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L.E.L.


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A lost nineteenth-century literary life, brilliantly rediscovered--Letitia Elizabeth Landon, hailed as the female Byron; she changed English poetry; her novels, short stories, and criticism, like Byron though in a woman's voice, explored the dark side of sexuality--by the acclaimed author of The Brontë Myth ("wonderfully entertaining . . . spellbinding"--New York Times Book Review; "ingenious"--The New Yorker). "None among us dares to say / What none will choose to hear"--L.E.L., "Lines of Life" Letitita Elizabeth Landon--pen name L.E.L.--dared to say it and made sure she was heard. Hers was a life lived in a blaze of scandal and worship, one of the most famous women of her time, the Romantic Age in London's 1820s, her life and writing on the ascendency as Byron's came to an end. Lucasta Miller tells the full story and re-creates the literary London of her time. She was born in 1802 and was shaped by the aftermath of the Napoleonic Wars, a time of conservatism when values were in flux. She began publishing poetry in her teens and came to be known as a daring poet of thwarted romantic love. We see L.E.L. as an emblematic figure who embodied a seismic cultural shift, the missing link between the age of Byron and the creation of Victorianism. Miller writes of Jane Eyre as the direct connection to L.E.L.--its first-person confessional voice, its Gothic extremes, its love triangle, and in its emphasis on sadomasochistic romantic passion.







Richard III's 'Beloved Cousyn'


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In 1455 John Howard was an untitled and relatively obscure Suffolk gentleman. Thirty years later, at the time of his death at the Battle of Bosworth Field, he was Earl Marshal, Duke of Norfolk, Lord Admiral and a very rich man (and his direct descendant is Duke of Norfolk today). How had Howard attained these elevations? Through his service to the House of York, and in particular to King Richard III during the setting aside of Edward V. John Ashdown-Hill examines why Howard chose to support Richard, even ultimately at the cost of his life; what secrets he knew about Edward IV; what he had to do with the fate of the 'Princes in the Tower;' and what naval innovations, hitherto ascrided to the Tudors, he promoted. Based on original research and containing previously unpublished material, Richard III's 'Beloved Cousyn' is an important contribution to Ricardian scholarship.




The Library Manual


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