Pan - God of The Woods


Book Description

Pan, the Greek god of forests, shepherds and fertility, has long represented the pagan gods in general. With the advent of the Christian church communication with the pagan gods was very heavily suppressed by priests who have a vested interest in eliminating religious competition, by any means required, including, but not limited to lying, stealing, cheating, murder, mayhem, extortion, torture and blackmail. As a result, general public attention to the pagan gods disappeared about 2,000 years ago. PAN-God of the Woods assumes that the pagan gods may still be active, living beings. If any of the ancient gods are still around in the 21st century, what are they doing now? If they are here now -- still watching, still powerful, still immortal -- where or how might we contact them? If Pan is still around which of us mortals could not use the helping hand of a friendly god once in awhile? -- Lawrence R. Spencer




Gods of Wood and Stone


Book Description

Two men from disparate worlds search for what constitutes a meaningful life in a searing portrait of honor and masculinity, sport and celebrity, marriage and parenthood in this “rough, tough, and thoughtful” (Phil Mushnick, New York Post) debut from Pulitzer Prize finalist and front-page columnist Mark Di Ionno. Joe Grudeck is a living legend—a first-ballot Hall of Famer beloved by Boston Red Sox fans who once played for millions under the bright Fenway lights. Now, he finds himself haunted by his own history, searching for connection in a world that’s alienated his true self beneath his celebrity persona. Soon, he’ll step back into the spotlight once more with a very risky Cooperstown acceptance speech that has the power to change everything—except the darkness in his past. Horace Mueller is a different type altogether—working in darkness at a museum blacksmith shop and living in a rundown farmhouse on the outskirts of Cooperstown, New York. He clings to an antiquated lifestyle, fueled by nostalgia for simpler times and a rebellion against the sport-celebrity lifestyle of Cooperstown. His baseball prodigy son, however, veers towards everything Horace has spent his life railing against. Gods of Wood and Stone is the story of these two men—a timeless, but strikingly singular tale of the responsibilities of manhood and the pitfalls of glory in a painful and exhilarating novel that’s distinctly American. “Delivered with a fan’s passion, a journalist’s eye for detail, and the unblinking courage of a storyteller, Mark Di Ionno knocks it out of the park with this piercing literary thriller” (Bryan Gruley, award-winning author of the Starvation Lake trilogy).




The God of the Woods


Book Description

"Riveting from page one to the last breathless word."—Rebecca Makkai, New York Times bestselling author of I Have Some Questions For You “Brilliant, riveting .. an epic mystery, a family saga and a survival guide...I loved this book.” —Miranda Cowley Heller, #1 New York Times bestselling author of The Paper Palace When a teenager vanishes from her Adirondack summer camp, two worlds collide Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found. As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.




The Cresswell Plot


Book Description

The woods were insane in the dark, terrifying and magical at the same time. But best of all were the stars, which trumpeted their light into the misty dark. Castella Cresswell and her five siblings???Hannan, Casper, Mortimer, Delvive, and Jerusalem??? know what it's like to be different. For years, their world has been confined to their ramshackle family home deep in the woods of upstate New York. They abide by the strict rule of God, whose messages come directly from their father. Slowly, Castley and her siblings start to test the boundaries of the laws that bind them. But, at school, they're still the freaks they've always been to the outside world. Marked by their plain clothing. Unexplained bruising. Utter isolation from their classmates. That is, until Castley is forced to partner with the totally irritating, totally normal George Gray, who offers her a glimpse of a life filled with freedom and choice. Castley's world rapidly expands beyond the woods she knows so well and the beliefs she once thought were the only truths. There is a future waiting for her if she can escape her father's grasp, but Castley refuses to leave her siblings behind. Just as she begins to form a plan, her father makes a chilling announcement: the Cresswells will soon return to their home in heaven. With time running out on all of their lives, Castley must expose the depth of her father's lies. The forest has buried the truth in darkness for far too long. Castley might be their last hope for salvation.




God's Bits of Wood


Book Description

"God's Bits of Wood is a fictionalized account of the Dakar-Niger train strikes which took in the 1940s. The novel looks at both the political and personal sacrifices the strikers and their families made. The political power is portrayed here as the strikers try to win back pensions, annual paid vacations, and family allowances from the Europeans. The novel can be seen as a shift of power between the African strikers and their European bosses. The Europeans have the political process and violence as a leverage of power, which they use both insistently and mindlessly. One of the European delegates for the railway company accidentally shoots young boys who are playing along the tracks. The delegate isn't charged with their murders. The Europeans also prevent the strikers and their families from having access to water. Yet the strikers also have the masses as their power. The strikers gain powerful allies in their own women. In the beginning of the novel, the women are not told the details of the strike, though they are asked to support their men. Only the small child, Ad'jibid'ji, shows any interest and insists that her grandfather take her to a meeting of the strikers. Yet as the novel continues, the women become more and more involved in the strike. This is because the strike has hit home to them in a literal way. There is no water nor food to eat. The women and children begin to starve. The women suffer in silence until they begin to fight back. Two of the more striking sequences in the novel are the siege between the women of N'Diayene and the policemen who have come to arrest Ramatoulaye, and leads to the burning down of the village, and the march the women go on to Dakar to protest their treatment and to support the strikers. The strike breaks down the barriers which cause inequality between men and women, black and white." -- from www.associatedcontent.com (Oct. 22, 2010).




The Book Against God


Book Description

A Passionate, Profoundly Funny First Novel from "the Best Literary Critic of His Generation" (Adam Begley, Financial Times) Thomas Bunting, the charming, chaotic, and deeply untruthful narrator of James Wood's wonderful first novel, is in despair. His marriage is disintegrating and his academic career is in ruins: instead of completing his philosophy Ph.D. (still unfinished after seven years), he is secretly writing what he hopes will be his masterwork, a vast atheistic project he has privately entitled "The Book Against God." But when his father suddenly falls ill, Thomas returns to the tiny village in the north of England where he grew up and where his father still works as a parish priest. There, Thomas hopes, he may finally be able to communicate honestly with his father, a brilliant and formidable Christian example, and sort out his own wayward life. But Thomas is a chronic liar as well as an atheist, and he finds, instead, that once at home he soon reverts to the evasive patterns of his childhood years—with disastrous results. The story of a husband and wife, a father and son, faith and disbelief, and a hero who couldn't tell the truth if his life depended on it, The Book Against God is at once hilarious and poignant; it introduces an original comic voice—edgy, elegiac, lyrical, and indignant—and, in the irrepressible Thomas Bunting, one of the strangest philosophers in contemporary fiction.




The God of the Woods


Book Description




The Coming Kingdom


Book Description

The Coming Kingdom clarifies from the Bible God's sovereign plan to establish His Kingdom on the earth. Current global conditions do not match the biblical record of God's long-promised Kingdom. This book provides clarity, hope, and encouragement from the Bible for believers in Christ awaiting His return as the coming King.




The Whole Mystery of Christ


Book Description

A thoroughgoing examination of Maximus Confessor’s singular theological vision through the prism of Christ’s cosmic and historical Incarnation. Jordan Daniel Wood changes the trajectory of patristic scholarship with this comprehensive historical and systematic study of one of the most creative and profound thinkers of the patristic era: Maximus Confessor (560–662 CE). Wood's panoramic vantage on Maximus’s thought emulates the theological depth of Hans Urs von Balthasar’s Cosmic Liturgy while also serving as a corrective to that classic text. Maximus's theological vision may be summed up in his enigmatic assertion that “the Word of God, very God, wills always and in all things to actualize the mystery of his Incarnation.” The Whole Mystery of Christ sets out to explicate this claim. Attentive to the various contexts in which Maximus thought and wrote—including the wisdom of earlier church fathers, conciliar developments in Christological and Trinitarian doctrine, monastic and ascetic ways of life, and prominent contemporary philosophical traditions—the book explores the relations between God’s act of creation and the Word’s historical Incarnation, between the analogy of being and Christology, and between history and the Fall, in addition to treating such topics as grace, deification, theological predication, and the ontology of nature versus personhood. Perhaps uniquely among Christian thinkers, Wood argues, Maximus envisions creatio ex nihilo as creatio ex Deo in the event of the Word’s kenosis: the mystery of Christ is the revealed identity of the Word’s historical and cosmic Incarnation. This book will be of interest to scholars and students of patristics, historical theology, systematic theology, and Byzantine studies.




God's Trees


Book Description