The Golden Times


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Golden Time Vol. 1


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FROM THE AUTHOR OF NEW YORK TIMES BESTSELLING TORADORA! COMES AN ALL NEW ROM-COM MANGA SERIES! College freshman Tada Banri is looking forward to a new life and a clean slate—which shouldn’t be too hard for a guy who fell off a bridge and lost his memories of the past eighteen years. Upon enrolling in an elite Tokyo law school, this new direction in Banri’s life stops short when he happens across a person from his past during the school’s opening ceremony. Her name is Kaga Kouko, a freshman student who slaps Banri across the face with a bouquet of roses. Just who is this intimidating beauty and what does she want with Banri?




Reminiscence:The Golden Moments


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Sometimes in the solitary moments, We think of the bygone days, In that isolation, We walk down the memory lane. There are many wonders in this world but the most wonderful of all is the feeling of Love, of falling in Love and expressing Love. Life wouldn’t have been pleasant without a cheerful smile of encouragement, a helping hand in need, a word of concern, a kind gesture and a caring deed. All these emotions express love. These memories are the Golden Moments that give us solace in life and provide the strength to stand and wade through our testing times. These are the moments that are close to our hearts that we recollect in our solitude. These are the moments of inspiration that refresh and bring a change in Life. These experiences are those unforgettable memories that have been captured in this book, Reminiscence: The Golden Moments. Reminiscing in words the Unforgettable Memories makes us relive those glittering moments and the heart bubbles with the same joy once more. This book has three segments, Poems, Autobiographical Essays, and Creative Writing/Fiction. I am sure the readers while going through the book will surely have their heart beat at the same wavelength as in those moments that sing the silent tunes and shine like stars on the vast horizon of their life.




Unsung Hollywood Musicals of the Golden Era


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The most memorable Hollywood musicals of 1930s showcased the talents of stars like Fred Astaire, Jeanette MacDonald, Bing Crosby and Alice Faye. The less memorable ones didn't. This book takes a look at the unsung songfests of the '30s--secondary or forgotten features with short-lived or unlikely stars from major studios and Poverty Row. Through analysis of films such as Lord Byron of Broadway (1930), Shoot the Works (1934), Bottoms Up (1934), Moonlight and Pretzels (1933) and The Music Goes 'Round (1936), the author profiles such performers as Dorothy Dell, Lee Dixon, Peggy Fears, Lawrence Gray, Joe Morrison and the mother-daughter team of Myrt and Marge. Behind-the-scenes figures are discussed, like the infamously profligate producer Lou Brock, whose flops Down to Their Last Yacht (1934) and Top of the Town (1937) cost him his career. Filmographies and production information are included, with background on key participants.




The Golden Era of Amateur Wrestling: 1980S


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Wrestling is a nondiscriminatory sport where size and gender do not matter. It is, without a doubt, the hardest sport in which to compete and boasts the best conditioned athletes in the world. The 1980s produced a group of American wrestlers unmatched in history that included eleven nominees to the NCAA 75th Anniversary Wrestling Team; thirty-three, four-time All-Americans; seven of the top nine wrestlers in history; and five amateur wrestlers who accounted for seven NCAA titles, three Olympic gold medals, six world gold medals, and forty-one United States national championships. In his tribute to the Golden Era of Amateur Wrestling, award-winning sportswriter Reginald Rowe shines a light on the eras most dominant athletes that include Mean Gene (Mills) the Pinning Machine as he embarked on his quest for Olympic gold that was ended by President Carter and launched an all-out war against an Iranian wrestler. Also profiled is Andre Metzger, the winningest wrestler in history who warned the wrestling world of John DuPonts insanity; Tim Vanni, also known as Mr. Perseverance; and Rick Stewart who pinned Dave Schultz in the 1981 NCAA finals. Included are poignant remembrances of Schultz by men who wrestled with and against him. The Golden Era of Amateur Wrestling: 1980s shares stories and statistics that pay tribute to the greatest collegiate and international wrestlers ever produced in the United States.




The Golden Era in St. Petersburg: Postwar Prosperity in The Sunshine City


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Between 1946 and 1963, St. Petersburg was the quintessential Sunbelt city experiencing a post-World War II boom and wrestling with the problems that accompanied rapid growth. The city's old-school techniques of promotion expanded the population from about 60,000 to more than 180,000 in eighteen years. The city developed a split personality--it aimed to be modern but retained a dated, rustic appearance. Follow St. Petersburg author and journalist Jon Wilson as he details how the city coped with relative isolation, an aging business district and cultural changes brought about by the coming of integration, the emergence of rock-and-roll, cookie-cutter subdivisions and the still-novel medium of television.




The Golden Era of Golf


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The Golden Era of Golf chronicles the rise of the sport in America from 1950 to the present by one of the most prolific and respected golf writers today. Until now, no one has made the point directly and unequivocally that the game "invented" by ancient Scots would not have reached its present stature in the world of sports if Americans had never gotten hold of it. Is this to say that Al Barkow is, in The Golden Era of Golf, being a narrow-minded, American-flag-waving jingoist? Not at all. In detailing how America expanded on the old Scots game, Barkow does not deny that the United States more or less fell into certain advantages that led to its dominion over the game - there is the geography, the luck of not having to endure the physical devastation of two world wars, and a naturally broader economic strength. Still, Barkow also makes it clear that there were, and there remains, certain especially American characteristics - a singular energy and enthusiasm for participation in and observation of games, for melding sports with business, for technological and industrial innovation, and by all means democratic traditions - that turned what had been (and would probably have remained) an insular, parochial past time into a game played by millions around the world. America has been golf's great nurturing force, and Barkow details why and how it happened. The history of American golf is not exactly a varnished treatment, a mindless glorification full of nationalist ardor, which is in keeping with the author's well-established reputation, developed over the past 37 years as a golf journalist, magazine editor, historian, and television commentator, as someone who looks with a sharp and candid eye at the game. Barkow has points of view and takes positions on affairs and personalities that impact on every aspect of golf. Is the United States Golf Association, in its restrictions on equipment, playing ostrich to inevitable technological innovation? Hasn't it always? And, hasn't the association always been hypocritical in its definition of amateurism? Was the Ryder Cup ever really a demonstration of pure hands-across-the-sea good fellowship? Why did it take so long for the members of the Augusta National Golf Club to invite a black to play in its vaunted Masters tournament? Barkow was one of the first journalists to research in depth and write about how blacks were excluded from mainstream American golf for most of this century. Here, he expands on an element of history which is intrinsic to the larger American experience and which led to the coming of Tiger Woods. How good has television been for golf, and when and by whom did this most powerful of mediums get involved in the game? Is Greg Norman's celebrity (and personal wealth) an example or the result of modern-day image making that gives greater value to impressions of greatness than the reality of actual performance? Although some curmudgeon emerges in this chronicle of golf, what also comes through, and on a larger note, is the author's passion for the game itself. Its demands on each player's will, determination, and both inherent and developed physical skills are so penetrating, and the satisfaction that comes from just coming close to fulfillment so great, that the manipulations of the golf "operators" - administrators, agents, some of its players, et al. - become mere sidebars. This is golf history with a certain perspective that arises from someone who has lived intimately with the game as a player and writer for at least half the century that is covered, and in particular the last half, on which there is the greater emphasis. It runs the gamut - from feisty, albeit well-considered, criticism to an evocation of the human drama that is finally the most vivid expression of any activity man takes on.




The American Popular Ballad of the Golden Era, 1924-1950


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In this pathbreaking book, Allen Forte uses modern analytical procedures to explore the large repertoire of beautiful love songs written during the heyday of American musical theater, the Big Bands, and Tin Pan Alley. Covering the work of such songwriters as Jerome Kern, Irving Berlin, Cole Porter, George Gershwin, Richard Rodgers, and Harold Arlen, he seeks to illuminate this extraordinary music indigenous to America by revealing its deeper organizational characteristics. In so doing, he aims to establish it as a unique corpus of music that deserves more intensive study and appreciation by scholars and connoisseurs in the broader fields of American popular music and jazz. Expressing much of the traditional tonality associated with European music in the eighteenth and nineteenth centuries, the love songs of the Golden Age are shown to draw on a rich variety of elements--popular harmony, idiomatic lyric-writing, and Afro-American dance rhythms. His analyses of such songs as "Embraceable You" or "Yesterdays" in particular exemplify his ability to convey the sublime, unpretentious simplicity of this great music.




Triumph of the Superbug and the Rise of the Golden Era


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A science fiction book for both young and adult Readers describing an apocalyptic Earth and the brave people rebuilding society into a Golden Era. A very different Earth is reborn serving only the citizens and expanding into space exploration with travel to our neighboring Andromeda galaxy. Space travel starts with establishing a colony on Mars with citizens living in 'the Bubble' and their pioneer society becoming the most affluent among many known planets. Humans and aliens interact and find common ground, learn from each other and help each other. The Author hopes this book featuring life in space will intrigue and entertain the Reader.




What Do You Call It? From Grassroots to the Golden Era of UK Rap


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Friday 28 July 2019: Eleven years after Jay-Z became the first hip-hop artist to headline the Pyramid Stage at Glastonbury, Stormzy finally became the first English rapper to follow suit. The South London rapper, wearing a customised stab-proof vest designed by Banksy, put in an explosive performance and finished his set by thanking many of the “legends for paving the way,” name-checking the likes of Wiley, Dizzee Rascal, and Giggs. Yet British rap has a nuanced, rich, and often misunderstood history that factors in socioeconomics, gender, identity, music industry disruption, and innovation. Despite how unlikely it looked for decades, UK rap is now firmly part of pop music and the greater hip-hop canon. What Do You Call It? charts the journey of UK rap music over nearly forty years. It begins in the early 1980s when rap landed on our odd little island. Imported through the electro-driven hip-hop of Afrika Bambaataa, the sound was shaped by sound system culture, inspired by punk, and accelerated by rave. The result is a music that does not stand still. From Britcore to UK hip-hop via the deep outer reaches of trip-hop in the late twentieth century, through to the tumultuous opening decades of the twenty-first century and the urban claustrophobia of MC-driven garage, grime, and drill. Through a combination of cultural theory, historical research, and dozens of interviews with the scene protagonists—including Jazzie B, Klashnekoff, Skinnyman, and Wiley, through to contemporary artists like Tion Wayne and Loyle Carner— the book tells the origin stories of classic albums and mixtapes, anthemic singles, vital scenes, long-forgotten but important labels, and the artists who would change the course of British music and culture.