Painting and Experience in Fifteenth Century Italy


Book Description

An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.







The History of Florence in Painting


Book Description

A landmark, hardcover, slipcased volume that tells the story of the archetypal Renaissance city anew, through its art. Placed at the heart of Italy, Florence was already in the Middle Ages a center of commerce and fine craftsmanship. Spurred on by a few powerful dynasties of merchants and financiers—above all the Medici, but also the Strozzi, the Pitti, and others—the city became the leading force in the Renaissance of the arts, literature, and science. Challenging the primacy of the Venetian Republic and even the city of the Popes, Florence attained a glory that was reflected down through the later centuries of Medici rule. And Florence was all along a city of painters, who recorded its sights; the likenesses of its leaders and luminaries; its battles, civic myths, and patron saints; and, of course, the changing tastes of their Tuscan patrons. In this magnificent volume are assembled a wide variety of artworks, both familiar and rarely seen, that, interwoven with an authoritative text, illustrate the eventful history of Florence—from the age of Cimabue and Giotto, through the High Renaissance of Leonardo and Michelangelo, to the Mannerism of Vasari and Bronzino, and even to the era of modern travelers like Sargent and Degas. The History of Florence in Painting is a feast for the eyes and the intellect, and worthy companion to the previous volumes in this series, The History of Venice in Painting, The History of Paris in Painting, and The History of Rome in Painting.













Art in Renaissance Italy, 1350-1500


Book Description

"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).




Early Italian Painting


Book Description

Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.




The History of Rome in Painting


Book Description

A sumptuously illustrated history of Rome, the Eternal City—the capital of Italy and world art—as captured by painters from the Antiquity through the twentieth century, in one luxurious hardcover volume with slipcase. From its ancient status as the jewel of an empire to its modern incarnation as a troubled, yet culturally vibrant European capital, Rome has compelled the imagination of artists for over two thousand years. Now, in The History of Rome in Painting, that entire span is brought to life through the visions of the greatest painters of the past millennium. As two previous Abbeville volumes, The History of Paris in Painting and The History of Venice in Painting, did for their respective cities, Rome provides the most luxurious possible visual presentation of one of the world’s most beautiful places. Editors Maria Teresa Caracciolo and Roselyne de Ayala, with the help of six other expert contributors, guide the reader through the colorful and tumultuous history of the Eternal City, from its humble origins as a village on the Palatine Hill to the cultural explosion of the Renaissance, from its reinvention as the capital of modern Italy to the watershed of the Lateran Treaty and beyond. Here you will find portraits of the city’s most famous and controversial leaders—from Julius Caesar to Mussolini—as well as its long succession of popes and aristocratic families. Depicted also, in brilliant detail, are the city’s architectural and sculptural landmarks: Saint Peter’s Basilica, Trajan’s Column, the Fontana di Trevi, and many more. With its more than three hundred full-color illustrations, including four spectacular gatefolds; its insightful text, written by leading art historians; and its valuable apparatus, including capsule biographies of 175 artists; The History of Rome in Painting is an important achievement in scholarship and publishing and a fitting tribute to the Eternal City. It is a true feast for art lovers, travelers, and historians alike. In art history as in the ancient Empire, "all roads lead to Rome"; here in one volume is the city as generations of painters have sought it, dreamed it, and captured it for all time. Like its predecessors The History of Venice in Painting and The History of Paris in Painting, it belongs in every art lover’s library.




History of Italian Renaissance Art


Book Description

This volume covers over four centuries of Italian painting, sculpture, and architecture. Revising author David G. Wilkins blends new scholarly discoveries with original author Hartt's emphasis on stylistic developments between the 12th and 16th centuries. offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs.