The Heibergs


Book Description




Johan Ludvig Heiberg


Book Description

The polymath Johan Ludvig Heiberg (1791-1860) represented in many ways a kind of crossroads in the Danish Golden Age, where many different figures and cultural institutions converged. Although he has been studied for years in his native Denmark, he has not enjoyed the same reception abroad. Recently, however, his work has begun to catch the eye of international scholars, and, largely as a result of their efforts, Heiberg has now become a familiar name among the most recent generation of Anglophone and international researchers working in fields such as Scandinavian literature, Danish theater history and Kierkegaard studies. However, Heiberg was one of the most versatile figures of his age, and the full scope of his activity and thought is still far from being adequately explored in the literature. The present collection features articles from leading Danish and international experts that reflect the different dimensions of Heiberg's thought. The volume is thus interdisciplinary in an attempt to cover as many different aspects of Heiberg's intellectual activity as possible. It is divided into four rubrics: I. Philosophy, II. Literature and Criticism, III. Drama and Aesthetics, and IV. Politics and Social Criticism. The hope is that this collection will encourage students and scholars to further explore the different dimensions of Heiberg's thought, both on its own terms and in connection with other important figures such as Søren Kierkegaard and Hans Christian Andersen.




The Heibergs and the Theater


Book Description

Not only was Johan Ludvig Heiberg the most famous theater critic of the Danish Golden Age, but he also wrote the most important aesthetic essays about theater. Some of his dramatic works belong to most successful plays ever performed at the Royal Theater. Moreover, Heiberg was married to one of the greatest Danish actresses of the nineteenth century. Both his wife Johanne Luise Heiberg and his mother Thomasine Gyllembourg wrote dramatic works that were performed on the stage of the Royal Theater. At the end of his career Heiberg finally became director of the Royal Theater from 1849 to 1856. Seen from today's point of view Heiberg dominated theater life in the mid-nineteenth century Denmark in an absolutely unique and astonishing way. But it is not only because of his remarkable position in the small literary field of Golden Age Denmark that his dramatic works and his theory of theater are worthy of study. As the articles in this volume show, Heiberg's lifelong occupation with theater was closely tied to his far-reaching philosophical and political interests.




Theatrical Theology


Book Description

Theology is inherently theatrical, rooted in God's performance on the world stage and oriented toward faith seeking performative understanding in the theatre of everyday life. Following Hans Urs von Balthasar's magisterial, five-volume 'Theo-Drama', a growing number of theologians and pastors have been engaging more widely with theatre and drama, producing what has been recognized as a




The Theatre of Imagining


Book Description

This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare’s Macbeth (c.1606); Henrik Ibsen’s A Doll’s House (1879); and Eugène Ionesco’s The Killer (1957).




The Drama of History


Book Description

Henrik Ibsen's plays have long beguiled philosophically-oriented readers. From Nietzsche to Adorno to Cavell, philosophers have drawn inspiration from Ibsen. But what of Ibsen's own philosophical orientation? As part of larger European movements to reinvent drama, Ibsen and fellow playwrights grappled with contemporary philosophy. Philosophy of drama found a central place with figures such as Gotthold Ephraim Lessing and Johann Gottfried Herder, but reached its mature form, in Ibsen's time, in the works of G.W.F. Hegel and Friedrich Nietzsche. Kristin Gjesdal reveals the centrality of philosophy of theater in nineteenth-century philosophy and shows how drama, as an art form, offers insight into human historicity and the conditions of modern life. The Drama of History deepens and actualizes the relationship between philosophy and drama--not by suggesting that either philosophy or drama should have the upper hand, but rather by indicating how a sustained dialogue between them brings out the meaning and intellectual power of each. Her study reveals underappreciated aspects of Hegel's and Nietzsche's works through their reception in European art and investigates the philosophical dimensions of Ibsen's drama. At the heart of this interrelation between philosophy and drama is a shared interest in exploring the existential condition of human life as lived and experienced in history.




A History of Hegelianism in Golden Age Denmark, Tome I


Book Description

This is the first of a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of Golden Age culture. This initial tome covers the period from the beginning of the Hegel reception in the Danish Kingdom in the 1820s until the end of 1836. The dominant figure from this period is the poet and critic Johan Ludvig Heiberg, who attended Hegel’s lectures in Berlin in 1824 and then launched a campaign to popularize Hegel’s philosophy among his fellow countrymen. Using his journal Kjøbenhavns flyvende Post as a platform, Heiberg published numerous articles containing ideas that he had borrowed from Hegel. Several readers felt provoked by Heiberg’s Hegelianism and wrote critical responses to him, many of which appeared in Kjøbenhavnsposten, the rival of Heiberg’s journal. Through these debates Hegel’s philosophy became an important part of Danish cultural life.




A History of Scandinavian Theatre


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A balanced and authoritative account of the theatrical history of all three Scandinavian countries.




A Vexing Gadfly


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This essay on Soren Kierkegaard and economic matters from a theological perspective is well grounded in the Dane's journals. In these writings, the late nineteenth-century thinker shows his solidarity with rural residents (90 percent of the population) and urbanite menial workers. Topics include the option for the poor; the ideology of impotence; the denouncing of a competitive society; the correlation of wealth and poverty; media, church, university, and theatre as social institutions shaping reality; Christendom; and the retribution doctrine.




Søren Kierkegaard


Book Description

"The day will come when not only my writings, but precisely my life--the intriguing secret of all the machinery--will be studied and studied." Søren Kierkegaard's remarkable combination of genius and peculiarity made this a fair if arrogant prediction. But Kierkegaard's life has been notoriously hard to study, so complex was the web of fact and fiction in his work. Joakim Garff's biography of Kierkegaard is thus a landmark achievement. A seamless blend of history, philosophy, and psychological insight, all conveyed with novelistic verve, this is the most comprehensive and penetrating account yet written of the life and works of the enigmatic Dane who changed the course of intellectual history. Garff portrays Kierkegaard not as the all-controlling impresario behind some of the most important works of modern philosophy and religious thought--books credited with founding existentialism and prefiguring postmodernism--but rather as a man whose writings came to control him. Kierkegaard saw himself as a vessel for his writings, a tool in the hand of God, and eventually as a martyr singled out to call for the end of "Christendom." Garff explores the events and relationships that formed Kierkegaard, including his guilt-ridden relationship with his father, his rivalry with his brother, and his famously tortured relationship with his fiancée Regine Olsen. He recreates the squalor and splendor of Golden Age Copenhagen and the intellectual milieu in which Kierkegaard found himself increasingly embattled and mercilessly caricatured. Acclaimed as a major cultural event on its publication in Denmark in 2000, this book, here presented in an exceptionally crisp and elegant translation, will be the definitive account of Kierkegaard's life for years to come.