Victorian Poetry


Book Description

In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.










The Greater Victorian Poets


Book Description

This anthology presents the work of some of the greatest poets of the Victorian era. These poets were the literary giants of their time, and their works continue to inspire and captivate readers to this day. This collection includes works by Tennyson, Browning, Rossetti, and many others. These poems touch on themes of love, mortality, and the human experience. Fans of classic poetry and the Victorian era will not want to miss this work. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







English Victorian Poetry


Book Description

Over 170 beloved poems by the major poets of the 19th century, including works by Tennyson, Browning, Arnold, Rossetti, Meredith, Swinburne, Hopkins, Kipling, and others. An introduction and biographical notes on the poets are included.




The Greater Victorian Poets (Classic Reprint)


Book Description

Excerpt from The Greater Victorian Poets IT is impossible to define precisely, and often difficult to define at all, a period of literature. The political divisions commonly adopted are approximations, in many cases of the roughest kind. When we begin to ask what are the limits of the Elizabethan period, or of the period of Queen Anne, we find that the divisions which criticism can establish in literature by no means syn chronise with the time covered by the reigns of those sovereigns. Nevertheless, it requires but little reflection to Show that ex pressions of this kind, though never exact, generally convey a substantial truth. The movement of time is an abstract ex pression which means the movement of the human spirit in all its manifestations; and the movement of time is best marked by political events. Thus, when, with reference to literature, we speak of the age of Pericles or of Elizabeth, or of the period of the French Revolution, we mean that there was in those ages a movement in literature bearing conspicuously the impress of its connexion with the history of the time. No one can doubt that the marvellous literary activity of Athens in the fifth century was intimately connected with the events which made the city politically so prominent and so powerful; nor is it possible to deny that the great outburst of poetic genius in England in the end of the sixteenth and the beginning of the seventeenth centuries was an expression of a heightened and intensified national life. Naturally therefore, and not inappro priately, those periods of literature have been associated with the most prominent names of the time in politics. It is equally clear that the greatest historical event Since the Reformation had a profound influence upon literature, and that, for a; Qefiod. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Major Victorian Poets: Reconsiderations (Routledge Revivals)


Book Description

First published in 1969, this edition collection brings together a series of essays offering a re-evaluation of Victorian poetry in the light of early 20th Century criticism. The essays in this collection concentrate upon the poets whose reputations suffered from the great redirection of energy in English criticism initiated in this century by Eliot, Richards and Leavis. What theses poets wrote about, the values they expressed, the form of the poems, the language they used, all these were examined and found wanting in some radical way. One of the results of this criticism was the renewal of interest in metaphysical and eighteenth-century poetry and corresponding ebb of enthusiasm for Romantic poetry and for Victorian poetry in particular. Most of the essays in this book take as their starting point questions raised by the debate on Victorian poetry, both earlier in this century and in the more recent past. There are essays on the poetry of Tennyson, Browning and Arnold, on that of Clough, who until recently has been neglected, and Hopkins, because of, rather than in spite of, the fact that he is usually considered to be a modern poet. The volume is especially valuable in that it will give a clearer understanding of the nature of Victorian poetry, concentrating as it does on those areas of a poet’s work where critical discussion seems most necessary.




The Penguin Book of Victorian Verse


Book Description

Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.