American Art Annual
Author :
Publisher :
Page : 414 pages
File Size : 25,13 MB
Release : 1911
Category : Art
ISBN :
Author :
Publisher :
Page : 414 pages
File Size : 25,13 MB
Release : 1911
Category : Art
ISBN :
Author :
Publisher :
Page : 568 pages
File Size : 44,84 MB
Release : 1913
Category : Art
ISBN :
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Author : ShiPu Wang
Publisher : Penn State Press
Page : 422 pages
File Size : 20,57 MB
Release : 2017-07-14
Category : Art
ISBN : 0271080701
In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.
Author : John Sloan
Publisher : University of Delaware Press
Page : 316 pages
File Size : 42,37 MB
Release : 1991
Category : Art
ISBN : 0874134390
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Author : Michigan State Library
Publisher :
Page : 380 pages
File Size : 42,56 MB
Release : 1924
Category : Artists
ISBN :
Author : Carnegie Institute
Publisher :
Page : 336 pages
File Size : 17,84 MB
Release : 1917
Category : Art museums
ISBN :
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Author : Adrienne L. Childs
Publisher : Rizzoli Publications
Page : 210 pages
File Size : 31,20 MB
Release : 2020-03-03
Category : Art
ISBN : 0847866645
A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History. Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.
Author :
Publisher :
Page : 580 pages
File Size : 46,58 MB
Release : 1914
Category : Architecture
ISBN :
Author : Richard H. Love
Publisher : University Rochester Press
Page : 960 pages
File Size : 28,50 MB
Release : 1999
Category : Art
ISBN : 9781580460248
Throughout his life Peters depicted the ordinary places and people of America. From Rochester to Rockport, Peters made an amazingly coherent group of fascinating, masterful American pictures.
Author : Russell T. Clement
Publisher : Bloomsbury Publishing USA
Page : 212 pages
File Size : 30,73 MB
Release : 2000-02-28
Category : Art
ISBN : 0313032467
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.