HOLY BLISSFUL MARTYR ST THOMAS


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The Holy Blissful Martyr, Saint Thomas of Canterbury


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Holy Ground


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Cathedrals are one area of the church’s life where increasingly the unchurched and the half-believer encounter God, and where the institutions of our society instinctively engage with the Christian gospel. Holy Ground digs deep into the life of England’s cathedrals, and discusses such diverse topics as finance, growth, heritage, liturgy, development, music and art.




Lord of the World


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"I advise you to read it."--Pope Francis on Lord of the World In an airplane news conference on his return from the Philippines in January 2015, Pope Francis mentioned Robert Hugh Benson's Lord of the World. It wasn't the first time the Holy Father praised the book. This 1907 futuristic narrative has been hailed as the finest work of this unsung, but influential author and son of the Archbishop of Canterbury whose conversion to Catholicism rocked the Church of England in 1903. The compelling book includes a new introduction, a biography of Benson, and a theological reflection. Popular young adult books such as The Hunger Games and Divergent, as well as literary classics such as Walker Percy's Love in the Ruins and Cormac McCarthy's The Road, have created a growing interest in dystopian novels. In one of the first such novels of the twentieth century, Robert Hugh Benson imagines a world where belief in God has been replaced by secular humanism. Lord of the World describes a world where Catholics are falling away and priests and bishops are defecting. Only a small remnant of the faithful remains. Julian Felsenburgh, a mysterious and compelling figure arises, promising peace in exchange for blind obedience. Those who resist are subjected to torture and execution. Soon the masses are in Felsenburgh's thrall and he becomes leader of the world. Into this melee steps the novel's protagonist, Fr. Percy Franklin. Dauntless and clear-sighted, Franklin is a bastion of stability as the Catholic Church in England disintegrates around him. Benson's harrowing plot soon brings these two charismatic men into a final apocalyptic conflict. With an imagination to rival H. G. Wells and theological insight akin to G. K. Chesterton, Benson's astute novel has captured the attention of many today, including Popes Benedict and Francis. This new edition makes it easily available and features an insightful introduction by Rev. Mark Bosco, S.J., a brief biography of Benson by Martyn Sampson, and a theological reflection by Rev. Michael Murphy, S.J.




The King's Achievement


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'The King's Achievement' by Robert Hugh Benson is a novel that tells the story of the English Reformation from the Catholic perspective. Set in the 1530s, the book follows the Torridon family, particularly two brothers, Ralph and Christopher, who end up on opposing sides of the religious and political turmoil. The novel provides a complex and stormy portrayal of Cromwell's dissolution of the religious houses and the atmosphere of the time.




Catholic Converts


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From the early nineteenth to the mid-twentieth century, an impressive group of English speaking intellectuals converted to Catholicism. Outspoken and gifted, they intended to show the fallacies of religious skeptics and place Catholicism, once again, at the center of western intellectual life. The lives of individual converts—such as John Henry Newman, G. K. Chesterton, Thomas Merton, and Dorothy Day—have been well documented, but Patrick Allitt has written the first account of converts' collective impact on Catholic intellectual life. His book is also the first to characterize the distinctive style of Catholicism they helped to create and the first to investigate the extensive contacts among Catholic convert writers in the United States and Britain. Allitt explains how, despite the Church's dogmatic style and hierarchical structure, converts working in the areas of history, science, literature, and philosophy maintained that Catholicism was intellectually liberating. British and American converts followed each other's progress closely, visiting each other and sending work back and forth across the Atlantic. The outcome of their labors was not what the converts had hoped. Although they influenced the Catholic Church for three or four generations, they were unable to restore it to the central place in Western intellectual life that it had enjoyed before the Reformation.




Making and remaking saints in nineteenth-century Britain


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This book examines the place of 'saints' and sanctity in a self-consciously modern age, and argues that Protestants were as fascinated by such figures as Catholics were. Long after the mechanisms of canonisation had disappeared, people continued not only to engage with the saints of the past but continued to make their own saints in all but name. Just as strikingly, it claims that devotional practices and language were not the property of orthodox Christians alone. Making and remaking saints in the nineteenth-century Britain explores for the first time how sainthood remained significant in this period both as an enduring institution and as a metaphor that could be transposed into unexpected contexts. Each of the chapters in this volume focuses on the reception of a particular individual or group, and together they will appeal to not only historians of religion, but those concerned with material culture, the cult of history, and with the reshaping of British identities in an age of faith and doubt.




The Story of Royal Eltham


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The Necromancers


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Reproduction of the original: The Necromancers by Robert Hugh Benson