The French Theatre of the Absurd of Samuel Beckett
Author : Susan Kaye Gross
Publisher :
Page : 184 pages
File Size : 15,14 MB
Release : 1972
Category : Theater
ISBN :
The Theatre of the Absurd
Author : Martin Esslin
Publisher : Vintage
Page : 480 pages
File Size : 10,9 MB
Release : 2009-04-02
Category : Performing Arts
ISBN : 0307548015
Book Description
In 1953, Samuel Beckett’s Waiting for Godot premiered at a tiny avant-garde theatre in Paris; within five years, it had been translated into more than twenty languages and seen by more than a million spectators. Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters’ inability to understand one another. In 1961, Martin Esslin gave a name to the phenomenon in his groundbreaking study of these playwrights who dramatized the absurdity at the core of the human condition. Over four decades after its initial publication, Esslin’s landmark book has lost none of its freshness. The questions these dramatists raise about the struggle for meaning in a purposeless world are still as incisive and necessary today as they were when Beckett’s tramps first waited beneath a dying tree on a lonely country road for a mysterious benefactor who would never show. Authoritative, engaging, and eminently readable, The Theatre of the Absurd is nothing short of a classic: vital reading for anyone with an interest in the theatre.
The French Theater of the Absurd
Author : Deborah B. Gaensbauer
Publisher : Boston : Twayne Publishers
Page : 168 pages
File Size : 41,95 MB
Release : 1991
Category : Drama
ISBN :
Book Description
Samuel Becket's "Waiting for Godot" and the Theater of the Absurd
Author : Stefanie Speri
Publisher : GRIN Verlag
Page : 28 pages
File Size : 26,7 MB
Release : 2015-05-12
Category : Foreign Language Study
ISBN : 3656960135
Book Description
Seminar paper from the year 2011 in the subject Didactics for the subject English - History of Literature, Eras, grade: 1,3, Humboldt-University of Berlin (Institut für Anglistik und Amerikanistik), language: English, abstract: "Waiting for Godot" is not only one of the most famous works of Samuel Beckett; it is also one of the most popular creations of the genre of the Theater of the Absurd. Originally written in French, Beckett’s play was first performed in the Théâtre de Babylon in Paris in 1953 (cf. Beckett 128) and confronted its audience with the circumstance of the “nonappearance of the person awaited so faithfully by the two main protagonists”. (Astro 114) The spectator shares this experience of waiting for someone who might not come with the characters which made it possible for Beckett to give his audience an understanding of the intentions of the absurdist drama. Waiting for Godot is not only completely detached from the conventions of the classic drama, namely the unity of time, place and action, this unity is instead substituted by illogical actions, absurd scenarios and dialogues that appear to be linked randomly. By some viewers perceived as boring and even mindless (cf. Beckett, The Critical Heritage 98), for others it is a work of genius with a profound statement. But what makes the two-act play to seem pointless and boring at first glance? This paper intends to illustrate that Waiting for Godot – being an absurdist drama – is isolated from the classic drama and its conventions and deals with the structural elements Beckett used to convey the absurdity and illogicality that the play is based on. After explaining the term absurd and outlining the formation of the Theater of the Absurd the paper focusses on structural elements of the absurdist drama in general. A short summary of Waiting for Godot is followed by the analysis of the play, concentrating on the connection of form and content especially by discussing characters and their actions, the time and place and the dialogues and language.
Edward Albee and Absurdism
Author :
Publisher : BRILL
Page : 244 pages
File Size : 16,49 MB
Release : 2017-01-05
Category : Literary Criticism
ISBN : 9004324968
Book Description
In Edward Albee and Absurdism—the inaugural volume in the new book series, New Perspectives in Edward Albee Studies—Michael Y. Bennett has assembled an outstanding team of Edward Albee scholars to address Albee’s affiliation with Martin Esslin’s label, “Theatre of the Absurd,” examining whether or not this label is appropriate. From scholarly essays and lengthy review-essays to an important interview with the noted playwright and director, Emily Mann, the aim of this collection is to, at last, directly (and indirectly) confront Esslin’s label in regards to Albee’s plays in order to create a scholarly atmosphere that allows future Albee scholars to move on to new and, frankly, more relevant lines of inquiry. Contributors are: Michael Y. Bennett, Linda Ben-Zvi, David A. Crespy, Colin Enriquez, Lincoln Konkle, David Marcia, Dena Marks, Brenda Murphy, Tony Jason Stafford, and Kevin J Wetmore Jr.
Modern Literature and the Tragic
Author : K. M. Newton
Publisher : Edinburgh University Press
Page : 192 pages
File Size : 50,82 MB
Release : 2008-06-20
Category : Literary Criticism
ISBN : 0748636749
Book Description
This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.
Rethinking the Theatre of the Absurd
Author : Carl Lavery
Publisher : Bloomsbury Publishing
Page : 329 pages
File Size : 15,8 MB
Release : 2015-11-05
Category : Performing Arts
ISBN : 1472513207
Book Description
Rethinking the Theatre of the Absurd is an innovative collection of essays, written by leading scholars in the fields of theatre, performance and eco-criticism, which reconfigures absurdist theatre through the optics of ecology and environment. As well as offering strikingly new interpretations of the work of canonical playwrights such as Beckett, Genet, Ionesco, Adamov, Albee, Kafka, Pinter, Shepard and Churchill, the book playfully mimics the structure of Martin Esslin's classic text The Theatre of the Absurd, which is commonly recognised as one of the most important scholarly publications of the 20th century. By reading absurdist drama, for the first time, as an emergent form of ecological theatre, Rethinking the Theatre of the Absurd interrogates afresh the very meaning of absurdism for 21st-century audiences, while at the same time making a significant contribution to the development of theatre and performance studies as a whole. The collection's interdisciplinary approach, accessibility, and ecological focus will appeal to students and academics in a number of different fields, including theatre, performance, English, French, geography and philosophy. It will also have a major impact on the new cross disciplinary paradigm of eco-criticism.
The Complete Dramatic Works of Samuel Beckett
Author : Samuel Beckett
Publisher : Faber & Faber
Page : 462 pages
File Size : 36,97 MB
Release : 2012-12-20
Category : Drama
ISBN : 0571300197
Book Description
The present volume gathers all of Beckett's texts for theatre, from 1955 to 1984. It includes both the major dramatic works and the short and more compressed texts for the stage and for radio. 'He believes in the cadence, the comma, the bite of word on reality, whatever else he believes; and his devotion to them, he makes clear, is a sufficient focus for the reader's attention. In the modern history of literature he is a unique moral figure, not a dreamer of rose-gardens but a cultivator of what will grow in the waste land, who can make us see the exhilarating design that thorns and yucca share with whatever will grow anywhere.' - Hugh Kenner Contents: Waiting for Godot, Endgame, Happy Days, All That Fall, Acts Without Words, Krapp's Last Tape, Roughs for the Theatre, Embers, Roughs for the Radio, Words and Music, Cascando, Play, Film, The Old Tune, Come and Go, Eh Joe, Breath, Not I, That Time, Footfalls, Ghost Trio,... but the clouds..., A Piece of Monologue, Rockaby, Ohio Impromptu, Quad, Catastrophe, Nacht und Traume, What Where.
En Attendant Godot
Author : Samuel Beckett
Publisher : Grove Press
Page : 370 pages
File Size : 25,81 MB
Release : 2006
Category : Drama
ISBN : 9780802118219
Book Description
In honor of the centenary of Samuel Beckett's birth, this bilingual edition of "Waiting for Godot" features side-by-side text in French and English so readers can experience the mastery of Beckett's language and explore the nuances of his creativity.
Waiting for Godot
Author : Samuel Beckett
Publisher : Grove/Atlantic, Inc.
Page : 128 pages
File Size : 21,5 MB
Release : 2011-04-12
Category : Drama
ISBN : 9780802198822
Book Description
From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, “Time catches up with genius … Waiting for Godot is one of the masterpieces of the century.” The story revolves around two seemingly homeless men waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind’s inexhaustible search for meaning. Beckett’s language pioneered an expressionistic minimalism that captured the existential post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.
