The Gentle Art of Faking Furniture


Book Description

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The Gentle Art of Faking


Book Description




The Gentle Art of Faking


Book Description

"In analysing the Faker one must dissociate him from the common forger; his semi-artistic vocation places him quite apart from the ordinary counterfeiter; he must be studied amid his proper surroundings, and with the correct local colouring, so to speak, and his critic may perchance find some slight modicum of excuse for him. Beside him stand the Imitator, from whom the faker often originates, the tempter who turns the clever imitator into a faker, and the middleman who lures on the unwary collector with plausible tales. "It is not the object of this volume to study the Faker by himself, but to trace his career through the ages in his appropriate surroundings, and compare the methods adopted by him at various periods of history, so far as they may be obtained." -Preface




Fraud, Fakery and False Business


Book Description

In 1922, Adolphe Shrager having made his fortune during the First World War, approached the London dealer Basil Dighton for advice on purchasing antique furniture. Dighton sold him about five hundred items but shortly afterwards Shrager discovered that one of his 'collector's pieces' was judged to be a fake and grossly over-priced, and he sued. The trial, held in early 1923, became a cause celebre, but it can be viewed as a case study of a much wider set of social and cultural concerns: the fact that Shrager lost both the first trial and the appeal, despite demonstrating on numerous occasions that he had a clear case against Dighton, raises questions of race, prejudice and class, where the establishment closed ranks against Shrager, the nouveau riche Jew and alleged war profiteer. This book - the first on the Shrager Dighton case - is the result of the author's original archival research.




ANTIQUES A TO Z - A POCKET HANDBOOK FOR COLLECTORS AND DEALERS


Book Description

A little pocket handbook providing A-Z of information, terminologies, and types of different antiques. Includes chapters on Barometers, Clocks, Enamels, Furniture, Glass, Pottery and Porcelain, Silver, Firearms, Armour and others. The book is profusely illustrated by beautiful pen and ink drawings.




American Furniture


Book Description

Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. Mission and Arts and Crafts furniture introduce the 20th century. Another chapter identifies the eclectic revivals such as Early American that dominated the mass market throughout much of the 20th century. After World War II American designers created many of the Mid-Century Modern icons that are much sought after by collectors today. The rise of studio furniture and furniture as art which include some of the most creative and imaginative furniture produced in the 20th and 21st centuries caps the review of four centuries of American furniture. A final chapter advises on how to evaluate the authenticity of both traditional and modern furniture and how to preserve it for posterity. With over 800 photos including 24 pages of color, this fully illustrated text is the authoritative reference work.




Real or Fake


Book Description

The man who is “the embodiment of the Mythbusters, Sherlock Holmes, and Richard Feynman” weeds out the treasures from the shams in artifact investigations (Michael Shermer, founding publisher of Skeptic magazine). Detailing how the pros determine whether an Abraham Lincoln signature is forged or if a photograph of Emily Dickinson is genuine, Nickell, a leader in forgery detection and forensic investigation, provides the essential tools necessary to identify counterfeits. In this general introduction to the principles of authentication, Nickell provides readers with step-by-step explanations of the science used to detect falsified documents, photographs, and other objects, illustrating methods used on hit shows such as Antiques Roadshow and History Detectives. Including fascinating cases drawn from Nickell’s illustrious career, Real or Fake combines historical and scientific investigations to reveal reproductions and genuine objects. Nickell explains the warning signs of forgery, such as patching and unnatural pen lifts; chronicles the evolution of writing instruments, inks, and papers; shows readers how to date photographs, papers, and other materials; and traces the development of photographic processes since the mid-nineteenth century. Lavishly illustrated with examples of replicas and authentic objects inspected by Nickell, Real or Fake includes case studies of alleged artifacts including Jack the Ripper’s diary, a draft of the Gettysburg Address, notes by Charles Dickens, Jefferson Davis’s musket, and debris from the Titanic. “An expert on antique ink and paper, and the forensic analysis of historic documents.” —The New Yorker “Nickell advocates a multifaceted approach that looks at provenance, content, material composition, and scientific analysis.” —Maine Antique Digest




Design History


Book Description

Hazel Conway introduces the student new to the subject to different areas of design history and shows some of the ways in which it can be studied and some of its delights and difficulties. No background knowledge of design history, art or architecture is assumed.




The Historical Harpsichord


Book Description

Volume IV of The Historical Harpsichord contains two monographs of major importance, Harpsichord Decoration: A Conspectus by Sheridan Germann, and A Fable Deconstructed: The 1770 Taskin at Yale by Richard Rephann. Sheridan Germann, an acclaimed scholar and practitioner in the field of harpsichord decoration, offers the first comprehensive illustrated conspectus of thesubject. In Part I Ms. Germann tells us that the styles of the decoration of harpsichords (and spinets, virginals and clavichords) tended to follow contemporary furniture fashions, but usually lagged conservatively behind the prevailing fashions. Because, unlike most furniture, the instruments are often dated, they provide rare documentation of how long these styles remained in common use. This survey follows chronologically the five major regional traditions of keyboard instrument decoration-Italian, Flemish, French, German and English-but with emphasis on the international changes in taste on which each region produced its own variations.In Part II, Richard Rephann of the Yale Musical Instrument Collection describes his research into the uniquely experimental construction of the 1770 Pascal Taskin harpsichord. This essay forms a pendant to William Dowd's in Vol. I that treats the surviving instruments of the Blanchet-Taskin workshop up to 1770. The romantic provenance of the 1770 Taskin, concocted by the antique trade to enhance the instrument's market value, is revealed as a fable.




The Big Steal


Book Description

Hoyt and Mazie Wyndfield were the sort of couple that everyone admired. Charming and elegant, they'd furnished their Virginia manor house, Wynderly, with beautiful antiques and rare treasures from their exotic travels. So it was natural that after their death Wynderly would become a treasured museum. But a burglary exposed more than a simple theft. Hired to assess the value of the broken and missing antiques, intrepid appraiser and amateur sleuth Sterling Glass finds that her job is more complicated than she'd anticipated. Why would this well-heeled couple have so many fakes among the extremely valuable antiques? Working her way through uncovered diaries, old receipts, and one hidden room after another, Sterling finds the plot - and the players - ever-expanding in this mystery of provenance and deception.