Gorgon


Book Description

Based on more than a decade's research in South Africa's Karoo Desert, this remarkable journey of discovery and real-life adventure deep into Earth's history is offered by a renowned scientist. Photo insert.




Medusa


Book Description

Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.




Rise of the Gorgon


Book Description

BEING IMMORTAL IS GREAT. Except when you're an outcast. Then it sucks. It really, really sucks. (Really). Euryale, sister of Medusa, longs to be accepted, but no matter what she does, all she gets is more of the same: heroes who want to kill her; strangers who want to manipulate her; and gods who want to torment her. But there's only so much a gorgon can take. So when Euryale finally snaps and seeks vengeance, she discovers an ancient being who offers her a way to bring all of her enemies to their knees--if she's willing to pay a hefty price. And for a girl who's shunned by all, what's one more curse to bear? Rise of the Gorgon is the wild, adventurous sequel to The Gorgon Bride, but is also a perfect jumping-on point for new readers.




Turning the Gorgon Meditation


Book Description

Shame, although a long neglected psychological issue, is just beginning to receive the wider clinical attention it deserves (primarily from the affect theorists). Edelman's thoughts on it, an outgrowth of her Jungian analytical work, helps to clarify the depth of its overlooked and misinterpreted origin. To do this Edelman uses the fields of psychology, philosophy, mythology, classical scholarship, and theology. The final chapter suggests ways of healing a crippling sense of shame using each of these discipline's perspectives. Part of the book is a re-membering of the classical goddess Athene and her relationship to the Gorgon, whose image is taken as an emblem of shame.




The Gorgon's Gaze


Book Description

Mallins Wood is home to the last surviving gorgon, and Col's mother, the gorgon's supernatural Companion, is determined to save it from encroaching development--even to the point of endangering Col and his best friend Connie, the most powerful Companion alive.




The Gorgon Bride


Book Description

"THE GODS ARE FUNNY. Except when you piss them off. Then they suck. They really, really suck. (Really). Alexander Weiss discovers this tidbit when he inadvertently insults Athena, Goddess of Wisdom, and she casts him away on a forgotten isle filled with statues. Being marooned is bad enough, but the fact that the island is also the home of Euryale, elder sister to Medusa, makes the situation a touch worse. The only thing keeping Alex from being petrified is the fact that Euryale has taken a liking to the blundering mortal. For now. What follows next is a wild, adventurous tale filled with heroes, gods, monsters, love, and war that is nothing short of legendary" -- back cover




The Gorgon


Book Description

An epic Medieval romance written in the same old-world vein as 'Ivanhoe', this is a tremendously powerful story of Sir Bose de Moray and the Lady Summer du Bonne. Bose was the Captain of the Guard for King Henry III until Bose's wife's untimely death in childbirth. Blaming himself and wanting to be free of the memories, he resigns his post and joins the tournament circuit to compete for money and fame. But dark rumors follow Bose; his mother-in-law is a vicious woman who blames Bose for her daughter's death. She starts nasty rumors that Bose murdered his wife, and everyone on the tournament circuit is fearful of this dark, frightening knight. Enter the Lady Summer du Bonne. A beautiful woman with a stammering problem, she has been kept hidden away from the world by her embarrassed father and protective brothers. Summer meets Bose at a tournament hosted by her brothers and for Bose, it is love at first sight. But the terrible rumors plague his attempts to get to know the lady, who is attracted to him as well. Summer's drunken father eventually pledges his daughter to Bose, but Bose's mother-in-law interferes and Summer's father decides to pledge Summer to an unscrupulous knight who has shown interest in her, and who would like nothing better than to see de Moray come to ruin. With so many forces working against the, Bose and Summer elope but they are captured and Bose is brought up on charges of thievery. A massive trial ensues and with a death sentence hanging over his head, only a miracle can save Bose and restore his honor.




The Encyclopedia of Hammer Films


Book Description

This reference work contains entries on every film made by Hammer Films, a British studio renowned for its horror films of the 1950s, 60s, and 70s. In addition, entries on people--directors, writers, producers, etc.--who have worked with the studio, as well as the stars associated with the studio, notably Christopher Lee and Peter Cushing.




The Gorgon's Head


Book Description




The Gorgon's Gaze


Book Description

This interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century focuses on pertinent films of the pre- and post-World War II eras. The author explores the nature of expressionism, which is generally agreed to have ended with the advent of sound, and its persistence in the styles of such modern masters of film noir as Orson Welles and Ingmar Bergman. In considering the possibility of homologies between the necessary silence of pre-sound cinema and the widespread modernist aspiration to an aesthetic of silence, Coates relates theories of the sublime, the uncanny, and the monstrous to his subject. He also reflects upon problems of representability and the morality of representation of events that took place during the Nazi era.