The Other Grand Dukes


Book Description

"Examines the biographies of nearly forty men whose birth gave them the right to one of the world's most prestigious positions. All sons of Russian tsars are covered in Volume I. The sons of collateral grand ducal branches are covered in Volume II. The biography of each of the Grand Dukes of Russia brings to life a deeply gripping human saga. These men were born into what then was one of the world's most powerful ruling dynasties. They were not all saints; they were not all demons - they were men whose birth showered them with untold privilege. Some used their birthright for the common good; some did not. Yet, they all remain amazingly intriguing, complex, complicated and conflicted human beings. At birth they were showered with untold privilege, including a lump sum of money placed in trust for them. By the time these funds were made available to a Grand Duke, the interest alone made them amazingly wealthy. Added to this benefit, they derived salaries from their military appointments, investments, real estate and inheritance. Thus, the Grand Dukes were able to maintain a lifestyle only surpassed by today's oligarchs and yesteryear's robber barons. They were consummate spenders in paintings, art, architecture, jewels, all while acting as sponsors of talented writers, thinkers, poets, ballerinas, among many others. One was a playwright of considerable talent. Another played a role in working toward the liberation of the serfs. One was a leading admiral with a fondness for "fast women and slow ships." Another Grand Duke lived a tortured existence as a closeted homosexual, yet became the father of nine children"--Publisher's description.







Grand Dukes and Diamonds


Book Description

Based on unrestricted access to private papers, Grand Dukes and Diamonds charts the history of one of the most influential and extraordinary families of our time: the Wernhers of Luton Hoo. The family's fortune was made by Sir Julius Wernher, financier, mining magnate, and one of the creators of modern South Africa. Luton Hoo, a country house in Bedfordshire, became the site of Wernher's magnificent collection and was duly inherited by Sir Harold Wernher and his wife Lady Zia, daughter of Grand Duke Michael of Russia and a direct descendant of Pushkin. At Luton Hoo the couple displayed her priceless collection of Fabergé, and together they ran a racing stud at Newmarket. Three of their racehorses, Brown Jack, Meld and Charlottown, became legends in their time. Sir Harold also played a crucial role at D-Day, the story of which has its definitive telling within Raleigh Trevelyan's fascinating narrative.




The Statesman's Year-book


Book Description







Gender, Honor, and Charity in Late Renaissance Florence


Book Description

This book examines the important social role of charitable institutions for women and children in late Renaissance Florence. Wars, social unrest, disease, and growing economic inequality on the Italian peninsula displaced hundreds of thousands of families during this period. In order to handle the social crises generated by war, competition for social position, and the abandonment of children, a series of private and public initiatives expanded existing charitable institutions and founded new ones. Philip Gavitt's research reveals the important role played by lineage ideology among Florence's elites in the use and manipulation of these charitable institutions in the often futile pursuit of economic and social stability. Considering families of all social levels, he argues that the pursuit of family wealth and prestige often worked at cross-purposes with the survival of the very families it was supposed to preserve.










The Empire Must Die


Book Description

From Tolstoy to Lenin, from Diaghilev to Stalin, The Empire Must Die is a tragedy of operatic proportions with a cast of characters that ranges from the exotic to utterly villainous, the glamorous to the depraved. In 1912, Russia experienced a flowering of liberalism and tolerance that placed it at the forefront of the modern world: women were fighting for the right to vote in the elections for the newly empowered parliament, Russian art and culture was the envy of Europe and America, there was a vibrant free press and intellectual life. But a fatal flaw was left uncorrected: Russia's exuberant experimental moment took place atop a rotten foundation. The old imperial order, in place for three hundred years, still held the nation in thrall. Its princes, archdukes, and generals bled the country dry during the First World War and by 1917 the only consensus was that the Empire must die. Mikhail Zygar's dazzling, in-the-moment retelling of the two decades that prefigured the death of the Tsar, his family, and the entire imperial edifice is a captivating drama of what might have been versus what was subsequently seen as inevitable. A monumental piece of political theater that only Russia was capable of enacting, the fall of the Russian Empire changed the course of the twentieth century and eerily anticipated the mood of the twenty-first.