The Hours of Mary of Burgundy


Book Description

The Book of Hours of Mary of Burgundy is among the most celebrated illuminated manuscripts of the Middle Ages. Written by one of the favourite scribes of the Burgundian Court, its pages contain the key works of the Master of Mary of Burgundy, the most famous Flemish illuminator of the 15th century. The complete manuscript is here reproduced in full colour.




A Book of Hours for Engelbert of Nassau


Book Description

"The happiest, sweetest, and liveliest little book imaginable."--John Canaday.




The Prayer Book of Charles the Bold


Book Description

In January 1469, the accounts of Duke Charles the Bold of Burgundy (reigned 1467-77) record a payment to the noted scribe Nicolas Spierinc 'for having written ... some prayers for my lord.' Seven months later, the same accounts record a payment to the illuminator Lievin van Lathern for twenty-five miniatures plus borders and decorated initials in the same manuscript. In this study, the late Antoine de Schryver - an internationally renowned art historian - presents a thoroughly researched and balanced argument suggesting that the documents refer to the exquisite prayer book of Charles the Bold which can now be found in the collection of the J. Getty Museum. --book jacket.




The Virgin Mary's Book at the Annunciation


Book Description

An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.




The Book of Hours


Book Description

The Book of Hours were derived from the official service-books of the Church, but they were produced as the personal prayerbooks of the laity. Combining sacred and secular elements in a manner found in no other type of illuminated manuscript, Books of Hours have an especial significance in the history of religious sentiment and in the development of painting.




The Hastings Hours


Book Description

The medieval Book of Hours was a richly decorated manual of private devotion comprised of a calendar of saints' days and eight short services in honor of the Virgin Mary. The Hastings Hours is one of the finest of these to have survived. Intimate in scale and richly decorated with miniatures from the life of Christ and of the saints, it was made in the Netherlands by expert craftsmen during the last quarter of the fifteenth century.In this beautifully illustrated introduction to the manuscript, twenty-five of the surviving thirty-two large miniatures are reproduced--close to their actual size--along with many decorative borders and details. An essay by Janet Backhouse explores this outstanding achievement of Renaissance Flemish illumination.




Marking the Hours


Book Description

PT 3: Catholic books in a Protestant world.




Staging the Court of Burgundy


Book Description

In the course of the fifteenth century, the reputation of the Burgundian court rose to an unprecedented level, catapulted forward by ever growing territorial ambitions and accumulation of wealth. This reached a climax during the reign of Charles the Bold (1433-1477), the living embodiment of the pomp and pageantry of the Burgundian court and a generous patron of the fine arts. Rather than focusing on a single domain, this volume aims to shed light on Burgundian court culture as an organic whole, between the start of the reign of Philip the Good (1419) and the death of Mary of Burgundy (1482). It is intended to provide a forum for new research from the fields of History, History of Art, Literature and Musicology. With contributions (among others) from Wim Blockmans, Herman Brinkman, Barbara Haggh, Andrea Berlin, James Bloom, Till-Holger Borchert, Andrew Brown, Hendrik Callewier, Anna Campbell, Mario Damen, Sonja Duennebeil, Jonas Goossenaerts, Bieke Hillewaert, Andrew Hamilton, Eva Helfenstein, Jesse Hurlbut, Sophie Jolivet, Sascha Kohl, Sherry Lindquist, Jana Lucas, Samuel Mareel, Elizabeth J. Moodey, Klaus Oschema, Kathryn Rudy, Emily Snow, Olga Vassilieva-Codognet, Hanno Wijsman.




Flemish Illuminated Manuscripts, 1475-1550


Book Description

Between 1475 and 1550 the master illuminators of Flanders produced an array of manuscripts of unparalleled splendour, and this volume offers an opportunity to discover these sumptuous, relatively unknown works of art.




The Library of the Dukes of Burgundy


Book Description

Formed under Philip the Bold and passed down to his successors, John the Fearless and Philip the Good, the Library of the Dukes of Burgundy comprised no less than nine hundred manuscripts copied and illuminated by the greatest artists of the Middle Ages by the time of Charles the Bold. This extraordinary and unique library included essential texts of medieval literature such as the works of Christine de Pizan, the Roman de la Rose by Jean de Meung and Guillaume de Lorris, the History of Charles Martel, as well as the Ethics and Politics of Aristotle. It was one of the largest collections of books of its time alongside those of the King of France Charles V, the Duke of Berry, the Medici and the papacy. The two hundred and eighty manuscripts of the collection preserved today in the Royal Library of Belgium cover all fields of medieval thought: literature, ancient history, sciences, morals, religion philosophy, but also law, poetry and chivalric romance. The oldest of these works date back to the fourteenth century while the most recent date from the end of the feudal period. Many of them were transcribed at the express request of the dukes by renowned copyists such as Jean Mielot, Jean Wauquelin, and David Aubert. Many of these codices are absolute masterpieces of the French or Flemish miniature and have been illuminated by Willem Vrelant, Loyset Liedet, Jean le Tavernier, Philippe de Mazerolles, Simon Marmion, and Lievin Van Lathem, miniaturists whose fame and talent competed with Flemish Primitives such as Jan Van Eyck, Rogier Van der Weyden or Hans Memling. In the unanimous opinion of researchers, manuscripts that belong to the collection such as the Chronicles of Hainault by Jacques de Guise, the Hours of the Duke of Berry, the Psalter of Peterborough or the Cronic and Conquest of Charlemagne, are among the fifty most prestigious manuscripts in the world.