The Gods of Venice


Book Description

Throughout its history, enchanting and mysterious Venice has attracted seekers. Some travel to the city to experience its storied charms, while others look for something else. This is the story of vastly different seekers whose lives unexpectedly intersect over six decades in a city shrouded in mystery. In the Venice of pre-WWII, Costanza, a talented baker, and her husband Piero Agostino, a glass blower, are blessed with a daughter, Breva. She is the love of their life until the waters of Venice snatch her from them. Bereaved, their lives are lost to them. In present-day Venice, Claudia Baggi, the diffident daughter of a countess, and Louis Howard, an unemployed expatriate from Chicago, have become good friends in the last year. Together, they concoct a plot that will allow Claudia to remain in Venice instead of returning home with her pious and controlling mother, Countess Baggi. Claudia and Louis restore a crumbling palazzo and convert it into a hotel. But the burning of the old La Fenice opera house triggers a series of unforeseeable events. In this saga of love and redemption, Claudia, Louis, Costanza, Piero, and the Countess come to realize that rebirth is possible from the ashes of devastation.




Made in God's Image?


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived




Venice


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The Horses of St. Mark's


Book Description

The noted historian explores the mysterious origins and surprising adventures of four iconic bronze statues as they appear and reappear through the ages. In July 1798, a triumphant procession made its way through the streets of Paris. Echoing the parades of Roman emperors many years before, Napoleon Bonaparte was proudly displaying the spoils of his recent military adventures. There were animals—caged lions and dromedaries—as well as tropical plants. Among the works of art on show, one stood out: four horses of gilded metal, taken by Napoleon from their home in Venice. The Horses of St Mark's have found themselves at the heart of European history time and time again: in Constantinople, at both its founding and sacking in the Fourth Crusade; in Venice, at both the height of its greatness and fall in 1797; in the Paris of Napoleon, and the revolutions of 1848; and back in Venice, the most romantic city in the world. Charles Freeman offers a fascinating account of both the statues themselves and the societies through which they have travelled and been displayed. As European society has developed from antiquity to the present day, these four horses have stood and watched impassively. This is the story of their—and our—times.




Gifts from the Gods


Book Description

Discusses words that come from ancient stories of the Greeks.




Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting


Book Description

Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.




Modern painters.-v.5-6. The stones of Venice.-v.7. Seven lamps of architecture. Lectures on architecture and painting. The study of architecture. Poetry of architecture.-v.8. Two paths ... on art. Lectures on art. Political economy of art. Pre-Raphaelitism. Notes on the construction of sheepfolds. King of the golden river.-v.9. Elements of drawing. Elements of perspective. Aratra pentelici.-v.10. Ariadne Florentina. Fors clavigera.-v.11. Sesame and lilies. Ethics of the dust. Crown of wild olive. Queen of the air.-v.12. Time and tide. Unto this last. Munera pulveris. Eagle's nest


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Art of Renaissance Venice, 1400 1600


Book Description

"A comprehensive and richly illustrated survey of Venetian Renaissance architecture, sculpture, and painting created between 1400 and 1600 addressed to students, travellers, and the general public. The works of art are analysed within Venice's cultural circumstances--political, economic, intellectual, and religious--and in terms of function, style, iconography, patronage, classical sources, gender, art theories, and artist's innovations, rivalries, and social status. The text has been divided into two parts--the fifteenth century and the sixteenth century--each part preceded by an introduction that recounts the history of Venice to 1500 and to 1600 respectively, including the city's founding, ideology, territorial expansion, social classes, governmental structure, economy, and religion. The twenty-six chapters have been organized to lead readers systematically through the major artistic developments within the three principal categories of art--governmental, ecclesiastic, and domestic--and have been arranged sequentially as follows: civic architecture and urbanism, churches, church decoration (ducal tombs and altarpieces), refectories and refectory decoration (section two only), confraternities (architecture and decoration), palaces, palace decoration (devotional works, portraits, secular painting, and halls of state), villas, and villa decoration. The conclusion offers an overview of the major types of Venetian art and architectural patronage and their funding sources"--Provided by publisher.







Heirs of Old Venice


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