The FSG Book of Twentieth-Century Latin American Poetry


Book Description

Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.




The FSG Book of Twentieth-Century Italian Poetry


Book Description

More than a century has now passed since F.T. Marinetti's famous "Futurist Manifesto" slammed the door on the nineteenth century and trumpeted the arrival of modernity in Europe and beyond. Since then, against the backdrop of two world wars and several radical social upheavals whose effects continue to be felt, Italian poets have explored the possibilities of verse in a modern age, creating in the process one of the great bodies of twentieth-century poetry. Even before Marinetti, poets such as Giovanni Pascoli had begun to clear the weedy rhetoric and withered diction from the once-glorious but by then decadent grounds of Italian poetry. And their winter labors led to an extraordinary spring: Giuseppe Ungaretti's wartime distillations and Eugenio Montale's "astringent music"; Umberto Saba's song of himself and Salvatore Quasimodo's hermetic involutions. After World War II, new generations—including such marvelously diverse poets as Sandro Penna, Pier Paolo Pasolini, Amelia Rosselli, Vittorio Sereni, and Raffaello Baldini—extended the enormous promise of the prewar era into our time. A surprising and illuminating collection, The FSG Book of 20th-Century Italian Poetry invites the reader to examine the works of these and other poets—seventy-five in all—in context and conversation with one another. Edited by the poet and translator Geoffrey Brock, these poems have been beautifully rendered into English by some of our finest English-language poets, including Seamus Heaney, Robert Lowell, Ezra Pound, Paul Muldoon, and many exciting younger voices.




The FSG Poetry Anthology


Book Description

To honor FSG's 75th anniversary, here is a unique anthology celebrating the riches and variety of its poetry list—past, present, and future Poetry has been at the heart of Farrar, Straus and Giroux's identity ever since Robert Giroux joined the fledgling company in the mid-1950s, soon bringing T. S. Eliot, John Berryman, Robert Lowell, and Elizabeth Bishop onto the list. These extraordinary poets and their successors have been essential in helping define FSG as a publishing house with a unique place in American letters. The FSG Poetry Anthology includes work by almost all of the more than one hundred twenty-five poets whom FSG has published in its seventy-five-year history. Giroux's first generation was augmented by a group of international figures (and Nobel laureates), including Pablo Neruda, Nelly Sachs, Derek Walcott, Seamus Heaney, and Joseph Brodsky. Over time the list expanded to includes poets as diverse as Yehuda Amichai, John Ashbery, Frank Bidart, Louise Glück, Thom Gunn, Ted Hughes, Yusef Komunyakaa, Mina Loy, Marianne Moore, Paul Muldoon, Les Murray, Grace Paley, Carl Phillips, Gjertrud Schnackenberg, James Schuyler, C. K. Williams, Charles Wright, James Wright, and Adam Zagajewski. Today, Henri Cole, francine j. harris, Ishion Hutchinson, Maureen N. McLane, Ange Mlinko, Valzhyna Mort, Rowan Ricardo Phillips, and Frederick Seidel are among the poets who are continuing FSG's tradition as a discoverer and promoter of the most vital and distinguished contemporary voices. This anthology is a wide-ranging showcase of some of the best poems published in America over the past three generations. It is also a sounding of poetry's present and future.




Echoing Voices in Italian Literature


Book Description

This collection of essays explores the reception of classics and translation from modern languages as two different, yet synergic, ways of engaging with literary canons and established traditions in 20th-century Italy. These two areas complement each other and equally contribute to shape several kinds of identities: authorial, literary, national and cultural. Foregrounding the transnational aspects of key concepts such as poetics, literary voice, canon and tradition, the book is intended for scholars and students of Italian literature and culture, classical reception and translation studies. With its two shifting focuses, on forms of classical tradition and forms of literary translation, the volume brings to the fore new configurations of 20th-century literature, culture and thought.




Echoes of Opera in Modern Italian Poetry


Book Description

Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera. Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D’Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets’ intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond.




Last Dream


Book Description

Poetry. Italian Studies. Translated by Geoffrey Brock. An essential new translation of one of Italian literature's most celebrated poets. Giovanni Pascoli stands as a towering figure at the threshold of modern Italian poetry, yet he is little known in English. He wrote his best poems in the last decade of the nineteenth century and the first few years of the twentieth, in an extraordinary burst that included his three most important collections, Myricae, Canti di Castelvecchio, and Primi poemetti. In this volume, translator Geoffrey Brock offers a personal anthology that conveys the wide-eyed spirit and formal beauty of the originals. "This collection is a revelation. In Geoffrey Brock's impeccable versions, Pascoli becomes a poet who demands to be read out loud. Time and again I found myself stopping to savor a phrase, a line break, a rhyme, a stanza. And then reading the poem over from the start. 'The Sleep of Odysseus' is heart-stopping. It's difficult to overstate my admiration for that tact, grace, and formal imagination that shape these remarkable translations."--Clare Cavanagh "A champion of childlike intuition, muted tones, and 'small things,' Pascoli has until now been confined to his corner of the map. In this personal anthology, poet and translator Geoff Brock conveys to us the best of Pascoli. His Pascoli is the author of subtle, bewitching poems that look both inward and outward, celebrating the natural world and the inner life of humble objects: kites, walking sticks, the little nests of spring. Brock has kept the rhymes and meters, and his deeply intelligent remakings breathe new life into the old idiom."--Will Schutt




Disaffections


Book Description

Cesare Pavese (1908-1950), one of the great Italian writers of the twentieth century, was a poet, novelist and diarist. Disaffections includes all the poems he wrote during the last two decades of his life, including work originally deleted by the Fascist censors and poems discovered after his death. Pavese was a political and an artistic radical. He was drawn towards American poetry and music, to the people and the idiom of the Blues, to the big-heartedness of Whitman. He evokes the world and the voices of men and women who, as he did, felt torn between the call of city and country, work and repose, desire and solitude. His poems, without ornament or afflatus, focus lyric moments or tell, in longer lines, a story, or invoke an image or a desire. Turin was the wearying world of his working life and Santo Stefano was the small town of childhood holidays and returns. In 1950 he was awarded the Strega Prize. 'The trouble with these things is that they always come when one is already through with them and running after strange, different gods.' Later that year he killed himself.Geoffrey Brock has received several major awards in the United States for his own poetry and for his translations of Italian poetry.




Italian Literature since 1900 in English Translation 1929-2016


Book Description

Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.




Diadem: Selected Poems


Book Description

Marosa di Giorgio has one of the most distinct and recognizable voices in Latin American poetry. Her surreal and fable-like prose poems invite comparison to Franz Kafka, Julio Cortázar, or even contemporary American poets Russell Edson and Charles Simic. But di Giorgio's voice, imagery, and themes—childhood, the Uruguayan countryside, a perception of the sacred—are her own. Previously written off as "the mad woman of Uruguayan letters," di Giorgio's reputation has blossomed in recent years. Translator Adam Giannelli's careful selection of poems spans the enormous output of di Giorgio's career to help further introduce English-language readers to this vibrant and original voice. Marosa di Giorgio was born in Salto, Uruguay, in 1932. Her first book Poemas was published in 1953. Also a theater actress, she moved to Montevideo in 1978, where she lived until her death in 2004.




Those Who from Afar Look Like Flies


Book Description

Those Who from Afar Look Like Flies is an anthology of poems and essays that aims to provide an organic profile of the evolution of Italian poetry after World War II. Beginning with the birth of Officina and Il Verri, and culminating with the crisis of the mid-seventies, this tome features works by such poets as Pasolini, Pagliarani, Rosselli, Sanguineti and Zanzotto, as well as such forerunners as Villa and Cacciatore. Each section of this anthology, organized chronologically, is preceded by an introductory note and documents every stylistic or substantial change in the poetics of a group or individual. For each poet, critic, and translator a short biography and bibliography is also provided.