The Gods are Athirst (French Classics)


Book Description

Anatole France's novel The Gods are Athirst (Les Dieux ont soif, 1912) tells the story of the painter Evariste Gamelin, who developed into a fanatical Jacobin during the French Revolution at the beginning of the 90's in the 18th century. Filled with a sense of fairness and justice as a young man, he soon became a bloodthirsty judge, sending hundreds of people, including many innocent ones and even close friends, to the guillotine, until he himself became a victim of the historical developments.




The Gods Are Thirsty


Book Description

Historical novel. Set in France in the summer of 1789 through years of political and social intrigue.




The Gods are Athirst


Book Description

In this noisy poem, a wrecking ball demolishes old houses and stores to make way for a skyscraper.







The Gods Will Have Blood


Book Description

It is April 1793 and the final power struggle of the French Revolution is taking hold: the aristocrats are dead and the poor are fighting for bread in the streets. In a Paris swept by fear and hunger lives Gamelin, a revolutionary young artist appointed magistrate, and given the power of life and death over the citizens of France. But his intense idealism and unbridled single-mindedness drive him inexorably towards catastrophe. Published in 1912, The Gods Will Have Blood is a breathtaking story of the dangers of fanaticism, while its depiction of the violence and devastation of the Reign of Terror is strangely prophetic of the sweeping political changes in Russia and across Europe.




An Atheism that Is Not Humanist Emerges in French Thought


Book Description

French philosophy changed dramatically in the second quarter of the twentieth century. In the wake of World War I and, later, the Nazi and Soviet disasters, major philosophers such as Kojève, Levinas, Heidegger, Koyré, Sartre, Merleau-Ponty, and Hyppolite argued that man could no longer fill the void left by the "death of God" without also calling up the worst in human history and denigrating the dignity of the human subject. In response, they contributed to a new belief that man should no longer be viewed as the basis for existence, thought, and ethics; rather, human nature became dependent on other concepts and structures, including Being, language, thought, and culture. This argument, which was to be paramount for existentialism and structuralism, came to dominate postwar thought. This intellectual history of these developments argues that at their heart lay a new atheism that rejected humanism as insufficient and ultimately violent.




Without God


Book Description

Michel Houellebecq is France’s most famous and controversial living novelist. Since his first novel in 1994, Houellebecq’s work has been called pornographic, racist, sexist, Islamophobic, and vulgar. His caricature appeared on the cover of the French satirical weekly Charlie Hebdo on January 7, 2015, the day that Islamist militants killed twelve people in an attack on their offices and also the day that his most recent novel, Soumission—the story of France in 2022 under a Muslim president—appeared in bookstores. Without God uses religion as a lens to examine how Houellebecq gives voice to the underside of the progressive ethos that has animated French and Western social, political, and religious thought since the 1960s. Focusing on Houellebecq’s complicated relationship with religion, Louis Betty shows that the novelist, who is at best agnostic, “is a deeply and unavoidably religious writer.” In exploring the religious, theological, and philosophical aspects of Houellebecq’s work, Betty situates the author within the broader context of a French and Anglo-American history of ideas—ideas such as utopian socialism, the sociology of secularization, and quantum physics. Materialism, Betty contends, is the true destroyer of human intimacy and spirituality in Houellebecq’s work; the prevailing worldview it conveys is one of nihilism and hedonism in a postmodern, post-Christian Europe. In Betty’s analysis, “materialist horror” emerges as a philosophical and aesthetic concept that describes and amplifies contemporary moral and social decadence in Houellebecq’s fiction.




The Last Mistress


Book Description

"The Last Mistress" is the story of Richard Brown, who leaves an English boarding school at the end of World War II to find his way in the world. Believing that he might have a vocation to take Holy Orders, he decided to travel to Jerusalem and then onto Rome. A brief stay in Paris opens a new world to him. On arrival in Palestine, he gets caught up in the war between Jews and Arabs and is conscripted into the Palestine Police. Posted on the border between Palestine and Lebanon, he gets the opportunity to visit Beirut and enjoy its pleasures before being demobilized and sent back to London. --- His journey through life does not stop there. Graduating from Imperial College, London University, he enters the business world, and as a high-flying investment banker he decides that the sky's the limit. He travels around the world, continuing with his lighthearted erotic romp through life before a tragic event brings him back to earth and allows him to find his true vocation. --- Though by no means an autobiography, much of the background, especially the events in Palestine, are factual and well authenticated. However, as with his previous novels, the author draws on his personal experiences and titillates us with descriptions of gastronomic delights and seductive and sensual pleasures of love.




The Downfall (La Debacle. The Rougon-Macquart)


Book Description

In "The Downfall" Zola tells the story of a terrific land-slide which overwhelmed the French Second Empire: It is a story of war, grim and terrible; of a struggle to the death between two great nations. In it the author has put much of his finest work, and the result is one of the masterpieces of literature. The hero is Jean Macquart, son of Antoine Macquart and brother of Gervaise. After the terrible death of his wife, as told in "La Terre" ("The Soil"), Jean enlisted for the second time in the army, and went through the campaign up to the battle of Sedan. After the capitulation he was made prisoner, and in escaping was wounded. When he returned to active service he took part in crushing the excesses of the Commune in Paris... The Downfall has been described as "a prose epic of modern war," and vast though the subject be, it is treated in a manner that is powerful, painful, and pathetic.




The Trail of the Hawk


Book Description

The Trail of the Hawk, by Sinclair Lewis, is the chronicle of an inveterate Rolling Stone… Carl Ericson, a born rebel against conventions, finds himself from boyhood up at war with the combined forces of family, school and society, all three of which unite in trying to mould him into the average colourless human being. Consequently throughout his earlier years he is in perpetual disgrace, at home, at school and at college… Thus it happens that we find Carl in early adolescence a friendless and penniless wanderer, undaunted and thrilling with a sense of freedom and the boundless opportunity of satisfying his unquenchable curiosity about life. … The first of the three parts into which this chronicle is divided, "The Adventure of Youth," … covers the formative years and helps to explain why Carl is what he is, and not otherwise. … Part II, "The Adventure of Adventuring," … is an undiluted joy. It is improbable, to be sure, almost burlesque, yet so joyous, so spontaneous, so kaleidoscopic in its varied scene and shifting action, that one must accept it with indulgent credulity. … Packer in a department store, waiter in a third-class restaurant, mechanic in an automobile factory, chauffeur, professional tramp and candidate for the bread line, porter in a Bowery saloon, facing the problem of saving four dollars out of a weekly salary of eight, in order to gratify a new ambition, namely to see the Panama Canal, — such is a brief epitome of one phase of our Rolling Stone's career, a phase that all unconsciously is shaping him for bigger things. … and the following year finds him in California, a partner in a profitable automobile repair shop. Then the big news reaches him of the first successful flights of Curtis and the Wright Brothers, and Carl recognises by instinct that here is the outlet for his pent-up energies, the one career for which his whole undisciplined nature has been crying out. Much has been written about aviation, both from the technical and the popular standpoint ; but it would be hard to find anywhere else in fiction any description that would give to the inexperienced a kindred thrill of breathless flight, of danger that is a fearful joy, and of confident omnipotence that is superhuman. And then, when this unrivalled "Hawk of the Air-men" is at the zenith of his powers, comes his third adventure, "The Adventure of Love." … Of course, the inevitable happens: the Hawk has his wings clipped, flights are a thing of the past, a onfining, although lucrative office position and a conventional apartment on the Upper West Side begin to prey upon his nerves; and soon the happy couple are quarrelling acrimoniously and often. But … you cannot cage a hawk for long … (Frederic Taber Cooper) --- “The Trail of the Hawk” is a truly lifelike chronicle of the fortunes of 'Widow Ericson's boy Carl,' of Joralemon, Minn., who becomes 'Hawk' Ericson, the daring aviator, and marries a very nice girl indeed. They had promised to find new horizons for each other, and when the resources of a New York flat in the way of horizons are exhausted, they sail for South America… (Atlantic Monthly)