The Frenzy the Grievance


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The Frenzy and the Grievance are both narrated by Murray Schenps, a retired I.R.S investigator whos heavily medicated, and, at times, paranoid. When the Frenzy opens, America is getting ready to invade Iraq, and people in New York are still jittery from 9/11. Coming home from his job as a security guard early one morning, Murray spots a group of naked people in Chelsea dancing around an open drum. Hes disturbed by this (are the people drugged, sick? Is the air poisoned?), and goes from trying to investigate whats going on (as well as checking out a similar event in the West Village, where two naked men were killed in the street) to writing a book about what hes seen and found out. Doing the book (where he makes the leader of the group a possible terrorist) he enlists the aid of a female investigator from the Board of Health, and continually argues with a female reporter from The New York Post, who is also writing about both problemsleading to terrible consequences for Murray and both women. The Grievance opens nearly three years laterright after Abu Ghraib revelations. Murray is now teaching writing in New York, having published his book about what happened earlier, but made little money from it. Hes still angry at Marlene Ward, The New York Post reporter, and eventually tries to pay her back for thing she did to ruin his possible career as a writer. When a student submits a manuscript about killing Iraqi prisoners at a black site in New Jersey, Murray tries to find out if its the truth and not get killed in the process. This leads to confrontations with the soldiers uncle, and Marlene Wardwho gets wind in the story. Again, problems are solved by violence, the grievances that Murray, Paul Jones, and his superiors as well as Joness uncle have, being resolved in deadly ways.




The Frenzy of Renown


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“Remarkably ambitious . . . an impressive tour de force.” —Washington Post Book World For Alexander the Great, fame meant accomplishing what no mortal had ever accomplished before. For Julius Caesar, personal glory was indistinguishable from that of Rome. The early Christians devalued public recognition, believing that the only true audience was God. And Marilyn Monroe owed much of her fame to the fragility that led to self-destruction. These are only some of the dozens of figures that populate Leo Braudy’s panoramic history of fame, a book that tells us as much about vast cultural changes as it does about the men and women who at different times captured their societies' regard. Spanning thousands of years and fields ranging from politics to literature and mass media, The Frenzy of Renown explores the unfolding relationship between the famous and their audiences, between fame and the representations that make it possible. Hailed as a landmark at its original publication and now reissued with a new Afterword covering the last tumultuous decade, here is a major work that provides our celebrity-obsessed, post-historical society with a usable past. “Expansive . . . Braudy excels at rocketing a general point into the air with the fuel of drama. ” —Harper's










Nineteenth Century


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Twentieth Century


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The Nineteenth century and after (London)







Masterpieces of Eloquence


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