American Art Annual
Author :
Publisher :
Page : 568 pages
File Size : 44,97 MB
Release : 1911
Category : Art
ISBN :
Author :
Publisher :
Page : 568 pages
File Size : 44,97 MB
Release : 1911
Category : Art
ISBN :
Author : Bologna Children's Bologna Children's Book Fair
Publisher : Chronicle Books
Page : 192 pages
File Size : 33,82 MB
Release : 2020-10-20
Category :
ISBN : 9781452163635
Illustrators Annual 2020 is the 2020 edition of Chronicle Books' yearly publication celebrating artists featured at the Bologna Children's Book Fair. Selected by the year's jury at the fair, these illustrators represent the most daring, exciting artistic minds working across the world. Celebrating debut and storied talent from around the world--talent poised to engage a whole new generation of book lovers--this glorious compendium can be read cover-to-cover or browsed through at random. * An annual publication that brings groundbreaking art from around the world to the English-speaking market * Inspires readers to marvel at the brilliance of the gifts shared by children's book illustrators * Provides a fascinating peek into the world of global children's book illustration A highlight of the time-honored gathering of children's publishers in Bologna, Italy, the Illustrators Annual is juried every year from the finest art at the show. Every year a new issue is published, each filled with art that represents the best of illustration today--and to come. * A must-have inspirational source for illustrators, artists, designers, and art fans alike, as well as educators, librarians, independent bookstore employees, and hardcore fans of children's books * The Bologna Illustrators Annual has long been a prized resource for artists, illustrators, and designers. * Great for those who enjoyed Illustrating Children's Books: Creating Pictures for Publication by Martin Salisbury, Writing Picture Books: A Hands-On Guide From Story Creation to Publication by Ann Whitford Paul, A Poem for Peter: The Story of Ezra Jack Keats and the Creation of The Snowy Day by Andrea Davis Pinkney
Author : Carnegie Institute
Publisher :
Page : 336 pages
File Size : 11,63 MB
Release : 1917
Category : Art museums
ISBN :
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Author : Kevin J. Avery
Publisher : Metropolitan Museum of Art
Page : 426 pages
File Size : 46,35 MB
Release : 2002
Category : Drawing
ISBN : 1588390608
"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
Author :
Publisher :
Page : 600 pages
File Size : 43,72 MB
Release : 1911
Category : Art
ISBN :
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Author : Carnegie Institute
Publisher :
Page : 248 pages
File Size : 22,14 MB
Release : 1913
Category : Art museums
ISBN :
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Author :
Publisher :
Page : 568 pages
File Size : 15,25 MB
Release : 1915
Category : Art
ISBN :
Author : Peter H. Hassrick
Publisher : University of Oklahoma Press
Page : 434 pages
File Size : 46,52 MB
Release : 2008
Category : Art
ISBN : 9780806139487
The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.
Author : John Sloan
Publisher : University of Delaware Press
Page : 316 pages
File Size : 48,47 MB
Release : 1991
Category : Art
ISBN : 0874134390
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Author : Shirley Reece-Hughes
Publisher : Texas A&M University Press
Page : 446 pages
File Size : 46,13 MB
Release : 2020-09-25
Category : Art
ISBN : 1623498899
Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the “Dallas Nine,” a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce’s artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist–inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist’s shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art.