emperor, and she has not recovered in heart or mind. As if that is not enough, the castle ghosts won't leave her alone. Though Zachary is loath to part from her so soon after her return, he knows she is the best choice to undertake the mission to the north. Each step on their journey places Karigan and her companions closer to enemy territory and danger, for northward lie the forces of Second Empire, Sacoridia's longtime foe, and Grandmother, the necromantic leader of Second Empire, has not been idle. She uses her magic to summon a wild elemental spirit to wreak havoc upon Zachary and his wife, Queen Estora. At first the Sacoridians succeed in fending off the creature, but it so covets Estora that it can't stay away. It abducts Zachary, assuming his form and his place at Estora's side--but when it is finally ousted, Zachary is still missing. Estora, alone and heavy with twins, must prepare her realm for the coming conflict from the confines of her bedchamber. Meanwhile, the danger only deepens for Karigan and her companions as they journey north. When she finds herself caught in the midst of a clash between forces, Karigan must rescue and protect her king before she falls into a trap set by Grandmother--a trap that could give Second Empire the power to control the dead and all the demons of the hells.





Book Description




Classics Illustrated


Book Description

In its expanded third edition, this definitive work on Classics Illustrated explores the enduring series of comic-book adaptations of literary masterpieces in even greater depth, with twice the number of color plates as in the second edition. Drawing on interviews, correspondence, fanzines, and archival research, the book covers in full detail the work of the artists, editors, scriptwriters, and publishers who contributed to the success of the "World's Finest Juvenile Publication." Many previously unpublished reproductions of original art are included, along with new chapters covering editor Meyer Kaplan, art director L.B. Cole, and artist John Parker; additional information on contributions from Black artists and scriptwriters such as Matt Baker, Ezra Jackson, George D. Lipscomb, and Lorenz Graham; and a complete issue-by-issue listing of significant international series.




The Firebrand


Book Description

After spending a year riding with the Amazon tribes, Kassandra, royal princess of Troy, returns to her city to dedicate herself to being a priestess of Apollo, in this retelling of the story of the Trojan War. Reprint.







The Poems of T. S. Eliot: Volume I


Book Description

The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.




Classics Illustrated


Book Description

A significant expansion of the critically acclaimed first edition, Classics Illustrated: A Cultural History, 2d ed., carries the story of the Kanter family's series of comics-style adaptations of literary masterpieces from 1941 into the 21st century. This book features additional material on the 70-year history of Classics Illustrated and the careers and contributions of such artists as Alex A. Blum, Lou Cameron, George Evans, Henry C. Kiefer, Gray Morrow, Rudolph Palais, and Louis Zansky. New chapters cover the recent Jack Lake and Papercutz revivals of the series, the evolution of Classics collecting, and the unsung role of William Kanter in advancing the fortunes of his father Albert's worldwide enterprise. Enhancing the lively account of the growth of "the World's Finest Juvenile Publication" are new interviews and correspondence with editor Helene Lecar, publicist Eleanor Lidofsky, artist Mort Kunstler, and the founder's grandson John "Buzz" Kanter. Detailed appendices provide artist attributions, issue contents and, for the principal Classics Illustrated-related series, a listing of each printing identified by month, year, and highest reorder number. New U.S., Canadian and British series have been added. More than 300 illustrations--most of them new to this edition--include photographs of artists and production staff, comic-book covers and interiors, and a substantial number of original cover paintings and line drawings.




Receptions of the Classics in the African Diaspora of the Hispanophone and Lusophone Worlds


Book Description

Atlantis Otherwise expands the study of the African diaspora by focusing on postcolonial literary expressions from Latin America and Africa. The book studies the presence of classical references in texts written by writers (black and non-black) who are committed to the articulation of the fragmented history of the African experience from the Middle Passage to the present outside of Euro-centric views. Consequently, this book addresses the silencing of the African Diaspora within the official discourses of Latin America and Hispanic Africa, as well as the limitations that linguistic and geographic boundaries have imposed upon scholarship. The contributors address questions related to the categories of race and cultural identity by analyzing a diverse body of Afro-Latin American and Afro-Hispanic receptions of classical literature and its imaginaries. Literary texts in Spanish and Portuguese written in countries such as Brazil, Colombia, and Equatorial Guinea provide the opportunity for a transnational and trans-linguistic examination of the use of classical tropes and themes in twentieth-century drama, fiction, folklore studies, and narrative.




Classical Myths and Legends in the Middle Ages and Renaissance


Book Description

While numerous classical dictionaries identify the figures and tales of Greek and Roman mythology, this reference book explains the allegorical significance attached to the myths by Medieval and Renaissance authors. Included are several hundred alphabetically arranged entries for the gods, goddesses, heroes, heroines, and places of classical myth and legend. Each entry includes a brief account of the myth, with reference to the Greek and Latin sources. The entry then discusses how Medieval and Renaissance commentators interpreted the myth, and how poets, dramatists, and artists employed the allegory in their art. Each entry includes a bibliography and the volume concludes with appendices and an extensive bibliography of primary and secondary sources.




The Sage Train


Book Description

Friedrich Nietzsche is dead. Not only that, but he's lost and alone, climbing a mountain with no one to talk to. So, when he spies someone coming towards him, he's delighted. Surely this man is important; someone who walks his own path? The writer, G. K. Chesterton, is no Nietzschean hero. But he does have a knapsack of food. Its not long before some of history's greatest ever philosophers are seen winding their way towards them. The unlikely pair decide to visit the Sages; not in heaven but as they were on earth and embark on an extraordinary journey. Travelling with them, we meet the greats and see what their lives were about. Did you know, for example, that Thomas Hobbes was so scared of spirits that he slept with his servant at night, or that the great Immanuel Kant went for the same walk every day, so precisely that his neighbours could adjust their clocks? A blend of biography, philosophy and fiction, The Sage Train introduces the reader to the minds of these and other luminaries; Aristotle, John Stuart Mill, the pleasure seeker Aristippus, A J Ayer, Aquinas and Baruch Spinoza. Within each Sage's story the philosophy comes to life, allowing the reader to compare the ideas and how useful they still are today. Hailed as a triumph by teachers, students and dinner party guests, this book has a humorous, accessible tone that makes abstract ideas seem easy and shows how philosophical questions remain at the core of our lives.