The Impressionist and the City


Book Description

"Examines the problematic serial nature of ... [Pissarro's] urban works"--Foreword.




Pissarro's People


Book Description

KEYNOTE: This definitive portrait of Camille Pissarro by one of the world's foremost authorities on Impressionism and French painting reveals the deep connection between Pissarro's humanitarian concerns and his creative output. Throughout his career, the Impressionist artist Camille Pissarro produced a vast oeuvre of paintings, drawings, and prints inspired by his fascination with and commitment to politics. Many of these works reflect the tensions between his anarchist ideals and the realities of life in a capitalist society; however, most examinations of Pissarro have approached his art and politics as separate spheres. Published to accompany a major exhibition, this survey by a renowned expert on Impressionist painting offers a selection of canvases and works on paper that embody Pissarro's pictorial humanism at the highest level. Exhaustive archival study, interviews with surviving family members, and research drawn from thousands of newly discovered letters inform this rich and authoritative book. Including individual portraits of each of the family members Pissarro so often inserted into his paintings, it also examines his relationships with fellow artists, writers, neighbors, merchants, and domestic servants. The result is a refreshing and landmark reconsideration of the artist's magnificent body of work. AUTHOR: Richard R. Brettell has taught at Northwestern University, the University of Chicago, Yale University, and Harvard University, and is presently Margaret M. McDermott Distinguished Chair of Art and Aesthetic Studies at the University of Texas at Dallas. He is the author of numerous books on painting and Impressionism. ILLUSTRATIONS 275 colour illustrations







Pissarro


Book Description




The Impressionist and the City


Book Description




Gauguin and Impressionism


Book Description

A new assessment of Gauguin' s involvement with-- and notable impact upon-- the Impressionist movement




The Art of Impressionism


Book Description

"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.




Pissarro's Places


Book Description

PISSARRO'S PLACES tells his story in a fresh and different way-exploring the places he painted and his "sensations" as he translated them into brushstrokes on his canvas. In his landscapes, you almost feel the sun and the wind in the trees. In his city paintings, you sense the hustle and bustle of traffic. This was his genius. Rather than settling for the familiar, Pissarro courageously put himself into new situations in pursuit of different and exciting motifs. With PISSARRO'S PLACES, you see those places through his eyes. All the paintings featured in the book are located in public museums and are accessible to the public. Ann Saul has traveled to all the places Pissarro painted (except Venezuela) during her 20 years of research. A professional writer, Ann was formerly a Guide at the Philadelphia Museum of Art, a Docent at Terra Foundation Museum of American Art (Chicago, no longer open), and a Volunteer at the Art Institute of Chicago. She writes a blog about Pissarro at artbookannex.com. PISSARRO'S PLACES includes: Foreword by Joachim Pissarro, great grandson of Camille Pissarro 35 color reproductions of Pissarro's paintings Pissarro family photographs 46 color photographs of Pissarro's sites today 29 historic French postcards




Camille Pissarro


Book Description

Studying the effects of light, climate, and the seasons, Camille Pisarro experimented with art theory and technique, and fused a distinctive style that remained his own within the larger style of Impressionism. This publication presents Pisarro's oeuvre in all its thematic and artistic diversity. It is a spectrum which extends from the coloristic masterpieces of his early years, especially his landscapes, through to his later, equally famous views of Rouen and Paris, and includes a diversity of subject matter as seen in his portraits, still lifes, market scenes and representations of everyday peasant life.




Camille Pissarro


Book Description

This new consideration of Pissarro’s work focuses on his strengths as a unifier and champion of other painters, as well as his innovative approach to the Impressionist movement and beyond. As one of the founding figures of Impressionism, Camille Pissarro exerted considerable influence over the movement’s other members, such as Paul Cézanne, Claude Monet, Paul Gauguin, Edgar Degas, and Mary Cassatt. This publication focuses on Pissarro’s collaborations with these and other artists. It also celebrates the avant-garde quality of his painting, particularly in his contributions to Neo-Impressionism. Focusing on his role in the revolutionary Impressionist movement of the 1870s, the book traces Pissarro’s work in dialog with his fellow artists, particularly Cezanne and Gauguin, and also reveals his influence on works by Alfred Sisley, Georges Seurat, Paul Signac and others. In addition to pages of exquisite reproductions of works by Pissarro and his contemporaries, this volume features illuminating essays about his influences on Van Gogh, his approach to the female figure, and the role of synthesis among the early Impressionists. Readers will come away with a new understanding of how Pissarro’s unique talent for collaboration and unity was vital to the development of French painting in the late 19th century.