The Friday Evening Post
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Page : 186 pages
File Size : 24,59 MB
Release : 1999
Category : Health occupations schools
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Page : 186 pages
File Size : 24,59 MB
Release : 1999
Category : Health occupations schools
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Page : 2066 pages
File Size : 24,88 MB
Release : 1925
Category : Philadelphia (Pa.)
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Page : 656 pages
File Size : 14,5 MB
Release : 1761
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Page : 650 pages
File Size : 22,77 MB
Release : 1762
Category : Great Britain
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Page : 640 pages
File Size : 37,41 MB
Release : 1758
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Page : 259 pages
File Size : 49,28 MB
Release : 1906
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Page : 360 pages
File Size : 24,77 MB
Release : 1907
Category : Massachusetts
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Containing a directory of public officials, including state, county, city and town officiers, their salaries and terms of office, legislative bodies, political organizations, court calendar, post offices and postal information, banks, newspapers, a general gazetter of the state, county, maps, etc.
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Page : 568 pages
File Size : 40,11 MB
Release : 1835
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Author : James GILBERT (Publisher.)
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Page : 18 pages
File Size : 22,81 MB
Release : 1850
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Author : Simon Frith
Publisher : Routledge
Page : 236 pages
File Size : 46,36 MB
Release : 2016-03-09
Category : Music
ISBN : 1317028872
The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.