A Child's Garden of Verses


Book Description

A collection of poems evoking the world and feelings of childhood.




A Handbook for Scholars


Book Description

Author helps scholars focus on new, simplified forms of citation, quotation, and reference acknowledgement, help writers concentrate on what they are saying. Gives direction on variety of usage and style questions, word choice, introductions and abstracts, capitalization, paragraphing, and pedantry.




Museum Experience Revisited


Book Description

The first book to take a "visitor's eye view" of the museum visit, updated to incorporate advances in research, theory, and practice in the museum field over the last twenty years.




The Child


Book Description




The Poem and the Garden in Early Modern England


Book Description

This book draws attention to the pervasive artistic rivalry between Elizabethan poetry and gardens in order to illustrate the benefits of a trans-media approach to the literary culture of the period. In its blending of textual studies with discussions of specific historical patches of earth, The Poem and the Garden demonstrates how the fashions that drove poetic invention were as likely to be influenced by a popular print convention or a particular garden experience as they were by the formal genres of the classical poets. By moving beyond a strictly verbal approach in its analysis of creative imitation, this volume offers new ways of appreciating the kinds of comparative and competitive methods that shaped early modern poetics. Noting shared patterns—both conceptual and material—in these two areas not only helps explain the persistence of botanical metaphors in sixteenth-century books of poetry but also offers a new perspective on the types of contrastive illusions that distinguish the Elizabethan aesthetic. With its interdisciplinary approach, The Poem and the Garden is of interest to all students and scholars who study early modern poetics, book history, and garden studies.




The Dial


Book Description




Gardeners' Chronicle


Book Description




Rereading Genesis 1–11 with a Look into Revelation 18:1—22:7


Book Description

"Having studied the tail end of the Bible for decades, Strickler now probes the front end to unearth a fresh contribution to a theology of God's covenantal relationship to all creation. Recognizing that the younger Yahwist tradition reflects nationalistic interests, the book revolves around the paradigmatic influence of the elder Elohim tradition, which aligns better with the New Testament fulfillment of God's creative-redemptive purposes first mapped out in the early Genesis narratives." --Ted Lewis, executive director, The International Jacques Ellul Society "The aspiration to read the Bible beyond the confines of Christendom's categories has been shared by many, rarely practiced consistently, and often resulted in grievous disappointment. . . . Readers will be encouraged by Strickler's persistent effort to follow the story of Elohim from the first things of the Torah onward, reminding us that the elusive figure who covenanted with Noah is also the one who covenanted anew with the followers of Jesus and promises to send renewing waters flowing--at the end--through the new Jerusalem." --Michael Cartwright, University of Indianapolis "In looking at what might be the bookends of the Christian Scriptures, Strickler follows an Anabaptist ethos of trying to wrest the Scriptures from the holds of Christendom, with its priorities on power and self-protection. By contrast, Elohim is a God who creates, recreates, cocreates, and partners. . . . How the opening chapter of a story is understood determines how the rest of the story is read, and for those who claim the name 'Christian,' how the story of the Bible is understood determines how life is lived." --Tato Sumantri, digital content administration, Wipf and Stock Publishers




Africa beyond Liberal Democracy


Book Description

A 2023 Choice Reviews Outstanding Academic Title Africa beyond Liberal Democracy: In Search of Context-Relevant Models of Democracy for the Twenty-First Century explores possible future trajectories of democratization on the continent. At the dawn of political independence in the late 1950s and early 1960s, many countries in Africa set out with liberal democratic constitutions. However, these were quickly dismantled by civilian regimes that turned their countries into one-party autocracies, or by military coups that set aside the constitutions altogether. The 1990s saw an attempt at reverting to competitive multi-party politics through the so-called second-generation constitutions, but these are again being dismantled by civilian autocracies and military juntas. In this collection, edited by Reginald M. J. Oduor, African and Africanist scholars examine the view that what has failed in Africa is liberal democracy rather than democracy as such, because liberal democracy arose in an individualist socio-political Western context that is significantly different from the communalist milieu of African societies. The contributors, from a variety of disciplines in the humanities and social sciences, andbased in South Africa, Zimbabwe, Kenya, Uganda, Tanzania, Nigeria, Ghana, India, Sweden, and Finland, present a range of perspectives on possible directions for context-relevant models of democracy in the various countries of Africa in the twenty-first century.




William Blake's Illustrations for Dante's Divine Comedy


Book Description

William Blake's series of illustrations for Dante's Divine Comedy was his last major project and a summation of his religious and artistic beliefs. Blake intended to engrave this series, but it was unfinished at his death. The series includes seven partially complete engravings and 102 works in various stages of completion--some of the most beautiful pictures of his career. These pictures are not simple illustrations, but constitute a thorough reinterpretation and--in Blake's view--correction of Dante's poem. This book compares the two men's theological and artistic views and analyzes in detail the meaning of Blake's illustrations, for the first time introducing their theological and aesthetic exuberance to a modern audience.