The Immortality of the Soul


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The Immortality of the Soul


Book Description




Art Music


Book Description

Listening to music is not merely something one does, but something central to a way of living. Listening has the power to transport one into another way of being. It is a mode of feeling and forms the bedrock of deep emotion. Written from the viewpoint of a philosophy of sensibility, Matthew Del Nevo notes that this perspective may not be in fashion, but it follows a long tradition. Del Nevo emphasizes the aesthetic experience of listening to art music as it has developed and disintegrated in Western civilization. He recognizes a deep psychological element to what he calls "soul"—or more accurately "sensibility." He addresses music in a non-technical way, taking up the powerful art theory of Charles Baudelaire, the music philosophy of Schopenhauer and Richard Wagner, and takes a strong critical stand against modernist intellectual art music. The importance of this book for the musically- literate reader is its insight into the metaphysics of nostalgia. This comprehension is missing from nearly all musical instruction because we have lost sight of it. Del Nevo asserts that this understanding must be brought back into our culture. And since this is a book about listening to art music, it is no less about sensibility and its cultivation, which in its object form we call culture. An engaging book, Art Music will appeal to those interested in music, culture, and philosophy.




Hume on Testimony


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This book is the first devoted to Hume’s conception of testimony. Hume is usually taken to be a reductionist with respect to testimony, with trust in others dependent on the evidence possessed by individuals concerning the reliability of texts or speakers. This account is taken from Hume’s essay on miracles in An Enquiry concerning Human Understanding. O’Brien, though, looks wider than the miracles essay, turning to what Hume says about testimony in the Treatise, the moral Enquiry, the History of England and his Essays. There are social aspects of testimonial exchanges that cannot be explained purely in terms of the assessment of the reliability of testifiers. Hume’s conception of testimony is integrated with his account of how history informs our knowledge of human nature, the relation between sympathy and belief and between pride and the conception we have of our selves, the role played by social factors in the judgment of intellectual virtue, and the importance Hume places on epistemic responsibility and the moral and personal dimensions of testimonial trust. It is not possible to focus on testimony without allowing other aspects of our nature into the frame and therefore turning also to consider sympathy, wisdom, history, morality, virtue, aesthetic judgment, the self, and character. O’Brien argues that Hume’s reliance on the social goes deep and that he should therefore be seen as an anti-reductionist with respect to testimony. Hume on Testimony will be of interest to researchers and advanced students working on Hume and on early modern and contemporary approaches to the epistemology of testimony.







The Immortality of the Soul


Book Description