Macmillan: A Publishing Tradition, 1843-1970


Book Description

For over one hundred and fifty years, since its founding in 1843, Macmillan has been at the heart of British publishing. This collection of essays, representing recent research in the archives at the British library, examines the firms' astute business strategy during the nineteenth century, its successful expansion into overseas markets in America and India, its complex and intriguing relations with authors such as Matthew Arnold, Thomas Hardy, Alfred Lord Tennyson, W.B.Yeats, and J.M.Keynes, with additional chapters on Macmillan Magazine and the work of a modern children's editor.




Macmillan’s Magazine, 1859–1907


Book Description

Macmillan's Magazine has long been recognized as one of the most significant of the many British literary/intellectual periodicals that flourished in the second half of the nineteenth century. Yet the first volume of the Wellesley Index to Victorian Periodicals (1966) pointed out that 'There is no study of Macmillan's Magazine' - and that lack has been only partially remedied in all the decades since. In this work, George Worth addresses five principal questions. Where did Macmillan's come from, and why in 1859? Who or what was the guiding spirit behind the Magazine, especially in its early, formative years? What cluster of ideas gave it such coherence as it manifested during that period? How did it and its parent firm deal with authors and juggle their periodical work and the books they produced for Macmillan and Co.? And what, finally, accounted for the palpable decline in the quality and fiscal health of Macmillan's during the last 25 years of its life and, ultimately, for its death? Worth includes a treasure trove of original material about the Magazine much of it drawn from unpublished manuscripts and other previously untapped primary sources. Macmillan's Magazine, 1859-1907 contributes to the understanding not only of one significant Victorian periodical but also, more generally, of the literary and cultural milieu in which it originated, flourished, declined, and expired.




Bernard Shaw and His Publishers


Book Description

This rich selection of Shaw's correspondence with his US and UK publishers proves how much the dramatist lived up to his own words by providing the details of his steady involvement in the publication of his works.




Call of the Atlantic


Book Description

Uses fresh archival material to explore Jack London's publishing career outside of North America, illuminating the relationships with publishers and agents, principally in Britain, as a key to understanding the character, drive, and international success of this popular figure of twentieth-century American letters.




Thomas Hardy


Book Description

A portrait of the enigmatic nineteenth-century novelist and poet discusses his humble origins, rise through the London literary scene, and efforts to guard his privacy.




A History of British Publishing


Book Description

Thoroughly revised, restructured and updated, A History of British Publishing covers six centuries of publishing in Britain from before the invention of the printing press, to the electronic era of today. John Feather places Britain and her industries in an international marketplace and examines just how ‘British’, British publishing really is. Considering not only the publishing industry itself, but also the areas affecting, and affected by it, Feather traces the history of publishing books in Britain and examines: education politics technology law religion custom class finance, production and distribution the onslaught of global corporations. Specifically designed for publishing and book history courses, this is the only book to give an overall history of British publishing, and will be an invaluable resource for all students of this fascinating subject.




The 'Creed of Science' in Victorian England


Book Description

The nineteenth century, which saw the triumph of the idea of progress and improvement, saw also the triumph of science as a political and cultural force. In England, as science and its methods claimed privilege and space, its language acquired the vocabulary of religion. The new ’creed’ of science embraced what John Tyndall called the ’scientific movement’; it was, in the language of T.H. Huxley, a militant creed. The ’march’ of invention, the discoveries of chemistry, and the wonders of steam and electricity culminated in a crusade against ignorance and unbelief. It was a creed that looked to its own apostolic succession from Copernicus, Galileo and the martyrs of the ’scientific revolution’. Yet, it was a creed whose doctrines were divisive, and whose convictions resisted. Alongside arguments for materialism, utility, positivism, and evolutionary naturalism, persisted reservations about the nature of man, the role of ethics, and the limits of scientific method. These essays discuss leading strategists in the scientific movement of late-Victorian England. At the same time, they show how ’science established’ served not only the scientific community, but also the interests of imperial and colonial powers.




Representing Modernist Texts


Book Description

Literary scholars explore the significant yet largely ignored field of textual and editorial scholarship in the work of modern authors




Thomas Hardy


Book Description

Included in this edition are ten stories which were never collected into volumes during Hardy's lifetime. Some contain references to actual people, or plot elements that he reused elsewhere, and others, such as his stories for children, were simply too different from his other work in the short story form. Although all of these stories occupy significant positions within Hardy's career, none has previously received serious editorial treatment. For the most part they have been ignored, lightly passed over, or misinterpreted by critics and biographers. This edition remedies some of the deficiencies in Hardy scholarship, both in its historical introductions and in its critically edited texts, which are based on full collations of all editions published before Hardy's death and all surviving manuscripts, typescripts, and previously neglected proofs.




Exhibiting the Empire


Book Description

Exhibiting the empire considers how a whole range of cultural products – from paintings, prints, photographs, panoramas and ‘popular’ texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture – were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.