The Guernica Project


Book Description

His first day with a Chicago law firm, labor attorney Eric Rossbach meets industrialist Sheldon Blatty. This corrupt union boss, Mike Mulrooney, is trying to shove a contract down my throat, Blatty complains. No damn unions telling me how to run my company. Rossbach reassures Blatty that he can keep the Blatty plant nonunion. If a strike turns violent, Rossbach would rush to court for a quick injunction. Blattys new law firm will not deter Mulrooney. Hes determined to use any means available, legal or illegal, to force Blatty to sign a union contract. He has his own aggressive game plan, his Guernica Project, to break the will of antiunion employers like Blatty. However, will Mulrooneys hardball campaign force Blatty to outsource his production to China? Rossbach meets Deborah Morgan, the unions attorney, at the first bargaining session. He thinks shes beautiful. Rossbachs marriage is crashing, but he knows that nothing can happen between Morgan and him while they are opposing counsel. Then, while Rossbach and Morgan represent their clients during contract negotiations, in courtroom battles, and during a bitter and deadly strike, their relationship changes in ways that neither had anticipated when they first met.




Guernica Remakings


Book Description

This year marks the eightieth anniversary of the bombing of the Basque town of Gernika in Spain. Pablo Picasso created his iconic, anti-fascist painting, Guernica (1937), in protest against that attack and others targeted at civilian populations. This book, published alongside the exhibition, Guernica Remakings, explores the ongoing power of Picasso?s Guernica through a series of contemporary reworkings that continue to locate the iconic image within political protest. The featured artworks demonstrate the longevity and versatility of the original as it morphed from Picasso?s canvas, painted in 1937, to a tapestry in 1955, a textile artwork in 2010, a theatrical production in 2011-12 and a protest banner in 2012-14. Guernica?s humanitarian message is still relevant; it calls for solidarity and compassion across borders. Traversing geographical boundaries with each remaking it connects Spain and France, to the USA, UK, South Africa, Canada and India. The voices of those involved in creating the artworks are heard alongside the curator and maker, Dr Nicola Ashmore. 00Exhibition: University of Brighton, Gallery, UK (28.07.-23.08.2017).




The Bombing of Gernika


Book Description

The episode of Guernica, with all that it represents both in the military and the moral order, seems destined to pass into History as a symbol. A symbol of many things, but chiefly of that capacity for falsehood possessed by the new Machiavellism which threatens destruction to all the ethical hypotheses of civilization. A clear example of the use which can be made of untruth to degrade the minds of those whom one wishes to convince.(Foreign Wings over the Basque Country, 1937)Just after 4 p.m. aeroplanes threw nine bombs in the centre of the town. We were looking after the wounded when more aeroplanes appeared, which began to drop all kinds of bombs, incendiary and explosive. The wild beasts who piloted those aeroplanes, whenever they saw in the streets or outside the town a human figure, turned their machine-guns on it, sowing terror and death and killing not a few, among whom were women children, and old people. Such was the tragedy of Guernica, the truth of which I, Mayor of Guernica, affirm be-fore the whole world.Guernica has been burnt, but Guernica will not die. The tree will put out new green leaves every spring; her sons will return to her once more; once more her houses will be rebuilt, her churches hear again their hymns and prayers, and happy life abound in her streets. Guernica, the symbol of our national liberties, and the symbol too of the ferocity of international Fascism, cannot die for Euzkadi will not die."(Jose Labauria, Mayor of Gernika)




Guernica


Book Description

The remarkable story of the famous painting by Picasso and its diverse meanings from its conception to the present day 'Enthralling ... This is high-action drama, told like the rest within a huge frame of reference, theme interlocked with theme ... A painting which began its life within a particular political context has emerged as a universal statement on the ever-present horror and suffering of war. Van Hensbergen has treated an extraordinary subject admirably' Evening Standard Of all the great paintings in the world, Picasso's Guernica has had a more direct impact on our consciousness than perhaps any other. In this absorbing and revealing book, Gijs van Hensbergen tells the story of this masterpiece. Starting with its origin in the destruction of the Basque town of Gernika in the Spanish Civil War, the painting is then used as a weapon in the propaganda battle against Fascism. Later it becomes the nucleus of the Museum of Modern Art in New York and the detonator for the Big Bang of Abstract Expressionism in the late 1940s. This tale of passion and politics shows the transformation of this work of art into an icon of many meanings, up to its long contested but eventually triumphant return to Spain in 1981.




The Lincoln Brigade


Book Description

THE LINCOLN BRIGADE The day after Christmas in 1936, a group of ninety-six Americans sailed from New York to help Spain defend its democratic government against fascism. Ultimately, twenty-eight hundred United States volunteers reached Spain to become the Abraham Lincoln Brigade. Few Lincolns had any military training. More than half were seriously wounded or died in battle. Most Lincolns were activists and idealists who had worked with and demonstrated for the homeless and unemployed during the Great Depression. They were poets and blue-collar workers, professors and students, seamen and journalists, lawyers and painters, Christians and Jews, blacks and whites. The Brigade was the first fully integrated United States army, and Oliver Law, an African American from Texas, was an early Lincoln commander. William Loren Katz and the late Marc Crawford twice traveled with the Brigade to Spain in the 1980s, interviewed surviving Lincolns on old battlefields, and obtained never-before-published documents and photographs for this book.




Picasso's Guernica


Book Description

"A brilliant analysis of the picture and the situations of its creation. Rarely, if ever, have I read an account that was more satisfying. It is written in the most clear, concise, and elegant fashion with no wasted words or self-consciously elegant prose. Chipp beautifully documents Picasso's personality and attitudes toward his work, his personal relationships, and his political beliefs. This book is, in many ways, a neat and compact introduction to Picasso as a human being as well as an artist."--Edward J. Sullivan, New York University




Picasso's War


Book Description

The destruction of a town, and the creation of a masterpiece--On April 26, 1937, in the late afternoon of a busy market day in the Basque town of Gernika in northern Spain, the German Luftwaffe began the relentless bombing and machine-gunning of buildings and villagers at the request of General Francisco Franco and his rebel forces. Three-and-a-half hours later, the village lay in ruins, its population decimated. This act of terror and unspeakable cruelty--the first intentional, large-scale attack against a nonmilitary target in modern warfare--outraged the world and one man in particular, Pablo Picasso. The renowned artist, an expatriate living in Paris, reacted immediately to the devastation in his homeland by creating the canvas that would become widely considered one of the greatest artworks of the twentieth century--Guernica. Weaving themes of conflict and redemption, of the horrors of war and of the power of art to transfigure tragedy, Russell Martin follows this monumental work from its fevered creation through its journey across decades and continents--from Europe to America and, finally and triumphantly, to democratic Spain. Full of historical sweep and deeply moving drama, Picasso's War delivers an unforgettable portrait of a painting, the dramatic events that led to its creation, and its ongoing power today.




Liberating Histories


Book Description

Liberating Histories makes an original, scholarly contribution to contemporary debates surrounding the cultural and political relevance of historical practices. Arguing against the idea that specifically historical readings of the past are necessary or are compelled by the force of past events themselves, this book instead focuses on other forms of past-talk and how they function in politically empowering ways against social injustices. Challenging the authority and constraints of academic history over the past, this book explores various forms of past-talk, including art, films, activism, memory, nostalgia and archives. Across seven clear chapters, Claire Norton and Mark Donnelly show how activists and campaigners have used forms of past-talk to unsettle ‘common sense’ thinking about political and social problems, how journalists, artists, curators, filmmakers and performers have referenced the past in their practices of advocacy, and how grassroots archivists help to circulate materials that challenge the power of authorised institutional archives to determine what gets to count as a demonstrable feature of the past and whose voices are part of the ‘historical record’. Written in a lucid, accessible manner, and combining insightful critical analysis and philosophical argument with clear consideration of how different forms of past-talk influence the narration of pasts in a variety of socio-political contexts, Liberating Histories is essential reading for students and scholars with an interest in historiography and the ethical and political dimensions of the historical discipline.




Developing Civic Engagement in Urban Public Art Programs


Book Description

What can public art do for a community? How can city governments and others that create public art develop projects that build community and engage civil society? Creating Civic Engagement in Urban Public Art addresses these and other critical questions. It demonstrates how public art can build community unity, identity and cohesiveness. The focus of this original work is how cities engage their citizens through public art. What has been successful and what has failed? Through case studies of cities that have public art programs - some successful at citizen engagement others less so – the reader will learn how to design public art programs that build community.




The Frenzied Dance of Art and Violence


Book Description

Angelic demons : the capricious creators -- Continuing the dance : how art therapy both reveals and mitigates violence and aggression.