English Painters


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Dante Gabriel Rossetti


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The Woman Painter in Victorian Literature


Book Description

The nineteenth century saw a marked rise both in the sheer numbers of women active in visual art professions and in the discursive concern for the woman artist in fiction, the periodical press, art history, and politics. The Woman Painter in Victorian Literature argues that Victorian women writers used the controversial figure of the woman painter to intervene in the discourse of aesthetics. These writers were able to assert their own status as artistic producers through the representation of female visual artists. Women painters posed a threat to the traditional heterosexual erotic art scenarios--a male artist and a male viewer admiring a woman or feminized art object. Antonia Losano traces an actual movement in history in which women writers struggled to rewrite the relations of gender and art to make a space for female artistic production. She examines as well the disruption female artists caused in the socioeconomic sphere. Losano offers close readings of a wide array of Victorian writers, particularly those works classified as noncanonical--by Anne Thackeray Ritchie, Margaret Oliphant, Anne Brontë, and Mrs. Humphrey Ward--and a new look at better-known novels such as Jane Eyre and Daniel Deronda, focusing on the pivotal social and aesthetic meanings of female artistic production in these texts. Each of the novels considered here is viewed as a contained, coherent, and complex aesthetic treatise that coalesces around the figure of the female painter.




The Illustrators


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Royal Mistresses and Bastards


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Sentimental Library


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Excerpt from Sentimental Library: Comprising Books Formerly Owned by Famous Writers, Presentation Copies, Manuscripts, and Drawings He ridiculed Wordsworth unmercifully. And my heart was glad, for oh, it is a joyous thing to hear a doctor and a theatrical manager dispute about Wordsworth, especially when both have asked you, Why first editions P The collecting of books is inspired by a sentiment founded on reverence and hero-worship. It would seem to follow that the more interesting the history of a particular copy of a book, the greater the appeal to the collector and the lover of literature. If, as Byron says, a book 's a book although there 's nothing in it, surely a book is more than a book when the extra something in it takes the form of a presentation inscription by its author, or notes in the handwriting of a famous man who once owned and read it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




British Painting


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From Hogarth's first works around 1730 to the death of Turner in 1851, Britain's status as an artistic nation was dramatically transformed.







Sir David Wilkie


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This is a biography of David Wilkie, a Scottish painter who was famous for his genre paintings and portraits. The book explores his life and career, as well as his relationships with other artists and patrons. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.