The History of Modern Painting, Volume 3 (of 4)


Book Description

Reproduction of the original: The History of Modern Painting, Volume 3 (of 4) by Richard Muther







Theories of Modern Art


Book Description







History of Modern Art


Book Description

Since it first appeared in 1968, History of Modern Art has emphasized the unique formal properties of artworks, and the book has long been recognized for the acuity of its visual analysis.




Interpreting Modernism in Korean Art


Book Description

This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.




The Papers of Frederick Law Olmsted


Book Description

The final chronologically arranged volume in the series, it will present the last stage of Olmsted's career, with a firm that included his former students Henry Sargent Codman and Charles Eliot as new partners. During this time Olmsted concentrated his energies on his two last great commissions: one was the World's Columbian Exposition of 1893 on the site of the Chicago South Park that he and Vaux had designed in 1871, with subsequent redesigning of Jackson Park and the Midway; the other was the extensive Biltmore Estate in North Carolina. There will also be correspondence concerning the development of the park systems of Louisville, Kentucky, and proposals for park systems in Milwaukee and Kansas City. The volume will present some of the remarkable retrospective letters he wrote to Mariana Griswold Van Rensselaer and his son, Frederick Law Olmsted, Jr. It will conclude with several undated and unfinished writings on the history and principles of landscape design.




Sources for Byzantine Art History: Volume 3, The Visual Culture of Later Byzantium (1081–c.1350)


Book Description

In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.




How to Read a Modern Painting


Book Description

Modern art, filled with complex themes and subtle characteristics, is a wonder to view, but can be intimidating for the casual observer to comprehend. In this accessible, practical guide, author and instructor Jon Thompson explores more than 200 works, helping readers to unlock each painting's meaning. Beginning with the Barbizon school and the Realist movement of the mid-19th century and continuing through the 1980s avant-garde, artists including Bonnard, Basquiat, Van Gogh, Picasso, Degas, Warhol, and Whistler are featured. Thompson describes each artist's use of media and symbolism and provides insightful biographical information. A natural companion to Abrams' "How to Read a Painting," this book is a vibrant, informative trip through one of art history's most compelling periods.




Giotto the Painter. Volume 3: Survival


Book Description

Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.