A Paper Landscape


Book Description

For many years after its foundation in 1791, the Ordnance Survey was mainly concerned with making small-scale military maps of England. The department had no definite plans for Ireland until 1824, when it was directed to map the whole country (as a prelude to a nationwide valuation of land and buildings) as quickly as possible on the large scale of six inches to the mile. After many delays and some mistakes, economy and accuracy were brought to this new task by applying the division of labour in a complex succession of cartographic operations, outdoor and indoor, each of which was as far as possible checked by one or more of the others. A similar system was later adopted by the Survey's British branch. The six-inch maps of Ireland appeared between 1835 and 1846, during which time they evolved from merely skeleton maps (Sir James Carmichael Smyth) into a full face portrait of the land (Thomas Larcom). It was originally intended to accompany them with written topographical descriptions, but only one of these had been published when the idea was abandoned in 1840. The revision of the maps, begun in 1844, was more successfully pursued, though like the original survey it presented new and challenging problems. In the 1850s the production of both smaller and larger scale maps of Ireland was placed on a regular footing. The survey's Dublin office was kept in being to carry out these tasks, which were not completed until almost the end of the century. The above mentioned topics are fully described in this thesis. Meanwhile a new and separate chain of events had begun in 1887 with the authorization of cadastral maps of Ireland on the scale of 1/2500. The latter, together with some more recent aspects of Irish Survey history, form the subject of a brief postscript.




The Civil Survey, 1654-1656


Book Description




Land Surveying in Ireland, 1690-1830


Book Description

Ireland's rich history of manuscript and printed maps is testament to the information that earlier generations sought from the environment around them. Although we are accustomed to seeing these beautiful documents illustrate research on the early modern period, rarely has the complex story of the processes, technology and people that led to their creation been told. Key to this tale is the role of the land surveyor, the technical specialist who physically measured and plotted Ireland's landscape, and whose work was fundamentally intertwined with wider political, economic and social factors that shaped national identity. This book explores the profession of surveying and those who practised it between the era of repressive land forfeitures (ending 1703) and the formation of the Ordnance Survey of Ireland (1825). It uses the careers of three prominent surveyors - Gabriel Stokes (b. 1682, d. 1768), Robert Gibson (d. 1761) and John Longfield (b. c.1775, d. 1833) - as guides to the complex, competitive and vibrant world of independent commercial land measurement. In doing so it exposes the efforts taken by generations of land surveyors to capture the island's landscape, and meet cust




1641 Depositions


Book Description

"The 1641 Depositions are witness testimonies, mainly by Protestants, but also by some Catholics, from all social backgrounds, concerning their experiences of the 1641 Irish rebellion. The testimonies document the loss of goods, military activity, and the alleged crimes committed by the Irish insurgents. This body of material is unparalleled anywhere in early modern Europe. It provides a unique source of information for the causes and events surrounding the 1641 rebellion and for the social, economic, cultural, religious, and political history of seventeenth- century Ireland, England and Scotland. In total, 19,010 manuscript pages in 31 bound volumes held at Trinity College Dublin have been transcribed and are arranged for publication in 12 volumes from 2014 onwards. The depositions are available online at www.1641.tcd.ie ."--Provided by publisher.







Early Medieval Ireland, 400-1200


Book Description

This impressive survey covers the early history of Ireland from the coming of Christianity to the Norman settlement (400 - 1200 AD). Within a broad political framework it explores the nature of Irish society, the spiritual and secular roles of the Church and the extraordinary flowering of Irish culture in the period. Other major themes are Ireland's relations with Britain and continental Europe, and Vikings and their influence, the beginnings of Irish feudalism, and the impact of the Viking and Norman invaders. Splendid in sweep and lively in detail, it launches the newLongman History of Ireland in fine style.







The Ordnance Survey and Modern Irish Literature


Book Description

The Ordnance Survey and Modern Irish Literature offers a fresh new look at the origins of literary modernism in Ireland, tracing a history of Irish writing through James Clarence Mangan, J.M. Synge, W.B. Yeats, James Joyce, and Samuel Beckett. Beginning with the archives of the Ordnance Survey, which mapped Ireland between 1824 and 1846, the book argues that one of the sources of Irish modernism lies in the attempt by the Survey to produce a comprehensive archive of a land emerging rapidly into modernity. The Ordnance Survey instituted a practice of depicting the country as modern, fragmented, alienated, and troubled, both diagnosing and representing a landscape burdened with the paradoxes of colonial modernity. Subsequent literature returns in varying ways, both imitative and combative, to the complex representational challenge that the Survey confronts and seeks to surmount. From a colonial mapping project to an engine of nationalist imagining, and finally a framework by which to evade the claims of the postcolonial nation, the Ordnance Survey was a central imaginative source of what makes Irish modernist writing both formally innovative and politically challenging. Drawing on literary theory, studies of space, the history of cartography, postcolonial theory, archive theory, and the field Irish Studies, The Ordnance Survey and Modern Irish Literature paints a picture of Irish writing deeply engaged in the representation of a multi-layered landscape.