Glass Flowers


Book Description

Exquisite detail is captured in this full-illustrated, beautifully designed publication celebrating Harvard University's unique and treasured 'Glass Flowers' collection. One of Harvard University's most famous treasures is the internationally acclaimed Ware Collection of Blaschka Glass Models of Plants, the "Glass Flowers." From orchids to bananas, rhododendrons to lilies, Leopold and Rudolf Blaschka created a stunning array of glass models of plants from around the world. Working exclusively for Harvard in the late 19th and early 20th centuries, the Blaschkas applied their artistic expertise and botanical knowledge to craft an extraordinary collection for Harvard students, researchers, and the public. Exquisite detail is captured in this dazzling new publication, featuring new photography of models that inspire wonder and blur the line between the real and man-made. The collection demonstrates the majesty of plants and the artistry and scientific acumen of this father and son team, and is the only one of its kind in the world.




Sea Creatures in Glass


Book Description

Delicate jellyfish and anemones, octopus, tentacled squid, and bizarre-looking soft-bodied sea creatures were meticulously recreated in glass by father and son artists Leopold and Rudolf Blaschka in the late nineteenth century. Renowned for their beauty and exacting detail, the Blaschka invertebrate models were commissioned by universities and museums throughout the world as teaching models for students of natural science and marine life. Illustrated here for the first time with breathtaking new photography are 60 of the most exquisite models from the exceptional collection of Harvard University's Museum of Comparative Zoology. Together with Harvard's famous Glass Flowers, a new exhibit of these restored glass animals now comprises the largest Blaschka collection on display in the world. Bursting with intricate details and stunning photography, this elegantly designed book will be a must for all those interested in marine biology, the delicate art of glass craftsmanship, the history of science, and the quiet beauty of the natural world."




A Sea of Glass


Book Description

"The author makes an eloquent plea for marine biodiversity conservation."—Library Journal "Harvell seems to channel the devotion that motivated the Blaschkas."—The Guardian Winner of the 2016 National Outdoor Book Award, Environment Category It started with a glass octopus. Dusty, broken, and all but forgotten, it caught Drew Harvell’s eye. Fashioned in intricate detail by the father-son glassmaking team of Leopold and Rudolf Blaschka, the octopus belonged to a menagerie of unusual marine creatures that had been packed away for decades in a storage unit. More than 150 years earlier, the Blaschkas had been captivated by marine invertebrates and spun their likenesses into glass, documenting the life of oceans untouched by climate change and human impacts. Inspired by the Blaschkas’ uncanny replicas, Harvell set out in search of their living counterparts. In A Sea of Glass, she recounts this journey of a lifetime, taking readers along as she dives beneath the ocean's surface to a rarely seen world, revealing the surprising and unusual biology of some of the most ancient animals on the tree of life. On the way, we glimpse a century of change in our ocean ecosystems and learn which of the living matches for the Blaschkas’ creations are, indeed, as fragile as glass. Drew Harvell and the Blaschka menagerie are the subjects of the documentary Fragile Legacy, which won the Best Short Film award at the 2015 Blue Ocean Film Festival & Conservation Summit. Learn more about the film and check out the trailer here.




The Glass Flowers at Harvard


Book Description




Object Lessons


Book Description

A fresh look at the influential pedagogy and practice pioneered by the Bauhaus Founded by architect Walter Gropius (1883-1969) in 1919, the Bauhaus was the 20th century's most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects--the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by beautiful illustrations--some of never-before-published objects--this book yields fascinating insights for Bauhaus devotees and design aficionados. Distributed for the Harvard Art Museums




Doris Salcedo


Book Description

In Context: Violence and Contemporary Art in Colombia -- Salcedo's Influences: Artists, Works, Practices -- The Six Visual Strategies -- Organic and Ephemeral: Materiality in Salcedo's Most Recent Works -- Inherent Vice and the Ship of Theseus / Narayan Khandekar -- Artist Biography and Exhibition History




Bosch and Bruegel


Book Description

In this visually stunning and much anticipated book, acclaimed art historian Joseph Leo Koerner casts the art of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its opposite: depictions of a foe hellbent on destroying us. Probing deeply the visual cunning of these Renaissance masters, Koerner uncovers art history's unexplored underside: the visual image as enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through art. Koerner guides readers through all the major paintings, drawings, and prints of these two towering artists, including Bosch's elusive Garden of Earthly Delights, which forms the mesmerizing center of the historical tour de force. Elegantly written and abundantly illustrated the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington. -- Inside jacket flap.




The Last Negroes at Harvard


Book Description

The untold story of the Harvard class of '63, whose Black students fought to create their own identities on the cusp between integration and affirmative action. In the fall of 1959, Harvard recruited an unprecedented eighteen "Negro" boys as an early form of affirmative action. Four years later they would graduate as African Americans. Some fifty years later, one of these trailblazing Harvard grads, Kent Garrett, would begin to reconnect with his classmates and explore their vastly different backgrounds, lives, and what their time at Harvard meant. Garrett and his partner Jeanne Ellsworth recount how these eighteen youths broke new ground, with ramifications that extended far past the iconic Yard. By the time they were seniors, they would have demonstrated against national injustice and grappled with the racism of academia, had dinner with Malcolm X and fought alongside their African national classmates for the right to form a Black students' organization. Part memoir, part group portrait, and part narrative history of the intersection between the civil rights movement and higher education, this is the remarkable story of brilliant, singular boys whose identities were changed at and by Harvard, and who, in turn, changed Harvard.




Nature's Museums


Book Description

Yanni (art history, Rutgers U.) examines the relationship between architecture and science in the 19th century by considering the physical placement and display of natural artifacts in Victorian natural history museums. She begins by discussing the problem of classification, the social history of collecting, as well as architectural competitions an




An Atlas of Rare & Familiar Colour


Book Description

The Straus Center for Conservation and Technical Studies at the Harvard Art Museums possesses over 2500 of the world¿s rarest pigments. Visually and anthropologically excavating the extraordinary collection,Atelier Editions¿ monograph examines the contained artefacts¿ providence, composition, symbology and application. Whilst simultaneously exploringthe larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director, Dr. Narayan Khandekar.