The Harp and the Shadow


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A Twice-told Tale


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Essays on Iberian views of the age of conquest through literature and cinema




The Repeating Island


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In this second edition of The Repeating Island, Antonio Benítez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirely new chapters that add a Lacanian perspective and a view of the carnivalesque to an already brilliant interpretive study of Caribbean culture. As he did in the first edition, Benítez-Rojo redefines the Caribbean by drawing on history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and nonlinear mathematics. His point of departure is chaos theory, which holds that order and disorder are not the antithesis of each other in nature but function as mutually generative phenomena. Benítez-Rojo argues that within the apparent disorder of the Caribbean—the area’s discontinuous landmasses, its different colonial histories, ethnic groups, languages, traditions, and politics—there emerges an “island” of paradoxes that repeats itself and gives shape to an unexpected and complex sociocultural archipelago. Benítez-Rojo illustrates this unique form of identity with powerful readings of texts by Las Casas, Guillén, Carpentier, García Márquez, Walcott, Harris, Buitrago, and Rodríguez Juliá.




Killer Books


Book Description

Writing and violence have been inextricably linked in Spanish America from the Conquest onward. Spanish authorities used written edicts, laws, permits, regulations, logbooks, and account books to control indigenous peoples whose cultures were predominantly oral, giving rise to a mingled awe and mistrust of the power of the written word that persists in Spanish American culture to the present day. In this masterful study, Aníbal González traces and describes how Spanish American writers have reflected ethically in their works about writing's relation to violence and about their own relation to writing. Using an approach that owes much to the recent "turn to ethics" in deconstruction and to the works of Jacques Derrida and Emmanuel Levinas, he examines selected short stories and novels by major Spanish American authors from the late nineteenth through the twentieth centuries: Manuel Gutiérrez Nájera, Manuel Zeno Gandía, Teresa de la Parra, Jorge Luis Borges, Alejo Carpentier, Gabriel García Márquez, and Julio Cortázar. He shows how these authors frequently display an attitude he calls "graphophobia," an intense awareness of the potential dangers of the written word.




Marvelous Journeys


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Marvelous Journeys explores the transition from a modernist to a postmodernist consciousness in twentieth-century Caribbean writings on identity that is reflected through a corresponding evolution in the use of the marvelous as a literary tool. For the three novelists who are the focus of this study - Jacques-Stephen Alexis, Alejo Carpentier, and Simone Schwarz-Bart - the discourse of the marvelous offers a uniquely Caribbean vehicle for capturing an elusive Caribbean «essence» as well as for coming to terms with the seemingly contradictory demands of a Parisian intellectual formation and an authentic Caribbean sensibility. This book engages with recent debates in criticism and theory and will appeal to a broad spectrum of readers interested in Francophone literature, Caribbean studies, and literary and postcolonial theory. It contributes to the burgeoning field of Caribbean literary studies by adopting a transcultural approach to a neglected but increasingly important area of study: the circulation of ideas and influences among the Hispanic and Francophone Caribbean islands and the African and European continents.




Love and the Law in Cervantes


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The consolidation of law and the development of legal writing during Spain's Golden Age not only helped that country become a modern state but also affected its great literature. In this fascinating book, Roberto Gonzalez Echevarria explores the works of Cervantes, showing how his representations of love were inspired by examples of human deviance and desire culled from legal discourse.




The Harp of Imach Thyssel


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In the magical world of Lyra, a mysterious instrument gives a minstrel undreamed-of powerWhen Emereck and Flindaran leave a caravan in search of adventure, it isn’t long before they stumble upon great danger. Emereck, a trained minstrel, and Flindaran, a nobleman masquerading as a tramp, have found a long-abandoned castle, and in it, one of Lyra’s most sought-after treasures: the Harp of Imach Thyssel. Emereck recognizes the perfect white bow from legend: It is said to possess the power of life and death over all mankind. Now, to keep it from falling into the wrong hands, he’ll have to learn to harness its strength to create and destroy, with the fate of the kingdom hanging in the balance.




The Grass Harp


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A story of two sisters and their cousin.




A Concordance to the Poems of W.B. Yeats


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Now it is possible for the first time to trace in a systematic way the language patterns of one of the greatest poets who have written in English, W. B. Yeats. Like A Concordance to the Poems of Matthew Arnold, the first of the Cornell Concordances that are under the general editorship of Professor Parrish, this volume was produced on an IBM 704 electronic data-processing machine. Computer technique has so advanced that the Yeats concordance includes punctuation and gives cross references for the second parts of hyphenated words. The frequency of every word in Yeats's poems is given, and an appendix lists all indexed words in order of frequency. The body of this book consists of an index of all significant words in Yeats, each word listed in the line or lines in which it occurs. The concordance is based on the variorum text of Yeats, edited by Alspach and Allt, and includes all variants that occur in printed versions of Yeats's poems.