Book Description

Excerpt from The Golden Age of Classic Christian Art This study is an attempt to appreciate a large and homogeneous group of classic pictures from the points of view of art, archaeology, and theology, from each of which aspects they are of unique value. The date of the great pictorial cycle of mosaics decorating the interior of the basilica of S. Maria Maggiore, Rome, has been hitherto universally accepted as fixed by the inscription on the Arch, as of the fifth century therefore. At the commencement of our studies we accepted this natural and apparently well-established conclusion; but on com paring the pictures in question with the works of art of the fifth century, both pictorial and plastic, and the theology they embody, with that of the great fifth-century theologians, Jerome and Augustine, we found that their artistic affinities were with the more classic art of the Antonines and their successors, and that the theology they clearly re ect was that of the age of the Apologists. Our work, which was considerably advanced before this opinion grew into a conviction, had to be thrown on one side therefore, and our studies recommenced from a new standpoint. Nor was the task on which we were embarking an easy one, as it was necessary to both project and design the path through the country which we were hereafter to explore as pioneers. The first principles underlying the critical analysis of the pictorial material had to be discovered. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."