Delphi Complete Paintings of William Hogarth (Illustrated)


Book Description

The Father of English painting, William Hogarth aspired to an art that would engage and delight ordinary citizens, rather than educated connoisseurs and critics, whom he despised. He achieved this ambition by creating a new type of painting, a comic strip-like series of pictures called ‘modern moral subjects’. Famous examples such as ‘A Harlot's Progress’, ‘A Rake's Progress’ and ‘Marriage A-la-Mode’ were reproduced en masse as popular engravings and were accessible to all. His work also provided a visual influence to the satirical works of England’s great men of letters. More importantly, Hogarth’s extraordinary achievement of securing a Copyright Act would benefit countless artists in all media to the present day. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Hogarth’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of William Hogarth – hundreds of images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Hogarth’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Includes a wide selection of Hogarth’s prints – explore the artist’s varied works * Hogarth’s treatise of art: ‘The Analysis of Beauty’ * A special criticism section, with eight seminal essays exploring Hogarth’s contribution to the development of British art * Features four bonus biographies – immerse yourself in Hogarth’s world CONTENTS: The Highlights Masquerades and Operas (1724) Emblematical Print on the South Sea Scheme (1724) Conversation Piece (c. 1731) A Harlot’s Progress (1731) A Rake’s Progress (1734) Self Portrait (1735) Jesus at the Pool of Bethesda (1737) Four Times of the Day (1738) Portrait of Thomas Coram (1740) Marriage à-la-mode (1745) The Painter and his Pug (1745) David Garrick as Richard III (1745) The Shrimp Girl (c. 1745) The Gate of Calais or O, the Roast Beef of Old England (1748) Beer Street and Gin Lane (1751) Sigismunda Mourning over the Heart of Guiscardo (1759) Credulity, Superstition and Fanaticism (1762) The Paintings The Complete Paintings Alphabetical List of Paintings The Prints List of Prints The Book The Analysis of Beauty (1753) The Criticism Preface to ‘Joseph Andrews’ (1742) by Henry Fielding Letter to George Montagu, Esq. (1761) by Horace Walpole Characters of Hogarth (1765) by Horace Walpole On the Genius and Character of Hogarth (1811) by Charles Lamb Hogarth, Smollett, and Fielding (1853) by William Makepeace Thackeray Hogarth’s Works: First Series (1874) by John Ireland and John Nichols Hogarth and His Time (1877) by James Parton Hogarth’s Sigismunda (1892) by Austin Dobson The Biographies Biographical Anecdotes of William Hogarth (1785) by John Nichols William Hogarth (1900) by Austin Dobson Hogarth (1912) by Arthur St. John Adcock Hogarth by (1913) C. Lewis Hind Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set




Catalogue


Book Description




Infamous Commerce


Book Description

In Infamous Commerce, Laura J. Rosenthal uses literature to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work. Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution—among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives—Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."



















The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800


Book Description

More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.