The Indian Captivity Narrative, 1550-1900


Book Description

An American literary form that flourished from the seventeenth through the nineteenth centuries, the Indian Captivity narrative has long fascinated readers on both sides of the Atlantic. These narratives - chronicling the unpredictable encounters between Native Americans and newcomers - number in the thousands. They encompass the factual as well as the fictional. And in their often negative portrayals of Native Americans, these narratives have aroused considerable controversy. Presenting a broad survey of these narratives and shedding much-needed light on their place in American culture and letters comes The Indian Captivity Narrative, 1550-1900, written by two scholars eminently well versed in their subject matter. In clear and straightforward writing, Kathryn Zabelle Derounian-Stodola and James Arthur Levernier argue that these texts played a vital role in American culture, forming the first truly American literary form and revealing, in their racist subtexts, much about white America's fear of "otherness". With a focus on both the literary and the historical features of the narratives, the authors take a New Historicist approach, extending the accepted chronology to encompass texts written in the 1500s through the 1900s and representing most regions of the continental United States. Here readers will find references to hundreds of primary texts and commentary on texts, as well as expert treatment of such topics as the mythology surrounding the form, the narratives' images of Native Americans and of women, and Mary Rowlandson's well-known 1682 account. A highly accessible work that nevertheless retains its subject's complexity, The Indian Captivity Narrative, 1550-1900 - complementedby nine important illustrations - provides an ideal resource for high school and college students, and for general audiences.




The Indian Captivity Narrative, 1550-1900


Book Description

Twaynes United States Authors Series presents concise critical introductions to great writers and their works. Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volumeaddresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading theAuthors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives.




Women's Indian Captivity Narratives


Book Description

Enthralling generations of readers, the narrative of capture by Native Americans is arguably the first American literary form dominated by the experiences of women. The ten selections in this anthology span the early history of this country (1682-1892) and range in literary style from fact-based narrations to largely fictional, spellbinding adventure stories. The women are variously victimized, triumphant, or, in the case of Mary Jemison, permantently transculturated. This collection includes well known pieces such as Mary Rowlandson's "A True History" (1682), Cotton Mather's version of Hannah Dunstan's infamous captivity and escape (after scalping her captors!), and the "Panther Captivity", as well as lesser known texts. As Derounian-Stodola demonstrates in the introduction, the stories also raise questions about the motives of their (often male) narrators and promoters, who in many cases embellish melodrama to heighten anti-British and anti-Indian propaganda, shape the tales for ecclesiastical purposes, or romanticize them to exploit the growing popularity of sentimental fiction in order to boost sales. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




The Captivity Narrative


Book Description

The Captivity Narrative offers a collection of scholarly treatises that assess the phenomenon of captivity and the nuanced methods captives have used to express their psychological duress and the manner in which they coped with bondage and its aftermath. The essays reflect a multidisciplinary interest in the subject by offering historical, literary, and philosophical analyses. Topics include 17th-century captivity in Spanish Texas and Puritan New England, 19th-century slavery, Indian captivity in works of fiction, and the poetry, literature, and narratives of prisoners in the United States and England from the 19th to 21st century. The studies originated in a conference hosted in San Antonio, Texas (2011) by the Southwest/Texas Popular Culture and American Culture Association. Contributors include Anne Babson, Jennifer Oakes Curtis, Lanta Davis, Steven Gambrel, Anne Matthews, Alan Smith and Elisabeth Ziemba.




A Thrilling Narrative of Indian Captivity


Book Description

This edition of A Thrilling Narrative of Indian Captivity rescues from obscurity a crucially important work about the bitterly contested U.S.-Dakota War of 1862. Written by Mary Butler Renville, an Anglo woman, with the assistance of her Dakota husband, John Baptiste Renville, A Thrilling Narrative was printed only once as a book in 1863 and has not been republished since. The work details the Renvilles’ experiences as “captives” among their Dakota kin in the Upper Camp and chronicles the story of the Dakota Peace Party. Their sympathetic portrayal of those who opposed the war in 1862 combats the stereotypical view that most Dakotas supported it and illumines the injustice of their exile from Dakota homelands. From the authors’ unique perspective as an interracial couple, they paint a complex picture of race, gender, and class relations on successive midwestern frontiers. As the state of Minnesota commemorates the 150th anniversary of the Dakota War, this narrative provides fresh insights into the most controversial event in the region’s history. This annotated edition includes groundbreaking historical and literary contexts for the text and a first-time collection of extant Dakota correspondence with authorities during the war.




The Literary Angel


Book Description

The fictionalized Los Angeles of television's Angel is a world filled with literature--from the all-important Shansu prophecy that predicts Angel's return to a state of humanity to the ever-present books dominating the characters' research sessions. This collection brings together essays that engage Angel as a text to be addressed within the wider fields of narrative and literature. It is divided into four distinct parts, each with its own internal governing themes and focus: archetypes, narrative and identity, theory and philosophy, and genre. Each provides opportunities for readers to examine a wide variety of characters, tropes, and literary nuances and influences throughout all five televised seasons of the series and in the current continuation of the series in comic book form.




Encyclopedia of American Literature


Book Description

Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.




Liberty's Captives


Book Description

An astonishing variety of captivity narratives emerged in the fifty years following the American Revolution; however, discussions about them have usually focused on accounts of Native American captivities. To most readers, then, captivity narratives are synonymous with "godless savages," the vast frontier, and the trials of kidnapped settlers. This anthology, the first to bring together various types of captivity narratives in a comparative way, broadens our view of the form as it shows how the captivity narrative, in the nation-building years from 1770 to 1820, helped to shape national debates about American liberty and self-determination. Included here are accounts by Indian captives, but also prisoners of war, slaves, victims of pirates and Barbary corsairs, impressed sailors, and shipwreck survivors. The volume's seventeen selections have been culled from hundreds of such texts, edited according to scholarly standards, and reproduced with the highest possible degree of fidelity to the originals. Some selections are fictional or borrow heavily from other, true narratives; all are sensational. Immensely popular with American readers, they were also a lucrative commodity that helped to catalyze the explosion of print culture in the early Republic. As Americans began to personalize the rhetoric of their recent revolution, captivity narratives textually enacted graphic scenes of defiance toward deprivation, confinement, and coercion. At a critical point in American history they helped make the ideals of nationhood real to common citizens.







Americans Recaptured


Book Description

It was on the frontier, where “civilized” men and women confronted the “wilderness,” that Europeans first became Americans—or so authorities from Frederick Jackson Turner to Theodore Roosevelt claimed. But as the frontier disappeared, Americans believed they needed a new mechanism for fixing their collective identity; and they found it, historian Molly K. Varley suggests, in tales of white Americans held captive by Indians. For Americans in the Progressive Era (1890–1916) these stories of Indian captivity seemed to prove that the violence of national expansion had been justified, that citizens’ individual suffering had been heroic, and that settlers’ contact with Indians and wilderness still characterized the nation’s “soul.” Furthermore, in the act of memorializing white Indian captives—through statues, parks, and reissued narratives—small towns found a way of inscribing themselves into the national story. By drawing out the connections between actual captivity, captivity narratives, and the memorializing of white captives, Varley shows how Indian captivity became a means for Progressive Era Americans to look forward by looking back. Local boosters and cultural commentators used Indian captivity to define “Americanism” and to renew those frontier qualities deemed vital to the survival of the nation in the post-frontier world, such as individualism, bravery, ingenuity, enthusiasm, “manliness,” and patriotism. In Varley’s analysis of the Progressive Era mentality, contact between white captives and Indians represented a stage in the evolution of a new American people and affirmed the contemporary notion of America as a melting pot. Revealing how the recitation and interpretation of these captivity narratives changed over time—with shifting emphasis on brutality, gender, and ethnographic and historical accuracy—Americans Recaptured shows that tales of Indian captivity were no more fixed than American identity, but were consistently used to give that identity its own useful, ever-evolving shape.