Author : Bert Cardullo
Publisher : Rowman & Littlefield
Page : 285 pages
File Size : 49,62 MB
Release : 2013
Category : Performing Arts
ISBN : 0810887045
In this collection of essays by avant-garde theatre's most creative practitioners--directors, playwrights, performers, and designers--these writings provide direct access to the thinking behind much of the most stimulating playwriting and performance of the late nineteenth and twentieth centuries.
Author : Vessela S. Warner
Publisher : University of Iowa Press
Page : 295 pages
File Size : 39,15 MB
Release : 2020-01-01
Category : Performing Arts
ISBN : 1609386787
Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros ̧ca, Ban ̧uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer
Author : Arnold Aronson
Publisher : Routledge
Page : 264 pages
File Size : 20,25 MB
Release : 2014-01-02
Category : Performing Arts
ISBN : 1136370765
This stunning contribution to the field of theatre history is the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s. American Avant-Garde Theatre offers a definition of the avant-garde, and looks at its origins and theoretical foundations by examining: *Gertrude Stein *John Cage *The Beat writers *Avant-garde cinema *Abstract Expressionism *Minimalism There are fascinating discussions and illustrations of the productions of the Living Theatre, the Wooster Group, Open Theatre, Ontological-Hysteric Theatre and Performance Group. among many others. Aronson also examines why avant-garde theatre declined and virtually disappeared at the end of the twentieth century.
Author : Jun Xing
Publisher : Rowman Altamira
Page : 252 pages
File Size : 49,27 MB
Release : 1998
Category : Performing Arts
ISBN : 9780761991762
In Asian America Through the Lens, Jun Xing surveys Asian American cinema, allowing its aesthetic, cultural, and political diversity and continuities to emerge.
Author : Johan Callens
Publisher : Peter Lang
Page : 298 pages
File Size : 21,12 MB
Release : 2004
Category : Drama
ISBN : 9789052012704
This is the first collection of critical essays to appear about the Wooster Group. Since the 1970s this groundbreaking, New York-based performance company has led the way in crystallizing the conditions of contemporary stage practice at the intersection of several cultural and artistic traditions. As demonstrated by the assembled critics, each of them an authority in the field, these traditions extend into the past as well as into the future, through the Wooster Group's impact on the latest generation of performance artists. The company's consequent institutionalization is posited and challenged in the essays constituting Part I of the collection. Part II tackles the work-in-progress, mapping its idiomatic stage vocabulary and providing case studies, ranging from Frank Dell's The Temptation of St. Antony to To You, The Birdie! (Phèdre). Part III presents productions by kindred artists such as Elevator Repair Service, the Builders Association, Cannon Company, and Richard Maxwell. Lavishly illustrated with photographs, this collection should prove invaluable to anyone with an interest in the current theatrical scene and its place in the wider institutional, artistic, and historical contexts.
Author : James M. Harding
Publisher : University of Michigan Press
Page : 247 pages
File Size : 49,96 MB
Release : 2015-10-22
Category : Art
ISBN : 0472036106
Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest “avant-garde pluralities” and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy.
Author : Robert Lepage
Publisher : A&C Black
Page : 124 pages
File Size : 45,52 MB
Release : 1996-11-04
Category : Drama
ISBN : 1408148951
"Of all Lepage's magic boxes, this is the masterpiece" (Independent on Sunday) Early one August morning in 1945, several kilos of uranium dropped over Japan changed the course of human history. Fifty years later, Hiroshima's vitality is striking: the city where survival itself seemed unimaginable today incarnates the notion of renaissance. Robert Lepage and Ex Machina's The Seven Streams of the River Ota makes Hiroshima a literal and metaphoric site for theatrical journey through the last half-century. In The Seven Streams, Hiroshima is a mirror in which seeming opposites - East and West, tragedy and comedy, male and female, life and death - are revealed as reflections of the same reality.
Author : Peter Bürger
Publisher : Manchester University Press
Page : 196 pages
File Size : 40,38 MB
Release : 1984
Category : Art
ISBN : 9780719014536
Author : Martin Harrison
Publisher : Psychology Press
Page : 334 pages
File Size : 12,60 MB
Release : 1998
Category : Drama
ISBN : 9780878300877
Theatre has provided many words and meanings which we use - ignorant of their origins - in everyday writing and speech. This is the first book to explore 2,000 theatre terms in depth, in some cases tracing their history over two and a half millenia, in others exploring expressions less than a decade old. Terms are defined, shown in use and cross-referenced in ways which will fascinate theatre-goers, help theatre students and encourage those engaged in the theatre to examine the familiar from new angles.
Author : Anna-Sophie Jürgens
Publisher : Routledge
Page : 304 pages
File Size : 41,65 MB
Release : 2022-03-15
Category : Performing Arts
ISBN : 1000552365
This book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today. This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars – from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history – some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today. The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time.
