The Harvard Classics


Book Description




The Harvard Classics; 20


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Harvard Classics; Volume 20


Book Description

First published in 1909, The Harvard Classics is a landmark collection of the most important works of Western literature, philosophy, and science from the ancient world to the early 20th century. Edited by Charles W. Eliot, the president of Harvard University, and containing works by such luminaries as Shakespeare, Dante, Darwin, and Freud, this 51-volume set remains an unparalleled resource for anyone seeking to explore the richness and diversity of human civilization. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Divine Comedy


Book Description

Contents: The divine comedy of Dante Alighieri, with introductions, notes and illustrations.




The Harvard Classics;


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Harvard Classics Volume 20: the Divine Comedy of Dante Alighieri (Hell, Purgatory, Paradise)


Book Description

Compiled and Edited by Charles W. Eliot in 1909, the Harvard Classics is a 51-volume Anthology of classic literature from throughout the history of western civilization. The set is sometimes called "Eliot's Five-Foot Shelf." The interior of this book is a facsimile reproduction of the 1909 edition. For the other books in this series and books of similar interest search with the keyword hcbooks.




The Harvard Classics, Volume 20


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Harvard Classics Volume 20


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1909 edition. Excerpt: ...a shape As of one crucified, whose visage spake Fell rancour, malice deep, wherein he died; And round him Ahasuerus the great king; Esther his bride; and Mordecai the just, Blameless in word and deed. As of itself That unsubstantial coinage of the brain Burst, like a bubble, when the water fails That fed it; in my vision straight uprose A damsel' weeping loud, and cried, "O queen! O mother 1 wherefore has intemperate ire Driven thee to loathe thy being? Not to lose Lavinia, desperate thou hast slain thyself. Now hast thou lost me. I am she, whose tears Mourn, ere I fall, a mother's timeless end." E'en as a sleep breaks off, if suddenly New radiance strikes upon the closed lids, The broken slumber quivering ere it dies; 11 cannot think, with Vellutello, that the swallow is here meant. Dante probably alludes to the story of Philomela, as it is found in Homer's "Odyssey," b. xix. 518. Philomela intended to slay the son of her husband's brother Amphion, incited to it by the envy of his wife, who had six children, while herself had only two, but through mistake slew her own son Itylus, and for her punishment was transformed by Jupiter into a nightingale. 2 Lavinia, mourning for her mother Amata, who, impelled by grief and indignation for the supposed death of Turnus, destroyed herself. Thus, from before me, sunk that imagery, Vanishing, soon as on my face there struck The light, outshining far our earthly beam. As round I turn'd me to survey what place I had arrived at, "Here ye mount" exclaim'd A voice, that other purpose left me none Save will so eager to behold who spake, I could not chuse but gaze. As 'fore the sun, That weighs our vision down, and veils his form In light transcendent, thus my virtue fail'd...




The Harvard Classics Volume 20


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.