The Güegüence


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The Güegüence


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Archaeology of the Rivas Region, Nicaragua


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Central America before the Spanish Conquest has often been considered by North American archaeologists as a “backwater” of peripheral importance located between the advanced ancient civilizations of South America and Mesoamerica (Mexican–Maya country). Recent archaeological research has revealed that this area played a much more significant role in New World cultural history than was previously thought. Healy’s study examines the archaeological record of one subarea of Southern Central America, the Rivas region of Pacific Nicaragua. The work gives a detailed analysis of excavations and of artifacts recovered at seven significant prehistoric sites. A critical pioneering effort, the monograph documents cultural changes occurring over a 2,000–year time period—changes in technology, material culture, settlement, subsistence, and socio–political organization.




The Pipil Language of El Salvador


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The series builds an extensive collection of high quality descriptions of languages around the world. Each volume offers a comprehensive grammatical description of a single language together with fully analyzed sample texts and, if appropriate, a word list and other relevant information which is available on the language in question. There are no restrictions as to language family or area, and although special attention is paid to hitherto undescribed languages, new and valuable treatments of better known languages are also included. No theoretical model is imposed on the authors; the only criterion is a high standard of scientific quality. To discuss your book idea or submit a proposal, please contact Birgit Sievert.




Unmasking Class, Gender, and Sexuality in Nicaraguan Festival


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Masaya, a provincial capital of Nicaragua, cultivates an aggressively traditional identity that contrasts with Managua’s urban modernity. In 2001 the city was officially designated Capital of Nicaraguan Folklore, yet residents have engaged in a vibrant folk revival since at least the 1960s. This book documents the creative innovations of Masaya’s performing artists. The first extended study in English of Nicaraguan festival arts, Unmasking Class, Gender, and Sexuality in Nicaraguan Festival is an ethnographically and historically grounded inquiry into three festival enactments during the Somoza, Sandinista, and Neoliberal periods: the carnivalesque torovenado masquerades, the transvestite Negras marimba dances, and the wagon pilgrimage to Popoyuapa. Through a series of interlinked essays, Katherine Borland shows that these enactments constitute a people’s theater, articulating a range of perspectives on the homegrown and the global; on class, race, and ethnicity; on gender and sexuality; and on religious sensibilities. Borland’s book is a case study of how the oppositional power of popular culture resides in the process of cultural negotiation itself as communities deploy cherished traditions to assert their difference from the nation and the world. It addresses both the gendered dimensions of a particular festival masquerade and the ways in which sexuality is managed in traditional festival transvestism. It demonstrates how performativity and theatricality interact to negotiate certain crucial realities in a festival complex. By showing how one locale negotiates, incorporates, and resists globally circulating ideas, identities, and material objects, it makes a major contribution to studies of ritual and festival in Latin America.




Patriarch and Folk


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The painful sixty-year process that brought Nicaragua from colonial status to incipient nation-state is the focus of this fresh examination of inner struggle in a key isthmian country. E. Bradford Burns shows how Nicaragua's elite was able to consolidate control of the state and form a stable government, resolving the bitter rivalry between the two cities Le&oacu;n and Granada, but at the same time began the destruction of the rich folk culture of the Indians, eventually reducing them to an impoverished and powerless agrarian proletariat. The history of this nation echoes that of other Latin American lands yet is peculiarly its own. Nicaragua emerged not from a war against Spain but rather from the violent interactions among the patriarchs of the dominant families, the communities of common people, and foreigners. Burns is eloquent on the subject of American adventurism in Nicaragua, which culminated in the outrageous expedition of the filibuster William Walker and his band of mercenaries in the 1850s. It was a major breach of the trust and friendship Nicaraguans had extended to the United States, and the Nicaraguans' subsequent victory over the foreign invaders helped forge their long-delayed sense of national unity. The decimation of Nicaraguan archives for the period prior to 1858 renders the study of early nineteenth-century history especially challenging, but Burns has made ingenious use of secondary sources and the few published primary materials available, including travelers' accounts and other memoirs, newspapers, government reports, and diplomatic correspondence. He provides valuable insight into Nicaraguan society of the time, of both the elite and the folk, including a perceptive section on the status and activities of women and the family in society. This book will appeal not only to professional historians but to general readers as well.




Bibliotheca Americana, 1893


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Central American Counterpoetics


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Connecting past and present, this book proposes the concepts of rememory (rememoria) and counterpoetics as decolonial tools for studying the art, popular culture, literature, music, and healing practices of Central America and the diaspora in the United States. Building on the theory of rememory articulated in Toni Morrison's Beloved, the volume examines the concept as an embodied experience of a sensory place and time lived in the here and now. By employing a wide array of sources, Alma's research breaks ground in subject matter and methods, considering cultural and historical ties across countries, regions, and traditions while offering critical perspectives on topics such as immigration, forced assimilation, maternal love, gender violence, community arts, and decolonization.