History's Fools


Book Description

The end of the Cold War announced a new world order. Liberal democracy prevailed, ideological conflict abated, and world politics set off for the promised land of a secular, cosmopolitan, market-friendly end of history. Or so it seemed. Thirty years later, this unipolar worldview-- premised on shared values, open markets, open borders and abstract social justice--lies in tatters. What happened? David Martin Jones examines the progressive ideas behind liberal Western practice since the end of the twentieth century, at home and abroad. This mentality, he argues, took an excessively long view of the future and a short view of the past, abandoning politics in favour of ideas, and failing to address or understand rejection of liberal norms by non-Western 'others'. He explores the inevitable consequences of this liberal hubris: political and economic confusion, with the chaotic results we have seen. Finally, he advocates a return to more sceptical political thinking-- with prudent statecraft abroad, and defence of political order at home--in order to rescue the West from its widely advertised demise. History's Fools is a timely account of the failed project to shape the world in the West's image, and an incisive call for a return to 'true' politics.




The Griffith Project, Volume 2


Book Description

Silent film director D.W. Griffith is the subject of this study. Only a small group of his more than 500 films are subject to analysis. The creative output of Griffiths from 'Professional Jealousy' (1907) to 'The Struggle' (1931) is explored.




E.W. Godwin


Book Description

In the first section of this work, ten scholars examine E.W. Godwin's life and career, discussing his diverse contributions as a design reformer. The second section presents a fully annotated selection of over 150 items that represent the formation and flowering of Godwin's oeuvre.




Fools' Plays


Book Description

Dr Arden analyses the sottie, a short comical play, which flourished in France from about 1440 to 1560.




Fools of Time


Book Description

In the Alexander Lectures for 1965-66 at the University of Toronto, Dr. Frye describes the basis of the tragic vision as "being in time," in which death as "the essential event that gives shape and form to life ... defines the individual, and marks him off from the continuity of life that flows indefinitely between the past and the future." In Dr. Frye's view, three general types can be distinguished in Shakespearean tragedy, the tragedy of order, the tragedy of passion, and the tragedy of isolation, in all of which a pattern of "being in time" shapes the action. In the first type, of which Julius Caesar, Macbeth, and Hamlet are examples, a strong ruler is killed, replaced by a rebel-figure, and avenged by a nemesis-figure; in the second, represented by Romeo and Juliet, Anthony and Cleopatra, and Troilus and Cressida, authority is split and the hero is destroyed by a conflict between social and personal loyalties; and in the third, Othello, King Lear, and Timon of Athens, the central figure is cut off from his world, largely as a result of his failure to comprehend the dynamics of that world. What all these plays show us, Dr. Frye maintains, is "the impact of heroic energy on the human situation" with the result that the "heroic is normally destroyed ... and the human situation goes on surviving." Fools of Time will be welcomed not only by many scholars who are familiar with Dr. Frye's keen critical insight but also by undergraduates, graduates, high-school and university teachers who have long valued his work as a means toward a firmer grasp and deeper understanding of English literature.




The Cynic and the Fool


Book Description

The questioning of religion is the beginning of a flood, one that cannot be contained and will soon drown every theological, political, economic, and cultural orthodoxy that pledged its allegiance to a sinking cause. We are in just such an era of revolt, and those with eyes to see are learning to interrogate motives. When we are told of an idea that cannot possibly be true, the most immediate question is this: does the speaker so very foolishly believe their own words, or is the person a cynic who knows perfectly well how they manipulate the truth? As individual personalities transform into a collective drive, the aftermath is a brutal mix of motives, fictions, and anxieties. The Cynic & the Fool explores theology and politics through the lens of our unconscious motives, our clever repression, and our deceptive denial. In nine chapters interspersed with nine parables, DeLay unites psychoanalysis, philosophy, and theology together for an accessible yet critical theory of culture. There could not be a more crucial moment to settle these questions. Why do we feel such anxiety over the most abstract orthodoxies, what conflicts of interest are we facing, and why we are commanded to see the world a certain way?




A Fool's Errand


Book Description







Boundaries of Violence in Early Modern England


Book Description

This book explores the possibilities and limitations of violence on the Early Modern stage and in the Early Modern world. This collection is divided into three sections: History-cal Violence, (Un)Comic Violence, and Revenge Violence. This division allows scholars to easily find intertextual materials; comic violence may function similarly across multiple comedies but is vastly different from most tragic violence. While the source texts move beyond Shakespeare, this book follows the classic division of Shakespeare’s plays into history, comedy, and tragedy. Each section of the book contains one chapter engaging with modern dramatic practice along with several that take textual or historical approaches. This wide-ranging approach means that the book will be appropriate both for specialists in Early Modern violence who are looking across multiple perspectives, and for students or scholars researching texts or approaches.