The First Edition of the Tragedy of Hamlet (Classic Reprint)


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Excerpt from The First Edition of the Tragedy of Hamlet The last leaf is wanting; but as the Play is perfect to the death of Hamlet, the loss is of comparatively small importance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Works of Shakespeare


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Excerpt from The Works of Shakespeare: The Tragedy of Hamlet This edition of Hamlet aims in the first place at giving a trustworthy text. Secondly, it attempts to exhibit the variations from that text which are found in the primary sources - the Quarto of I 604 and the Folio of I 62 3 - in so far as those variations are of importance towards the ascertainment of the text. Every variation is not recorded, but I have chosen to err on the side of excess rather than on that of defect. Readings from the Quarto of 1603 are occa sionally given, and also from the later Quartos and Folios, but to record such readings is not a part of the design of this edition. The letter Q means Quarto 1604; F means Folio 1623. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Tragedy of Hamlet (Classic Reprint)


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Excerpt from The Tragedy of Hamlet The variants given are only those of importance and high authority. The spelling and the punctuation of the text are mod crn, except in the case of verb terminations in -cd', which, when the e is silent, are printed with the apostrophe in its place. This is the general usage in the First Folio. The im portant contractions in the First Folio which may indicate Elizabethan pronunciation i' th for 'in the, ' for example) are also followed. Modern spelling has to a certain extent been adopted in the text variants; but the original spelling has been retained wherever its peculiarities have been the basis for important textual criticism and emendation. With the exception of the position of the textual vari ants, the plan of this edition is similar to that of the old Hudson Shakespeare. It is impossible to specify the vari ous instances of revision and rearrangement in the matter of the Introduction and the interpretative notes, but the endeavor has been to retain all that gave the old edition its unique place and to add the results of what seems vital and permanent in later inquiry and research. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










The Tragedy of Hamlet, Prince of Denmark


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Excerpt from The Tragedy of Hamlet, Prince of Denmark: According to the First Folio (Spelling Modernised); With Further Remarks on the Emphasis-Capitals of Shakspere Of editing Shakspere's works, and writing books on them and him, there is no end, and with such a popular subject many have to do whom the Gods have not made Poetical, and who, therefore, do not know what Poetical is. We have laborious contributors in every branch connected with him and his writings, but, of course, the first thing, which has led to all the interest, is his meaning, that is the Heart of heart, and on which depends the accurate reading or reciting of his language, and we claim for these emphasis-capitals, that in this, they are the confidential servants or body-guard. Adherents to our opinion increase in number more rapidly than could have been anticipated, for there are so many grave interests bound up with Modern Editions which shew the shorn Text, that any published favourable words of an Edition restoring these abolished Capitals, and upon the ground of their being indispensable, cannot be other than few and far between. With a large number of persons, to admit that there is anything whatever in them, making them worthy of restoration, would be to lift a stone to break their own heads, and, accordingly, there is either silence, orutterances of the when I ope my lips, let no dog bark character, to force the emphasis-capitals to be regarded as merely types of a different shape, signifying nothing emanating from the Printers, and not thoughtfully selected, and carefully set down in his Manuscript, by Shakspere himself. One of the reviewers has said, These Capitals were simply inserted by the printers in the fashion of the time when no two printing offices agreed in the matter, or even took the trouble to be consistent with themselves, a statement with which we think no earnest and impartial student of the First Folio, capable of judging. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Shakespeare's Tragedy of Hamlet (Classic Reprint)


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Excerpt from Shakespeare's Tragedy of Hamlet Several other allusions occur during the early years of the seventeenth century, evidently to the older Hamlet, Bokker'e Settromtix, 16os, My Name's Hamlet revenge West ward Hoe, 1607 (let these husbands play mad Hamlet and cry revenge; Rowland's Tie Night Rm, 1618 i will not cry Hamlet Revenge, etc). There is a comic passage in tile Looking Glass for London and England, written by Lodge Greene, probably before 1589, which strikes me as a burlesque reminiscence of the original of Hamlet, Act 1. Sc. Ii. 184-240; Adam, the smith's man, exclaims thus to the Clown Alas, sir, your father, - why, sir, methinlts i see the gentle man still: a proper youth he was, faith, aged some forty and ten; his beard rat's colour, half black, half white; his nose was in the highest degree of noses, etc. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Hamlet, a Tragedy


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Excerpt from Hamlet, a Tragedy: The E. H. Southern Acting Version Sit down a while And let us once again assail your ears, That are so fortified against our story, What we have two nights seen. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




1ST /E OF THE TRAGEDY OF HAMLE


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.