The Golden Age of American Gardens


Book Description

An engaging tribute to America's grand era of private estate gardens and their illustrious owners, this book sweeps across the country to present over 500 of the nation's most exquisite gardens and the people who built them. In addition to a wealth of horticultural details, we learn of the garden-maker's flamboyant private and public lives--of the gossip, parties, dreams, politics, and economic one-upmanship of the period. 280 illustrations, 130 in full color.




The Architecture of Delano & Aldrich


Book Description

The firm of Delano & Aldrich occupied a central place in the United States in the first half of the twentieth century, substantially shaping the architectural climate of the period.




Ellen Shipman and the American Garden


Book Description

Describes Shipman's remarkable life and fifty of her major works, including the Stan Hywet Gardens in Akron, Ohio; Longue Vue Gardens in New Orleans; and Sarah P. Duke Gardens at Duke University. Richly illustrated, this expanded edition reveals her ability to combine plants for dramatic impact and create spaces of the utmost intimacy.




Fairsted: Site history


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Fairsted


Book Description




Masters of their Craft


Book Description

In this informative volume, Dr Shirley Rose Evans explores the lives of two of the most prominent designers of the nineteenth century, designers who have left their distinctive mark on buildings and gardens throughout the British Isles. William Andrews Nesfield and William Eden Nesfield, father and son, were inspired by the beauty and romance of the past, and both played important roles in the nineteeth-century revivals of the Jacobean, Renaissance and Gothic styles. The Nesfields produced horticultural and architectural designs for wealthy and influential landowners, winning important public commissions at Kew Gardens and the Prince Consort's Kensington museum complex. Shirley Rose Evans covers the education of both men and the evolution of their aesthetic sensibilities in detail. William Andrews Nesfield's early life in Durham, his military training and his travels in Canada and Europe fed his fascination with Renaissance proportion and the pre-Revolutionary French parterre-de-broderie, a design of intricate and highly artificial bedding that was to become his signature. His son flourished in the artistic milieu in which he was raised, but his main passion was for Gothic detailing. Both were highly accomplished painters, and Nesfield Senior's watercolours were lauded by John Ruskin. This illustrated volume will be of great interest to enthusiasts of the remarkable work of the Nesfields in particular, or of Victorian design in general.




The History of Landscape Design in 100 Gardens


Book Description

“Rich with photographs and descriptions of how landscape design has shaped and reflected culture over time.” —The American Gardener The History of Landscape Design in 100 Gardens explores the defining moments in garden design. Through profiles of 100 of the most influential gardens, Linda Chisholm explores how social, political, and economic influences shaped garden design principles. The book is organized chronologically and by theme, starting with the medieval garden Alhambra and ending with the modern naturalism of the Lurie Garden. Sumptuously illustrated, The History of Landscape Design in 100 Gardens is a comprehensive resource for garden designers and landscape architects, design students, and garden history enthusiasts.




Beatrix Farrand


Book Description

The only monograph to chronicle the life and work of one of the most important figures in American landscape architecture. Beatrix Farrand, the only female founder of the American Society of Landscape Architects, is one of the most important landscape architects of the early twentieth century. Today the scope of her work and her influence on the profession are widely acknowledged, and her gardens are being studied, restored, and opened to the public. A long-awaited updated edition of the 2009 definitive monograph, Beatrix Farrand: Garden Artist, Landscape Architect chronicles the life and work of one of the most important figures in American landscape architecture. Born into a prominent New York family (she was Edith Wharton’s niece), Farrand designed lavish gardens for the leaders of society, including the Harknesses, the Rockefellers, and the Blisses. Ultimately, her portfolio extended to college and university campuses, including Princeton, Yale, and the University of Chicago, and public gardens, the Santa Barbara Botanic Garden and the Rose Garden at the New York Botanical Garden among them. Her best-known design is the landscape at Dumbarton Oaks in Washington, D.C., originally a private residence with extensive grounds and now a research center for Harvard University surrounded by a naturalistic park restored and maintained by the National Park Service. Deeply influenced by the English garden designer Gertrude Jekyll, Farrand was known for broad expanses of lawn with deep swaths of borders planted in a subtle palette of foliage and flowers. In her public work, she adapted this design strategy to create paths and plantings that define the character of the space and the hecirculation through it. Heavily illustrated with archival images and photographs of her gardens at their peak—many taken especially for this book, Beatrix Farrand: Garden Artist, Landscape Architect also displays beautiful watercolor wash renderings of her designs, now preserved at College of Environmental Design of the University of California at Berkeley. The new edition includes updated images that reflect the current state of gardens including the Peggy Rockefeller Rose Garden at the New York Botanical Garden, the International House Courtyard at the University of Chicago, Garland Farm (Farrand’s last home and garden, which has recently been restored), Dumbarton Oaks, Dumbarton Oaks Park (which was not included in the first edition), among others. The book concludes with a comprehensive list of Farrand’s commissions and the gardens open to the public, providing direction for further study and exploration. It also features a new preface outlining the milestones in research since the first edition's publication, updated details about ownership and renovations of many properties, and a revised bibliography including articles and books published over the past ten years. Published to coincide with the 150th anniversary of Farrand's birth and written by landscape historian and preservation consultant Judith B. Tankard, Beatrix Farrand: Garden Artist, Landscape Architect takes readers on a tour of Farrand’s finest works, celebrating her influence on succeeding generations of women landscape architects.




David Adler, Architect


Book Description

A collection of photocopied articles published about the David Adler exhibition held at the Art Institute of Chicago, December 6, 2002 to May 18, 2003.




Mariana Griswold Van Rensselaer


Book Description

Mariana Griswold Van Rensselaer (1851-1934) was one of the premier figures in landscape writing and design at the turn of the twentieth century, a moment when the amateur pursuit of gardening and the increasingly professionalized landscape design field were beginning to diverge. This intellectual biography--the first in-depth study of the versatile critic and author--reveals Van Rensselaer's vital role in this moment in the history of landscape architecture. Van Rensselaer was one of the new breed of American art and architecture critics, closely examining the nature of her profession and bringing a disciplined scholarship to the craft. She considered herself a professional, leading the effort among women in the Gilded Age to claim the titles of artist, architect, critic, historian, and journalist. Thanks to the resources of her wealthy mercantile family, she had been given a sophisticated European education almost unheard of for a woman of her time. Her close relationship with Frederick Law Olmsted influenced her ideas on landscape gardening, and her interest in botany and geology shaped the ideas upon which her philosophy and art criticism were based. She also studied the works of Charles Darwin, Alexander von Humboldt, Henry David Thoreau, and many other nineteenth-century scientists and nature writers, which influenced her general belief in the relationship between science and the imagination. Her cosmopolitan education and elevated social status gave her, much like her contemporary Edith Wharton, access to the homes and gardens of the upper classes. This allowed her to mingle with authors, artists, and affluent patrons of the arts and enabled her to write with familiarity about architecture and landscape design. Identifying over 330 previously unattributed editorials and unsigned articles authored by Van Rensselaer in the influential journal Garden and Forest--for which she was the sole female editorial voice--Judith Major offers insight into her ideas about the importance of botanical nomenclature, the similarities between landscape gardening and idealist painting, design in nature, and many other significant topics. Major's critical examination of Van Rensselaer's life and writings--which also includes selections from her correspondence--details not only her influential role in the creation of landscape architecture as a discipline but also her contribution to a broader public understanding of the arts in America.