The Hidden Dürer


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On Photographs


Book Description

Gain a new perspective on photography in this personally guided introduction to photographic images and what they mean by one of the leading writers and curators of our time On Photographs is destined to become an instant classic of photography writing. Rejecting the conventions of chronology and the heightened status afforded to 'classics' in traditional accounts of the history of the medium, Campany's selection of photographs is an expertly curated and personal one - mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany's highly readable commentary. Putting the sacred status of authorship to one side, he strives to guide the reader in their own interpretation and understanding of the image itself. In a visual culture in which we have become accustomed to not looking, Campany helps us see, in what is both an accessible introduction for newcomers and a must-have for photography aficionados.




Dürer's Lost Masterpiece


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Dürer's Lost Masterpiece tracks the history of a turning point in the career of the celebrated German artist Albrecht Dürer (1471-1528), when he stopped painting altarpieces after arguing with a merchant patron over payment. As an eloquent homage to Dürer ́s life, it brings us closer to the creation and meaning of his paintings than ever before. Dürer's Lost Masterpiece considers the celebrated German artist Albrecht Dürer (1471-1528), his time and his legacy. It tracks the history of a crucial, and often overlooked, turning point in his career, when Dürer stopped painting altarpieces after falling out with the Frankfurt merchant Jacob Heller over a commission. The story of this painting, as Dürer ́s lost masterpiece, functions as a lens through which to view the new relationship developing between art, collecting and commerce in Europe up to the Thirty Years ́ War (1618-1648) when global trade and cultural exchanges were increasing. At the heart of the book is the argument that merchants, and their mentalities, were crucial for the making of Renaissance art and its legacy for modern art. The book draws on a decade of research, and uniquely draws the reader into the rich emotional worlds of three merchants each of whom typified the evolving relationship between art and commerce in that entrepreneurial, and often ruthless, age. It brings to life Dürer ́s determined fight for creative makers to be adequately paid and explores the big questions about how European societies came to value the arts and crafts that remain relevant to our time.




Reading Albrecht Dürer’S the Knight, Death, and the Devil Ab Ovum


Book Description

In Albrecht Drers famous engraving The Knight, Death, and the Devil, a knight, a figure of death, and the Devil represent three significant archetypes of human experience: success, the passing of time, and misfortune. Yet all arouse feareven terrorand herald the inevitable tragedy of the near or distant future. The question is therefore how such an image of tragedy and misfortune can be the basis for a motivational text? In Reading Albrecht Drers The Knight, Death, and the Devil Ab Ovum: Life Understood as a Struggle, author William C. Auden provides a connection between these figures and the demands and expectations of modern-day society when it comes to being successful. It will help us better understand how the path to individual success requires values that serve both others and society itself. While there will always be pressure to gain success at any cost, a moral approach to personal success can be informed by benevolent social behavior, tolerance, and acceptance. Although success in business or in life can be a struggle, understanding the ways success, misfortune, and inevitability work together to provide us with motivation can help us find a balance between modern social needs and the social pressure to achieve successfor both ourselves and for our society as a whole.




The Hidden Order of Art


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The author has evolved an altogether new psychology of the artist and the art-work which accounts particularly for the development, significance, possibilities and limitations of modern abstract art.




The Melencolia Manifesto


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Few artworks have been the subject of more extensive modern interpretation than Melencolia I by renowned artist, mathematician, and scientist Albrecht Dürer (1514). And yet, did each of these art experts and historians miss a secret manifesto that Dürer included within the engraving? This is the first work to decrypt secrets within Melencolia I based not on guesswork, but Dürer's own writings, other subliminal artists that inspired him (i.e., Leonardo da Vinci), the Jewish and Christian Bibles, and books that inspired Dürer (De Occulta Philosophia and the Hieorglyphica). To read the covert message of Melencolia I is to understand that Dürer was a humanist in his interests in mathematics, science, poetry, and antiquity. This book recognizes his unparalleled power with the burin, his mathematical skill in perspective, his dedication to precise language, and his acute observation of nature. Melencolia I may also be one of the most controversial (and at the time most criminal) pieces of art as it hid Dürer's disdain for the hierarchy of the Catholic Church, the Kaiser, and the Holy Roman Empire from the general public for centuries. This book closely ties the origins of philosophy (science) and the work of a Renaissance master together, and will be of interest for anyone who loves scientific history, art interpretation, and secret manifestos.




The Essential Dürer


Book Description

Albrecht Dürer (1471-1528), perhaps the most famous of all German artists, embodies the modern ideal of the Renaissance man—he was a remarkable painter, printmaker, draftsman, designer, theoretician, and even a poet. More is known about his thoughts and his life than about any other Northern European master of his time, since he wrote extensively about himself, his family's history, his travels, and his friends. His woodcuts and engravings were avidly collected and copied across Europe, and they quickly established his reputation as a master. Praised in life and elegized in death by such thinkers as Martin Luther and Erasmus, he served Emperor Maximilian and other leading church and secular princes in the Holy Roman Empire. Although there is a vast specialized literature on the Nuremberg master, The Essential Dürer fills the need for a foundational book that covers the major aspects of his career. The essays included in this book, written by leading scholars from the United States and Germany, provide an accessible, up-to-date examination of Dürer's art and person as well as his posthumous fame. The essays address an array of topics, from separate and detailed studies of his paintings, drawings, printmaking, and sculpture, to broader concerns such as his visits to and interactions with Venice and the Netherlands, his personal relationships, and his relationships with other artists. Collectively these stimulating essays explore the brilliance of Dürer's creativity and the impact he had on his world, exposing him as an artist fully engaged with the tumultuous intellectual and religious challenges of his time.




Drawing


Book Description

Drawing is the technique of producing images on a surface, usually paper, by means of marks, usually of ink, graphite, chalk, charcoal, or crayon. Although drawings differ in quality, they have a common purpose--to give visible form to an idea and to express the artist's feeling about it. Besides the way in which they feel about their subjects, artists reflect in their drawing their individual approaches to techniques and tools. In line drawings, for example, form is usually expressed by line only. This volume deals with drawings' aesthetic characteristics, mediums of expression, subject matter, and some leading artists and their works.




The Life of the Virgin


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