Shakespeare and the First Hamlet


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The first edition of Hamlet – often called ‘Q1’, shorthand for ‘first quarto’ – was published in 1603, in what we might regard as the early modern equivalent of a cheap paperback. Yet this early version of Shakespeare’s classic tragedy is becoming increasingly canonical, not because there is universal agreement about what it is or what it means, but because more and more Shakespearians agree that it is worth arguing about. The essays in this collected volume explore the ways in which we might approach Q1’s Hamlet, from performance to book history, from Shakespeare’s relationships with his contemporaries to the shape of his whole career.




Shakespeare's Tragedies


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The Total Tragedy of a Girl Named Hamlet


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All Hamlet Kennedy wants is to be a normal eighth grader. But with parents like hers - Shakespearean scholars who actually dress in Elizabethan regalia . . . in public! - it's not that easy. As if they weren't strange enough, her genius seven-year-old sister will be attending her middle school, and is named the new math tutor. Then, when the Shakespeare Project is announced, Hamlet reveals herself to be an amazing actress. Even though she wants to be average, Hamlet can no longer hide from the fact that she- like her family - is anything but ordinary.




The Tempest


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Brick Shakespeare


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Enjoy four of Shakespeare’s tragedies told with LEGO bricks. Here are Hamlet, Macbeth, Romeo and Juliet, and Julius Caesar enacted scene by scene, captioned by excerpts from the plays. Flip through one thousand color photographs as you enjoy Shakespeare’s iconic poetry and marvel at what can be done with the world’s most popular children’s toy. Watch the brick Hamlet give his famous “To be or not to be” soliloquy, and feel brick Ophelia’s grief as she meets her watery end. Lady Macbeth in brick form brings new terror to “Out, out, damn spot!” and brick Romeo and Juliet are no less star-crossed for being rectangular and plastic. The warm familiarity of bricks lends levity to Shakespeare’s tragedies while remaining true to his original language. The ideal book for Shakespeare enthusiasts, as well as a fun way to introduce children to Shakespeare’s masterpieces, this book employs Shakespeare’s original, characteristic language in abridged form. Though the language stays true to its origins, the unique format of these well-known tragedies will give readers a new way to enjoy one of the most popular playwrights in history.




Antique Roman


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In the tale of Hamlet, Horatio is recorded as a loyal friend, but what if he were more? What if he filled Hamlet’s heart and dreams? And Hamlet filled his? This modern retelling of Shakespeare’s Hamlet, told through Horatio’s eyes is much more than a tragedy. Antique Roman is also a love story about how the handsome and dashing Prince of Denmark finds himself drawn to the quiet, introverted Horatio while at university in Wittenberg. Slowly but surely, Hamlet helps the guarded Horatio see his own true value and shows him how love can bring light to life. But all too soon for the lovers, Hamlet receives word that his father, the King, has died, and he is to return to Elsinore in Denmark to comfort the grieving Queen. Horatio soon follows to support Hamlet, but finds the royal court mired in intrigue. It appears the late King’s death may not have been of natural causes, the Queen has already remarried her late husband’s brother who has taken the throne, and there have been reports of sightings of the dead King’s ghost. Told mostly in modern English, this novel also weaves in lines from Shakespeare’s original play, thus offering readers an easy-to-understand version of the Bard’s Hamlet that still captures its flavour and mastery. It also opens up intriguing possibilities about what was the real story behind the play.




Five Revenge Tragedies


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As the Elizabethan era gave way to the reign of James I, England grappled with corruption within the royal court and widespread religious anxiety. Dramatists responded with morally complex plays of dark wit and violent spectacle, exploring the nature of death, the abuse of power and vigilante justice. In Kyd's The Spanish Tragedy a father failed by the Spanish court seeks his own bloody retribution for his son's murder. Shakespeare's 1603 version of Hamlet creates an avenging Prince of unique psychological depth, while Chettle's The Tragedy of Hoffman is a fascinating reworking of Hamlet's themes, probably for a rival theatre company. In Marston's Antonio's Revenge, thwarted love leads inexorably to gory reprisals and in Middleton's The Revenger's Tragedy, malcontent Vindice unleashes an escalating orgy of mayhem on a debauched Duke for his bride's murder, in a ferocious satire reflecting the mounting disillusionment of the age. Emma Smith's introduction considers the political and religious climate behind the plays and the dramatic conventions within them. This edition includes a chronology, playwrights' biographies and suggestions for further reading.




What Happens in Hamlet


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In this classic 1935 book, John Dover Wilson critiques Shakespeare's Hamlet.




British Museum


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