Eating of the Gods


Book Description

In The Eating of the Gods the distinguished Polish critic Jan Kott reexamines Greek tragedy from the modern perspective. As in his earlier acclaimed Shakespeare Our Contemporary, Kott provides startling insights and intuitive leaps which link our world to that of the ancient Greeks. The title refers to the Bacchae of Euripides, that tragedy of lust, revenge, murder, and "the joy of eating raw flesh" which Kott finds paradigmatic in its violence and bloodshed.




Honor Thy Gods


Book Description

In Honor Thy Gods Jon Mikalson uses the tragedies of Aeschylus, Sophocles, and Euripides to explore popular religious beliefs and practices of Athenians in the fifth and fourth centuries B.C. and examines how these playwrights portrayed, manipulated, and otherwise represented popular religion in their plays. He discusses the central role of honor in ancient Athenian piety and shows that the values of popular piety are not only reflected but also reaffirmed in tragedies. Mikalson begins by examining what tragic characters and choruses have to say about the nature of the gods and their intervention in human affairs. Then, by tracing the fortunes of diverse characters -- among them Creon and Antigone, Ajax and Odysseus, Hippolytus, Pentheus, and even Athens and Troy -- he shows that in tragedy those who violate or challenge contemporary popular religious beliefs suffer, while those who support these beliefs are rewarded. The beliefs considered in Mikalson's analysis include Athenians' views on matters regarding asylum, the roles of guests and hosts, oaths, the various forms of divination, health and healing, sacrifice, pollution, the religious responsibilities of parents, children, and citizens, homicide, the dead, and the afterlife. After summarizing the vairous forms of piety and impiety related to these beliefs found in the tragedies, Mikalson isolates "honoring the gods" as the fundamental concept of Greek piety. He concludes by describing the different relationships of the three tragedians to the religion of their time and their audience, arguing that the tragedies of Euripides most consistently support the values of popular religion.




Interpreting Greek Tragedy


Book Description

This generous selection of published essays by the distinguished classicist Charles Segal represents over twenty years of critical inquiry into the questions of what Greek tragedy is and what it means for modern-day readers. Taken together, the essays reflect profound changes in the study of Greek tragedy in the United States during this period-in particular, the increasing emphasis on myth, psychoanalytic interpretation, structuralism, and semiotics.




Greek Gods, Human Lives


Book Description

Insightful and fun, this new guide to an ancient mythology explains why the Greek gods and goddesses are still so captivating to us, revisiting the work of Homer, Ovid, Virgil, and Shakespeare in search of the essence of these stories. (Mythology & Folklore)




The Gods in Greek Tragedy


Book Description




Greek Tragedy


Book Description

The latest volume in the Classical World series, this book offers a much-needed up-to-date introduction to Greek tragedy, and covers the most important thematic topics studied at school or university level. After a brief analysis of the genre and main figures, it focuses on the broader questions of what defines tragedy, what its particular preoccupations are, and what makes these texts so widely studied and performed more than 2,000 years after they were written. As such, the book will be of interest to students taking broad courses on Greek tragedy, while also being suitable for the general reader who wants an overview of the subject. All passages of tragedy discussed are translated by the author and supplementary information includes a chronology of all the surviving tragedies, a glossary, and guidance on further reading.




Five Great Greek Tragedies


Book Description

Features Oedipus Rex and Electra by Sophocles (translated by George Young), Medea and Bacchae by Euripides (translated by Henry Hart Milman), and Prometheus Bound by Aeschylus (translated by George Thomson).




The House of Atreus


Book Description

Aeschylus was a Greek playwright considered to be the founder of the tragedy. Aeschylus along with Sophocles and Euripides are the three major Greek tragedians whose plays have survived. Before Aeschylus, characters in a play only interacted with the chorus. Aeschylus expanded the number of actors allowing for interaction among the characters. Seven of his 92 plays have survived. The Persian invasion of Greece, which took place during his lifetime, influenced many of his plays. The Oresteia is a trilogy of Greek tragedies written by Aeschylus, which concerns the end of the curse on the House of Atreus. The plays were "Agamemnon," "Choephorae" (The Libation-Bearers), and the "Eumenides" (Furies).




How to Stage Greek Tragedy Today


Book Description

Space and concept -- The chorus -- The actor's role -- Tragedy and politics : what's Hecuba to him? -- Translations : finding a script -- Gods, ghosts, and Helen of Troy




Whom Gods Destroy


Book Description

Madness is central to Western tragedy in all epochs, but we find the origins of this centrality in early Greece: in Homeric insight into the "damage a damaged mind can do." Greece, and especially tragedy, gave the West its permanent perception of madness as violent and damaging. Drawing on her deep knowledge of anthropology, psychoanalysis, Shakespeare, and the history of madness, as well as of Greek language and literature, Ruth Padel probes the Greek language of madness, which is fundamental to tragedy: translating, making it reader-friendly to nonspecialists, and showing how Greek images continued through medieval and Renaissance societies into a "rough tragic grammar" of madness in the modern period.