The Fundamentals of Synthesizer Programming


Book Description

The Fundamentals of Synthesizer Programming provides an introduction on how to program a synthesizer for creating music in the studio and on stage. Used as a textbook for the introductory electronic music course at the Department of Recording Industry at Middle Tennessee State University, it covers the components and controls, of both hardware and software synthesizers, that are used to create a patch on a typical synth. Concepts are explained thoroughly with block diagramming, and practical examples are given with Reason Studio's Subtractor and a Moog Voyager.




The Synthesizer


Book Description

Electronic music instruments weren't called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen's development of the Etherphone, now known as the Theremin. From that point, synthesizers have undergone a remarkable evolution from prohibitively large mid-century models confined to university laboratories to the development of musical synthesis software that runs on tablet computers and portable media devices. Throughout its history, the synthesizer has always been at the forefront of technology for the arts. In The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument, veteran music technology journalist, educator, and performer Mark Vail tells the complete story of the synthesizer: the origins of the many forms the instrument takes; crucial advancements in sound generation, musical control, and composition made with instruments that may have become best sellers or gone entirely unnoticed; and the basics and intricacies of acoustics and synthesized sound. Vail also describes how to successfully select, program, and play a synthesizer; what alternative controllers exist for creating electronic music; and how to stay focused and productive when faced with a room full of instruments. This one-stop reference guide on all things synthesizer also offers tips on encouraging creativity, layering sounds, performance, composing and recording for film and television, and much more.




The Synthesizer


Book Description

Electronic music instruments weren't called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen's development of the Etherphone, what we now know of as the Theremin. The past century has seen remarkable developments in synthesizers, documented in the first chapter of this book by a historical look at the most important instruments and how they advanced methods of a musician's control, of sound generation, of improved capabilities for live performance, of interfaces that improved the musician's interaction with the instrument, and of groundbreaking ways to compose music. Chapter two covers the basics of acoustics and synthesis, including descriptions of individual synthesizer components and how they affect the generation of sound and the production of music. Today's synthesizer industry covers a vast range of devices, from affordable to expensive workstations, from analog to digital to hybrid forms of sound generation, from the expanding universe of software instruments to the vigorously revived world of modular synthesizers, from state-of-the-art all-digital instruments to those that function directly with analog machines of the past, and from synthesizers and controllers sporting traditional interfaces such as the organ- or piano-style keyboard to those that appeal to musicians in search of novel approaches to making music. Chapter three addresses many of the valuable considerations to make when shopping for synthesizers. The final two chapters outline strategies noted and successful synthesists use to program, compose and perform with, and record the ultimate electronic music instrument.




How To Program Any Synthesizer


Book Description

"I wish I had this book when I started producing, it provides a great insight into the fundamentals of sound design and beyond." - Seven (Uprise Audio) Synthesizers can be challenging. If you're struggling to recreate a sound you've heard, or you wish to step beyond presets and online tutorials, How To Program Any Synthesizer will help you. By breaking down each element of synthesizer programming into easy steps and showing you how to build your own, signature sounds from scratch, this book will provide you with a systematic understanding of how all synthesizers work. Whether you're creating a funky lead on a Minimoog or a huge bassline on Massive, How To Program Any Synthesizer will teach you the method behind the magic. You'll be creating the sounds of your dreams in no time! Included in the Second Edition: A new methodology, easier and more accessible than ever. New sections, including on wavetable synthesizers such as Xfer Serum and Arturia Pigments. Updated sections on modulation, routing, arpeggiators and more.







Synthesizer Programming


Book Description




Refining Sound


Book Description

Refining Sound is a practical roadmap to the complexities of creating sounds on modern synthesizers. As author, veteran synthesizer instructor Brian K. Shepard draws on his years of experience in synthesizer pedagogy in order to peel back the often-mysterious layers of sound synthesis one-by-one. The result is a book which allows readers to familiarize themselves with each individual step in the synthesis process, in turn empowering them in their own creative or experimental work. The book follows the stages of synthesis in chronological progression, starting readers at the raw materials of sound creation and ultimately bringing them to the final "polishing" stage. Each chapter focuses on a particular aspect of the synthesis process, culminating in a last chapter that brings everything together as the reader creates his/her own complex sounds. Throughout the text, the material is supported by copious examples and illustrations as well as by audio files and synthesis demonstrations on a related companion website. Each chapter contains easily digestible guided projects (entitled "Your Turn" sections) that focus on the topics of the corresponding chapter. In addition to this, one complete project will be carried through each chapter of the book cumulatively, allowing the reader to follow - and build - a sound from start to finish. The final chapter includes several sound creation projects in which readers are given types of sound to create as well as some suggestions and tips, with final outcomes is left to readers' own creativity. Perhaps the most difficult aspect of learning to create sounds on a synthesizer is to understand exactly what each synthesizer component does independent of the synthesizer's numerous other components. Not only does this book thoroughly illustrate and explain these individual components, but it also offers numerous practical demonstrations and exercises that allow the reader to experiment with and understand these elements without the distraction of the other controls and modifiers. Refining Sound is essential for all electronic musicians from amateur to professional levels of accomplishment, students, teachers, libraries, and anyone interested in creating sounds on a synthesizer.




Synthesizer Basics


Book Description

Here is the fundamental knowledge and information that a beginning or intermediate electronic musician must have to understand and play today's keyboard synthesizers. This basic primer, newly updated from the classic original edition, offers step-by-step explanations and practical advice on what a synthesizer is, the basic concepts and components, and the latest technical developments and applications. Written by Bob Moog, Roger Powell, Steve Porcaro (of Toto), Tom Rhea, and other well-known experts, Synthesizer Basics is the first, and still the best, introduction available today.




How to Make a Noise


Book Description

How To Make A Noise: a Comprehensive Guide to Synthesizer Programming is perhaps the most widely ready book about synthesizer sound programming. It is a comprehensive, practical guide to sound design and synthesizer programming techniques using: subtractive (analog) synthesis; frequency modulation synthesis (including phase modulation and ring modulation); additive synthesis; wave-sequencing; sample-based synthesis.




Direct Digital Synthesizers


Book Description

A major advantage of a direct digital synthesizer is that its output frequency, phase and amplitude can be precisely and rapidly manipulated under digital processor control. This book was written to find possible applications for radio communication systems.