The Iconography of Manhattan Island, 1498-1909


Book Description

Hardcover reprint of the original 1915 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. All foldouts have been masterfully reprinted in their original form. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Stokes, I. N. Phelps (Isaac Newton Phelps). The Iconography Of Manhattan Island, 1498-1909: Compiled From Original Sources And Illustrated By Photo-Intaglio Reproductions Of Important Maps, Plans, Views, And Documents In Public And Private Collections, Volume 3. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Stokes, I. N. Phelps (Isaac Newton Phelps). The Iconography Of Manhattan Island, 1498-1909: Compiled From Original Sources And Illustrated By Photo-Intaglio Reproductions Of Important Maps, Plans, Views, And Documents In Public And Private Collections, Volume 3. New York: Robert H. Dodd, 1915. Subject: Cartography




The Iconography Of Manhattan Island, 1498-1909


Book Description

The Iconography Of Manhattan Island, 1498-1909: Compiled From Original Sources And Illustrated By Photo-Intaglio Reproductions Of Important Maps, Plans, Views, And Documents In Public And Private Collections has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.




The Iconography of Manhattan Island, 1498-1909


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Iconography Of Manhattan Island, 1498-1909


Book Description

The Iconography Of Manhattan Island, 1498-1909: Compiled From Original Sources And Illustrated By Photo-Intaglio Reproductions Of Important Maps, Plans, Views, And Documents In Public And Private Collections (Volume Ii) has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.




The Iconography of Manhattan Island, 1498-1909: Compiled from Original Sources and Illustrated by Photo-Intaglio Reproductions of Important Maps, Plan


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Iconography Of Manhattan Island, 1498-1909


Book Description

The Iconography Of Manhattan Island, 1498-1909: Compiled From Original Sources And Illustrated By Photo-Intaglio Reproductions Of Important Maps, Plans, Views, And Documents In Public And Private Collections (Volume Vi) has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.




Washington's Spies


Book Description

NEW YORK TIMES BESTSELLER • Turn: Washington’s Spies, now an original series on AMC Based on remarkable new research, acclaimed historian Alexander Rose brings to life the true story of the spy ring that helped America win the Revolutionary War. For the first time, Rose takes us beyond the battlefront and deep into the shadowy underworld of double agents and triple crosses, covert operations and code breaking, and unmasks the courageous, flawed men who inhabited this wilderness of mirrors—including the spymaster at the heart of it all. In the summer of 1778, with the war poised to turn in his favor, General George Washington desperately needed to know where the British would strike next. To that end, he unleashed his secret weapon: an unlikely ring of spies in New York charged with discovering the enemy’s battle plans and military strategy. Washington’s small band included a young Quaker torn between political principle and family loyalty, a swashbuckling sailor addicted to the perils of espionage, a hard-drinking barkeep, a Yale-educated cavalryman and friend of the doomed Nathan Hale, and a peaceful, sickly farmer who begged Washington to let him retire but who always came through in the end. Personally guiding these imperfect everyday heroes was Washington himself. In an era when officers were gentlemen, and gentlemen didn’ t spy, he possessed an extraordinary talent for deception—and proved an adept spymaster. The men he mentored were dubbed the Culper Ring. The British secret service tried to hunt them down, but they escaped by the closest of shaves thanks to their ciphers, dead drops, and invisible ink. Rose’s thrilling narrative tells the unknown story of the Revolution–the murderous intelligence war, gunrunning and kidnapping, defectors and executioners—that has never appeared in the history books. But Washington’s Spies is also a spirited, touching account of friendship and trust, fear and betrayal, amid the dark and silent world of the spy.




From Homeland to New Land


Book Description

This history of the Mahicans begins with the appearance of Europeans on the Hudson River in 1609 and ends with the removal of these Native people to Wisconsin in the 1830s. Marshaling the methods of history, ethnology, and archaeology, William A. Starna describes as comprehensively as the sources allow the Mahicans while in their Hudson and Housatonic Valley homel? after their consolidation at the praying town of Stockbridge, Massachusetts; and following their move to Oneida country in central New York at the end of the Revolution and their migration west. The emphasis throughout this book is on describing and placing into historical context Mahican relations with surrounding Native groups: the Munsees of the lower Hudson, eastern Iroquoians, and the St. Lawrence and New England Algonquians. Starna also examines the Mahicans’ interactions with Dutch, English, and French interlopers. The first and most transformative of these encounters was with the Dutch and the trade in furs, which ushered in culture change and the loss of Mahican lands. The Dutch presence, along with the new economy, worked to unsettle political alliances in the region that, while leading to new alignments, often engendered rivalries and war. The result is an outstanding examination of the historical record that will become the definitive work on the Mahican people from the colonial period to the Removal Era.




Art and the Empire City


Book Description

Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR




William Byrd II and His Lost History


Book Description

An 18th century copperplate illustration, discovered in Oxford in 1929, was used to guide the restoration and reconstruction of several Williamsburg buildings. This information was appreciated but a discovery was made when more copperplates which came to light in 1986 were linked to the 1929 Oxford copperplate. This book pieces together the mystery of when, how, and why these copperplates were made. The authors link these illustrations to texts written (and to texts now lost) by one of the most prominent Virginians of this period, William Byrd II. Byrd (1674-1744) was a prominent plantation-owner, author, romantic scoundrel, and politician who is generally seen as the founder of the city of Richmond.