The Golden Age of the Accordion


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The Accordion in the Americas


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An invention of the Industrial Revolution, the accordion provided the less affluent with an inexpensive, loud, portable, and durable "one-man-orchestra" capable of producing melody, harmony, and bass all at once. Imported from Europe into the Americas, the accordion with its distinctive sound became a part of the aural landscape for millions of people but proved to be divisive: while the accordion formed an integral part of working-class musical expression, bourgeois commentators often derided it as vulgar and tasteless. This rich collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneon and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia and the Dominican Republic, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde. Contributors are María Susana Azzi, Egberto Bermúdez, Mark DeWitt, Joshua Horowitz, Sydney Hutchinson, Marion Jacobson, James P. Leary, Megwen Loveless, Richard March, Cathy Ragland, Helena Simonett, Jared Snyder, Janet L. Sturman, and Christine F. Zinni.




Accordion Revolution


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Accordion Revolution is about more than an instrument: it's a living, breathing restoration of the squeezebox to its rightful place at the roots of North America's popular music.Before the dawn of rock 'n' roll, the accordion ranked among North America's most popular instruments. Arriving in the arms of immigrants, nearly every ethnicity on the continent played the squeezebox: Irish, Scottish, French, German, Eastern European, Latino, Jewish. The instrument packed barn dances, jazz clubs, and recital halls, and was heard in norteño groups on the Mexican frontier; Creole string bands in New Orleans, and Inuit square dances above the Arctic Circle. Portable, cheap, and loud, accordions became the soundtrack for modernity as the music industry exploited them on records, radio, film, and television.Millions of people played accordions until a disastrous combination of economics, demographics, and electronic instruments nearly erased them from mainstream culture. Emerging from exile with a new generation of followers, this book invites beginner or seasoned accordionists and music fans in general to rediscover a forgotten legion of little-known artists. With an eye for colorful characters and a sharp sense of humor, accordion historian Bruce Triggs uncovers the hidden back-story of the squeezebox in everyone's closet.




The Anglo-German Concertina


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Squeeze This!


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No other instrument has witnessed such a dramatic rise to popularity--and precipitous decline--as the accordion. Squeeze This! is the first history of the piano accordion and the first book-length study of the accordion as a uniquely American musical and cultural phenomenon. Ethnomusicologist and accordion enthusiast Marion Jacobson traces the changing idea of the accordion in the United States and its cultural significance over the course of the twentieth century. From the introduction of elaborately decorated European models imported onto the American vaudeville stage and the instrument's celebration by ethnic musical communities and mainstream audiences alike, to the accordion-infused pop parodies by "Weird Al" Yankovic, Jacobson considers the accordion's contradictory status as both an "outsider" instrument and as a major force in popular music in the twentieth century. Drawing on interviews and archival investigations with instrument builders and retailers, artists and audiences, professionals and amateurs, Squeeze This! explores the piano accordion's role as an instrument of community identity and its varied musical and cultural environments. Jacobson concentrates on six key moments of transition: the Americanization of the piano accordion, originally produced and marketed by sales-savvy Italian immigrants; the transformation of the accordion in the 1920s from an exotic, expensive vaudeville instrument to a mass-marketable product; the emergence of the accordion craze in the 1930s and 1940s, when a highly organized "accordion industrial complex" cultivated a white, middle-class market; the peak of its popularity in the 1950s, exemplified by Lawrence Welk and Dick Contino; the instrument's marginalization in the 1960s and a brief, ill-fated effort to promote the accordion to teen rock 'n' roll musicians; and the revival beginning in the 1980s of the accordion as a "world music instrument" and a key component for cabaret and burlesque revivals and pop groups such as alternative experimenters They Might Be Giants and polka rockers Brave Combo. Loaded with dozens of images of gorgeous instruments and enthusiastic performers and fans, Squeeze This! A Cultural History of the Accordion in America represents the accordion in a wide range of popular and traditional musical styles, revealing the richness and diversity of accordion culture in America.




Your Guide to the Islamic Golden Age


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During the Middle Ages, the Islamic world experienced a time of remarkable expansion when scientific invention and artistic creation flourished. Your Guide to the Islamic Golden Age explores the important achievements and lasting legacy of this magnificent era.







Nellie Bly and Investigative Journalism for Kids


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A Notable Social Studies Trade Book for Young People 2016 In the late 1800s, the daring young reporter Elizabeth Cochrane—known by the pen name Nellie Bly—faked insanity so she could be committed to a mental institution and secretly report on the awful conditions there. This and other highly publicized investigative "stunts" laid the groundwork for a new kind of journalism in the early 1900s, called "muckraking," dedicated to exposing social, political, and economic ills in the United States. In Nellie Bly and InvestigativeJournalism for Kids budding reporters learn about the major figures of the muckraking era: the bold and audacious Bly, one of the most famous women in the world in her day; social reformer and photojournalist Jacob Riis; monopoly buster Ida Tarbell; antilynching crusader Ida B. Wells; and Upton Sinclair, whose classic book The Jungle created a public outcry over the dangerous and unsanitary conditions of the early meatpacking industry. Young readers will also learn about more contemporary reporters, from Bob Woodward and Carl Bernstein to Amy Goodman, who have carried on the muckraking tradition, and will get excited about the ever-changing world of journalism and the power of purposeful writing. Twenty-one creative activities encourage and engage a future generation of muckrakers. Kids can make and keep a reporter's notebook; write a letter to the editor; craft a "great ideas" box; create a Jacob Riis–style photo essay; and much more.




A Life in the Golden Age of Jazz


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Biography of jazz saxophonist Paul Desmond. Large format with hundreds of photographs.




Connecticut in the Golden Age of Spiritualism


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In the aftermath of the Civil War, distraught Connecticut residents turned to Spiritualism as a means of connecting with their lost loved ones. Daniel Dunglas Home of New London held his first public séance as a teenager in 1851, and he reportedly levitated and handled hot coals without injury. Famous Litchfield native Harriet Beecher Stowe and her husband, Calvin, were believers, and Harriet's sister Isabella Beecher Hooker practiced mediumship. After the death of their son Willie, President Abraham Lincoln and the first lady invited Hartford medium Nettie Colburn Maynard to conduct secret séances at the White House. Even today, believers congregate at the Pine Grove Spiritualist Camp. Author Elaine Kuzmeskus investigates this dramatic, mystical history.