The Four Zoas


Book Description

Urizen rose from the bright Feast like a star thro' the evening sky Exulting at the voice that calld him from the Feast of envy First he beheld the body of Man pale, cold, the horrors of death Beneath his feet shot thro' him as he stood in the Human Brain And all its golden porches grew pale with his sickening light No more Exulting for he saw Eternal Death beneath Pale he beheld futurity; pale he beheld the Abyss.




Narrative Unbound


Book Description

This first full-scale interpretation of Blake's most complex poetic prophecy, The Four Zoas, argues that the poem's famous difficulty is intrinsic to the poet's transformative narrative strategies. Already highly influential in Blake studies, Ault's book is a line-by-line guide to the poem and an inquiry into a core issue of contemporary poetics: how do altered processes of reading restructure consciousness?




Blake's Prophetic Workshop


Book Description

"While William Blake's The Four Zoas may be fascinating to Blake scholars, it presents formidable obstacles to even the most ardent Romanticist, let alone interested critics or the general reader. Blake's Prophetic Workshop attempts to clear some of these obstacles by studying the work from a variety of critical perspectives. It assumes some familiarity with Blake's prophecies, but is cast between the introductory and advanced levels of the two previous books published on the poem." "Although the major reading strategy is close textual analysis, the poem is marked by various cultural and social contexts that need elucidation. Chapters alternate between sketching these contexts and traditions and providing detailed readings within these contexts. The first chapters give a reception history of the work and set it within the tradition of the eighteenth-century "long poem," namely Thomson's Seasons, Pope's An Essay on Man, and Young's Night Thoughts, texts that Blake critiques as Newtonian substitutions of Miltonic prophecy. Chapter three tests these assertions by reading the poem's creation narratives in terms of Anglican-Dissenting apologetics. The final chapters sift the cultural contexts that shape Blake's use of biblical typology and scrutinize several continental philosophies of history, and how they encroach on The Four Zoas, as well as situate the poem in the apocalyptic moment of the 1790s." "While a pluralist approach is followed, author George Anthony Rosso, Jr., subscribes to a fundamentally historical theory that places The Four Zoas in the broad and eclectic tradition of English poetic prophecy. Aware of recent critiques of "the prophetic," Rosso pursues his theory with flexibility and tolerance for other viewpoints." "An appendix provides a useful commentary on the relations between the text and certain designs, drawings, and sketches in the manuscript. Its aim is to show that Blake repeats key images in various frames to provide a sense of context and development, and that the drawings expose what the narrative represses, often in graphic sexual detail. Rosso presents a Blake who is both deadly serious and disarmingly ironic about the relevance of prophecy in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




The Four Zoas


Book Description




Blake's Sublime Allegory


Book Description

William Blake seemed fully resigned to remain a prophet without honor in his own country. In presenting this collection of fourteen original essays, the editors hope to assist in altering our perspective of Blake and his work, by offering a multitude of interpretations from which we can construct a critical basis at once stable and varied. The essays are dominated by concerns, somewhat neglected in past Blake criticism, which find fullest expression in Blake's largest visionary and poetic structures. Particular attention focuses on Blake's form of epic-prophecy, on its traditions, its structure, aesthetics, and metaphysics. A related concern is the emphatic relationship Blake sought to establish with his audience, a question as old as art itself, but generally thought of minor import to the self-conscious, independent literature of the Romantic period. -- From publisher's description.




Blake and the Assimilation of Chaos


Book Description

In all of his works Blake struggled with the question of how chaos can be assimilated into imaginative order. Blake's own answer changed in the course of his poetic career. Christine Gallant contends that during the ten year period of composition of Blake's first comprehensive epic, The Four Zoas, Blake's myth expanded from a closed, static system to an open, dynamic process. She further argues that it is only through attention to the changing pattern of Jungian archetypes in the poem that one can discern this profound change. Using the depth psychology of Jung, Professor Gallant presents a comprehensive interpretation of Blake's poetry from his early "Lambeth" prophecies to his mature works, The Four Zoas, Milton, and Jerusalem. She offers a Jungian critical approach that respects the work's autonomy, but still suggests how literature is an ongoing imaginative experience in which archetypal symbols affect their literary contexts. What interests the author is the function that the very process of mythmaking had for Blake. Professor Gallant finds that the metaphysical opposition between God and Satan in Blake's earlier work gradually evolves into an interplay of these powers in the later works. The quality of Chaos changes for Blake from something unknown and feared, contrary to Order, to something intimately known and embraced. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




The Four Zoas


Book Description

In one of the most beautiful works by him, Blake has experimented with forms and styles. He has alluded extensively to mythology and has employed his diverse imagination in this piece. With profound symbolism he represents humanity and its troubles. A highly riveting work!




Blake's Four Zoas


Book Description







The God of the Left Hemisphere


Book Description

The God of the Left Hemisphere explores the remarkable connections between the activities and functions of the human brain that writer William Blake termed 'Urizen' and the powerful complex of rationalising and ordering processes which modern neuroscience identifies as 'left hemisphere' brain activity. The book argues that Blake's profound understanding of the human brain is finding surprising corroboration in recent neuroscientific discoveries, such as those of the influential Harvard neuro-anatomist Jill Bolte Taylor, and it explores Blake's provocative supposition that the emergence of these rationalising, law-making, and 'limiting' activities within the human brain has been recorded in the earliest Creation texts, such as the Hebrew Bible, Plato's Timaeus, and the Norse sagas. Blake's prescient insight into the nature and origins of this dominant force within the brain allows him to radically reinterpret the psychological basis of the entity usually referred to in these texts as 'God'. The book draws in particular on the work of Bolte Taylor, whose study in this area is having a profound impact on how we understand mental activity and processes.