Gentle Flame


Book Description

Gentle Flame recounts the life and presents for the first time the hitherto unknown poetry of Dudley, Fourth Lord North. Born during the reign of Elizabeth I, reared in that of James I, elected to Parliament under Charles I, and retired to his country seat during the time of Charles II, the life an poetry of the Fourth Lord North deepens present-day understanding of an age that saw much social change.




Solitudes


Book Description

The author reads Rimbaud, Mallarme. Holderlin, and Trakl in relation to philosophy, and in particular to Heidegger.




The Ghosts of Justice


Book Description

It is not possible to read Heidegger's text without the image of his arm raised in the Nazi salute haunting it. The image compels us to examine Heidegger's philosophy in terms of its susceptibility to Nazi ideology. Heidegger's philosophy was inscribed at the end of the history of philosophy, a time when Nazism was on the rise and on its way to the renewal of German destiny. In paragraph six of Being and Time Heidegger outlined his agenda for the renewal of philosophy. The renewal necessitated the destruction of the errant history of ontology in order to retrieve the pure primordial experiences. The parallels between the forms of two agendas are coincidental. However, my work shows where they overlapped. I explore the consequence of this overlap by soliciting the 'first' text of philosophy, The Anaximander Fragment, that speaks about justice and injustice. Justice is also at issue in the text of Jacques Derrida. Derrida's primary resource is paragraph six of Heidegger's Being and Time, a fact that caused some of his readers to assimilate him to Heidegger. Derrida has tried to distance himself from Heidegger and in a late text he has offered us the prescriptive phrase, "Deconstruction is justice," to guide our reading of his text. The phrase invites us to examine Derrida's work in light of its saying. This is what I try to do. I show that a separation cannot be accomplished without a price, because whether an author intends it or not, justice is something ghostly and it keeps its own account. Heidegger's arm and Derrida's hand caught in the trap of paragraph six tell another story, different from the stories the authors tell. The limbs tell the story about the ghosts of justice.




The Source


Book Description

Shot through with life-altering rituals, rites and spells, The Source guides readers to the place in their lives where true magic can finally begin Ever since she was a little girl, Ursula James has heard a voice. For years she tried to ignore it, but a personal crisis at the age of forty forced her to finally listen. That, as well as the actual appearance of the speaker-also named Ursula-at her bedside one dark and cold night. The woman who revealed herself to James was Ursula Sontheil, known as Mother Shipton, a sixteenth-century prophetess, healer, and-some say- witch. Legend has it that Mother Shipton was burned by the king's men for her heresies, and her spirit became trapped in a cave in Yorkshire. This cave had an unusual characteristic: Anything taken there was turned to stone by the action of the lime-suffused waters from a nearby well. Mother Shipton used this water to create an image of herself on the wall, and then split the cave open to call the needy. Sick at heart or in body, people came to her in the cave to offer her objects in return for her healing powers. In The Source, Ursula James describes how Mother Shipton appeared before her with urgent new prophecies for our troubled times- prophecies that include spells for, as Kabbalah says, Tikkun Olam-the healing of the world. Mother Shipton asked James to put these messages into writing to share with others-and record them she did, verbatim, in this book.







The Storm of Anger


Book Description

When Ceriphina's neighbor Ralloy hears about a hidden entrance on the outskirts of the border city Varnillon of Caredest, positioned on the brink of the mega-nation, Alseka, who wants to conquer them, he goes with his father to find out what it holds. As they do, Ceriphina follows them and find the repentant heir-not-to-be of the Far North kingdom Zerhal and Ralloy's cousin, a skilled AttackShift pilot. But complications begin to arise when the two groups meet and rescue a powerful prisoner from the clutches of a mysterious organization that hurt Ralloy seven years ago. With the aid of the prisoner, the six escape the mountain and gather forces to defend the mountain-and the country-from the Oppression, Alseka's massive army. But perceptions are turned upside down as confessions and confrontations from the enemy are made, revealing vital information about a seemingly impossible plan, the storm of anger. And it is up to Ceriphina and her curious little entourage to stop it-even when the leader of the enemy dragons stands in their way.







Lickety-Split Ii


Book Description

Dean Arnold, the main character of the first part of this trilogy, continues his quest for peace of mind. To do this he feels the need to be free from all the mental torture he has been experiencing. The guilt he feels in his little brothers death, coupled with his mothers cold rejection of him, plus the loss of his first love and the strange behavior of his father give him sufficient cause to escape. His departure from home came as a whim. He wondered what his brothers Harley would feel like when fully loaded for a long trip. Before he knew it he was headed east on highway 20 and he never looked back. Dean Arnold soon finds out freedom has its cost. Along the way he pays the toll. Good and evil are his companions and he switches between the two. Pete Leocker, a peg-legged artist, Decker, and escapee from and asylum, and a beautiful blind singer are instructors for him as he attends the University of Life. Dean Arnold, eager to understand the meaning of his existence, reaches out and grabs life by every branch of knowledge he can and holds on for dear life.







Psychotherapy, the Alchemical Imagination and Metaphors of Substance


Book Description

Alchemy is popularly viewed as a secret way of turning worthless base metal into gold, and then a precursor to modern chemistry. This is often taken as a metaphor for psychological development. This book describes an innovative "third way" for both the education and exercise of an alchemical imagination that embraces both material matters and psychological insight: alchemy as lyrical poetics, or the intensive production of embodied metaphor. Alchemy here is viewed as an immanent set of metaphor-driven "best practices" for indwelling complex and contradictory earthly matters in a sensual, artistic and humane manner. Or, again, it describes best psychotherapeutic practice. Alchemy is read not as a medium for "personal growth", but optimal co-existence with the natural world. It is an eco-logical rather than ego-logical project with deep aesthetic concerns (education of the senses in close noticing) and political intentions (a democracy of worldly things). The book echoes post-Freudian developments in psychoanalysis that avoid the mysticism of symbol systems to work rather with everyday signs and linguistic registers such as embodied metaphors, keeping the focus on known and sensed phenomena rather than abstractions.